{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O98736"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O98736/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BB4322/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BB4322/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BB4322","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O98736","accessionNumber":"E.948-2003","objectType":"Photograph","titles":[{"title":"Angel of the Annunciation","type":""}],"summaryDescription":"This photograph was made in the V&A using a giant pinhole camera, or camera obscura, built around a display case that contains a 15th-century carved oak angel. \r\nPhotographic paper was attached to the back of the case and a unique negative image was formed by ambient light filtering onto the paper through a pinhole. The exposure lasted twenty-four hours. The elgant silhouette of the sculpture inhabits the inverted image of the gallery, which is transformed into a celestial realm where points of light appear like black stars. \r\nThe V&A commissioned Edgar Lissel to create this photograph during a two-week residency to coincide with the Exhibition 'Seeing Things: Photographing Objects 1850-2001'.","physicalDescription":"Photograph depicts the silhouette of a Northern French 15th-century (1414-50) carved oak angel surrounded by the lamps in the gallery that appear on the exposure like black stars.","artistMakerPerson":[{"name":{"text":"Lissel, Edgar","id":"A12886"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic gelatin","id":"AAT183863"},{"text":"silver halide","id":"AAT130942"},{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"gelatin silver process","id":"AAT139114"}],"materialsAndTechniques":"Gelatin-silver print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BB4322"],"imageResolution":"low","galleryLocations":[{"current":{"text":"B","id":"THES304596"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Victoria and Albert Museum","id":"x32782"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2002","earliest":"2002-01-01","latest":"2002-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the Cecil Beaton Royalties Fund","dimensions":[{"dimension":"Height","value":"90","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"90","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"125","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Length","value":"132.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Edgar Lissel. 'Angel of the Annunciation'. 2002. Gelatin-silver print made inside V&A sculpture display case converted into camera obscura or pinhole camera.","bibliographicReferences":[],"production":"This photograph was made in the V&A Museum using a giant pinhole camera, or camera obscura, built around a display case in gallery 24 that contains a fifteenth-century carved oak angel.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This photograph was made in this museum using a giant pinhole camera, or camera obscura, built around a display case in Gallery 24 that contains a 15th-century carved oak angel. \r\nPhotographic paper was attached to the back of the case and a unique negative image was formed by ambient light filtering onto the paper through a pinhole. The exposure lasted twenty-four hours. The elgant silhouette of the sculpture inhabits the inverted image of the gallery, which is transformed into a celestial realm where points of light appear like black stars. \r\nAlthough he has practised extensively in Germany, this is the first time that Lissel has worked with a UK museum. The V&A commissioned him to create this photograph during a two-week residency to coincide with the Canon Photography Exhibition 'Seeing Things: Photographing Objects 1850-2001'.","date":{"text":"12 Feb to 18 August 2002","earliest":"2002-08-18","latest":"2002-12-31"}}],"partNumbers":["E.948-2003"],"accessionNumberNum":"948","accessionNumberPrefix":"E","accessionYear":2003,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-18","recordCreationDate":"2004-05-25","availableToBook":true}}