{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O98921"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O98921/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2017KJ5013/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2017KJ5013/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2017KJ5013","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BD7053","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AE9509","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LL3631","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O98921/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O98921","accessionNumber":"D.989-1900","objectType":"Drawing","titles":[{"title":"A garzone grinding pigments","type":"generic title"}],"summaryDescription":"This drawing shows an everyday scene that the artist would have seen in his own workshop. Like most successful artists at this time he employed a number of assistants to help with the preparatory work involved in producing a painting. In this instance the assistant is grinding mineral pigments which will be mixed with oil to make paint.","physicalDescription":"Drawing.","artistMakerPerson":[{"name":{"text":"Parmigianino","id":"A5258"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Red chalk on paper","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2017KJ5013","2006BD7053","2006AE9509","2019LL3631"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2A","shelf":"DR84","box":"LOANS"}],"partTypes":[[{"text":"drawing, red chalk","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1530s","earliest":"1530-01-01","latest":"1539-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Dalton Bequest","dimensions":[{"dimension":"Height","value":"19.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"15.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"The drawing shows a painter’s assistant (garzone) grinding pigments: it was the first stage of the artistic training within the workshop practice. Mr Popham dated this drawing in Parmigianino’s latest phase and compared the tightly curled hair with a drawing of a head of a youth at Chatsworth.","briefDescription":"Parmigianino, (Francesco Mazzola) (1503-40)\r\nA painter's \"garzone\" grinding pigments on the lid of a chest\r\nDalton Bequest","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Giles Waterfield, ed. <u>The Artist's Studio</u> London: Hogarth Arts, 2009. ISBN: 978-0-9554063-3-1."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"pigments","id":"x33204"},{"text":"chest","id":"AAT38992"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Parmigianino 1503-1540\nA painter's Assistant Grinding Pigments on the Lid of a Chest\nProbably 1530s\n\n\nThe Italian artist Parmigianino was a superb draughtsman. This drawing was one of over two hundred left to the V&amp;A by Miss Emily Dalton of Leicester for the use of art students. The copying of old master drawings was a traditional part of an artist's training.\n\n\nRed chalk on paper\n\nBequeathed by Emily Dalton 1900\nMuseum no. D.989-1900","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["D.989-1900"],"accessionNumberNum":"989","accessionNumberPrefix":"D","accessionYear":1900,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-20","recordCreationDate":"2004-06-04","availableToBook":false}}