{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O98825"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O98825/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU5391/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU5391/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU5391","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O98825/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O98825","accessionNumber":"E.1223-2000","objectType":"Photograph","titles":[{"title":"Goodness","type":"assigned by artist"},{"title":"Fruits of the Spirit","type":"series title"}],"summaryDescription":"Within months of acquiring her camera, Julia Margaret Cameron embarked on an ambitious series illustrating the nine Christian virtues. Many of the compositions resemble Renaissance paintings. Cameron struggled to represent abstract concepts such as goodness and temperance, as well as to distinguish each virtue from the others. She would not attempt another series until 1874, when she undertook the illustrations to Alfred Tennyson’s <i>Idylls of the King</i>. Cameron donated a set of all nine <i>Fruits of the Spirit</i> – mounted in a single frame – to the British Museum in January 1865. ","physicalDescription":"Half-length portrait of a heavily draped woman (Mary Hillier) with a semi-naked young child (Alice Keown) on her lap; both face the viewer.","artistMakerPerson":[{"name":{"text":"Cameron, Julia Margaret","id":"A8214"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"albumen process","id":"AAT133274"}],"materialsAndTechniques":"Albumen print from wet collodion glass negative","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Religion","id":"THES48900"},{"text":"Woman Artist","id":"THES387590"},{"text":"Woman photographer","id":"THES380381"}],"styles":[{"text":"Victorian","id":"AAT21232"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2008BU5391"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"311","box":"F"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Isle of Wight","id":"x28925"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1864","earliest":"1864-01-01","latest":"1864-12-31"},"association":{"text":"photographed","id":"x30151"},"note":"date assigned by Cox and Ford"}],"associatedObjects":[{"object":{"text":"44:775","id":"O1097721"},"association":"Version"},{"object":{"text":"44:756","id":"O129594"},"association":"Version"}],"creditLine":"Transferred from the British Museum, 2000","dimensions":[{"dimension":"Height","value":"28.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"22.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"30.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Width","value":"22.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'[crown stamp] BM - P&D 1865-1-14-1299'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"brown ink","method":"stamped","position":"verso, lower left, along edge on mount","script":"","translation":"","transliteration":"","type":"","note":"verso, lower left, along edge on mount; stamped; brown ink"},{"content":"'Goodness.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"red ink","method":"pasted","position":"lower centre on mount","script":"","translation":"","transliteration":"","type":"","note":"lower centre on mount; pasted label; red ink"},{"content":"'1865.1.14.1299.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"black ink","method":"inscribed","position":"on mount, centre, under image.","script":"","translation":"","transliteration":"","type":"","note":"on mount,lower  centre, under image; inscribed; black ink"}],"objectHistory":"This photograph is one of a series of nine made in 1864 (Julia Margaret Cameron's first year of photography), known as \"The Fruits of the Spirit\".  Cameron conceptualised the photographs in the sequence individually, inscribing the title on the mount of each print, corresponding to the virtues of love, joy, peace, long-suffering, gentleness, goodness, faith, meekness and temperance as taught by Paul in the Galatians (5:22-3).  The photographs show a model (Mary Hillier) as a contemplative Madonna and in all but one (Joy, V&A Ph 363-1981) posed in the manner of the Madonna and Child (with one or two infants), an often depicted and important subject in the history of art, particularly in Flemish and Italian Renaissance painting. Cameron's house maid Hillier appeared so frequently and convincingly in the guise of Madonna that she was known in the Freshwater circles as \"Mary Madonna\".","historicalContext":"","briefDescription":"Photograph by Julia Margaret Cameron, 'Goodness' (sitters Mary Hillier, Alice Keown), from the series <i>Fruits of the Spirit</i>,albumen print, 1864","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Julian Cox and Colin Ford, et al. <u>Julia Margaret Cameron: the complete photographs.</u> London : Thames and Hudson, 2003. Cat. no. 42."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Mary Hillier","id":"N2496"},{"text":"Alice Keown","id":"N5197"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"child","id":"x31382"},{"text":"woman","id":"x35642"},{"text":"Virgin and Child","id":"x31507"}],"contentConcepts":[{"text":"Religion","id":"x37580"},{"text":"christianity","id":"AAT73711"}],"contentLiteraryRefs":["Galatians 5:22-23"],"galleryLabels":[],"partNumbers":["E.1223-2000"],"accessionNumberNum":"1223","accessionNumberPrefix":"E","accessionYear":2000,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-01","recordCreationDate":"2004-06-02","availableToBook":false}}