{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O97007"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O97007/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE4972/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE4972/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE4972","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O97007/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O97007","accessionNumber":"A.103-1965","objectType":"Relief","titles":[{"title":"Unknown Man","type":""}],"summaryDescription":"During the eighteenth and nineteenth centuries, low relief portraits in wax became popular in Britain and they were often exhibited at the Royal Academy, the Society of Artists and elsewhere. Waxes were used in a similar way to prints and medals, in order to disseminate the image of the sitter, or, like miniature paintings or silhouettes as portable mementoes. \r\n\r\nBouquet exhibited twenty wax portraits at the Royal Academy between 1782 and 1827. \r\n\r\nThe popularity of wax portraits was in part driven by their links with other types of portrait manufacture such as ceramic medallions. \r\n\r\nThe process of making a portrait in wax would begin with a model in plasticine or soft wax which would be worked using ivory or wooden tools in much the same way as a model in clay. A plaster mould would then be made and molten wax poured into it. The relief would be hand-finished by the artist.","physicalDescription":"Wax relief in oval frame. Sitter shown in half-length, profile to the right, pointing with his right hand.","artistMakerPerson":[{"name":{"text":"Bouquet, W.V.","id":"A12227"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Wax","id":"AAT14585"}],"techniques":[{"text":"relief","id":"AAT53622"}],"materialsAndTechniques":"Wax","categories":[{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AE4972"],"imageResolution":"high","galleryLocations":[{"current":{"text":"006","id":"THES396009"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Relief unknown man","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"19th century","earliest":"1800-01-01","latest":"1900-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Rupert Gunnis Bequest","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Bequeathed by Rupert Gunnis Esq.","historicalContext":"","briefDescription":"Relief, Wax, English, by W.V. Bouquet, 19th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Pyke, E. <u>A Biographical Dictionary of Wax Modellers</u>, Oxford, Clarendon Press, 1973."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"man","id":"x35641"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.103-1965"],"accessionNumberNum":"103","accessionNumberPrefix":"A","accessionYear":1965,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-12-04","recordCreationDate":"2004-03-17","availableToBook":true}}