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He had close ties with the scholars of Padua University, who encouraged his interest in antiquity and owned many of his intimate figure groups. Here Riccio shows the lustful nature of the satyrs but also their tender relationship.\r\n\r\nIn this group Riccio challenges the notion of the Satyr as a wanton beast driven purely by carnal desires by creating a tender scene of intimacy between two creatures, albeit with an overt sexuality.\r\n\r\nThe Satyr and Satyress sit intertwined on a shallow integral base, their arms around each other's shoulders, her right leg resting over his left. The Satyr touches his partner's neck with his fingertips, his thumb resting on her chin, their lips pursed as if about to kiss. \r\n\r\nThe sexes are differentiated even in the detail: for example the male's eyebrows are marked with lines to indicate hair, while the female's are smooth. In contrast to her partner's goatlike legs, those of the Satyress, though hairy, are shapely like human's. Her hair is dressed elaborately, interwoven with ribbons and beads, and topped with a tiara decorated with shells; at the back it is tucked into swags, with ribbons that drape over the shoulders","physicalDescription":"The Satyr and Satyress sit intertwined on a shallow integral base, their arms around each other's shoulders, her right leg resting over his left. The Satyr touches his partner's neck with his fingertips, his thumb resting on her chin, their lips pursed as if about to kiss. \r\nThe sexes are differentiated even in the detail: for example the male's eyebrows are marked with lines to indicate hair, while the female's are smooth. In contrast to her partner's goatlike legs, those of the Satyress, though hairy, are shapely like human's. Her hair is dressed elaborately, interwoven with ribbons and beads, and topped with a tiara decorated with shells; at the back it is tucked into swags, with ribbons that drape over the shoulders","artistMakerPerson":[{"name":{"text":"Riccio, Andrea (Andrea Briosco)","id":"A6473"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"bronze","id":"AAT10957"}],"techniques":[{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Cast bronze","categories":[{"text":"Sculpture","id":"THES48896"},{"text":"Myths & Legends","id":"THES49005"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2008BU1476","2008BU1475","2008BU1458","2008BU1451","2006BB2236","2006AE8089","2008BU1459","2017JT7028","2017JT7215","2017KD6758","2017KD6761","2017KD6769","2018KR4442","2018KR4443","2018KR4444","2018KR4445","2018KV7442","2018KV7439","2018KV7466","2019MA7350"],"imageResolution":"high","galleryLocations":[{"current":{"text":"64","id":"THES49735"},"free":"","case":"22","shelf":"","box":""}],"partTypes":[[{"text":"Statuette","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Padua","id":"x29504"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1510-1520","earliest":"1510-01-01","latest":"1520-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Presented by Art Fund","dimensions":[{"dimension":"Height","value":"24","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"16.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"17.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"5.36","unit":"kg","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured for the Medieval and Renaissance Galleries","marksAndInscriptions":[],"objectHistory":"In this group Riccio challenges the notion of the Satyr as a wanton beast driven purely by carnal desires by creating a tender scene of intimacy between two creatures, albeit with an overt sexuality.","historicalContext":"Made in one base the group appears to be a direct cast, with a comparatively thin and even wall","briefDescription":"Bronze statuette of a satyr and satyress made by Andrea Riccio (Briosco) in Padua, 1515-1520.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Krahn, Volker. <u>Bronzetti Veneziani: Die venezianischen Kleinbronzen der Renaissance aus dem Bode-Museum Berlin </u> exh. cat., Berlin, 2003, p.114."},{"reference":{"text":"","id":""},"details":"","free":"Warren, Jeremy, '\"The Faun who plays on the Pipes\": A new Attribution to Desiderio da Firenze', in Pincus, Debra ed. <u>Small Bronzes in the Renaissance</u>, CASVA Symposium Papers XXXIX, Washington, 2001, pp. 82-103, p.87."},{"reference":{"text":"","id":""},"details":"","free":"Radcliffe, Anthony, 'The debasement of images: the sculptor Andrea Riccio and the applied arts in Padua in the sixteenth century' In: Currie, Stuart and Motture, Peta, eds.<u> The Sculpted Object 1400-1700</u>, Association of Art Historians' conference papers 1995, Aldershot : 1997, p. 91, fig. 5.8."},{"reference":{"text":"","id":""},"details":"","free":"Ebert-Schifferer, Sybille, <u>Natur und Antike in der Renaissance</u>, Frankfurt: Liebieghaus - Museum Alter Plastik, 1985, cat. 166."},{"reference":{"text":"","id":""},"details":"","free":"Radcliffe, Anthony, Hope, Charles and Martineau, Jane eds. <u>The Genius of Venice</u> exh. cat. London : RA, 1983, p. 377, no. S23 (with earlier literature)."},{"reference":{"text":"","id":""},"details":"","free":"Stone, Richard E. \"Antico and the Development of Bronze Casting in Italy at the End of the Quattrocento\" in <u>Metropolitan Museum Journal</u> 1982, n. 16, pp. 87-116. pp. 111-13."},{"reference":{"text":"","id":""},"details":"","free":"Planiscig, Leo. <u>Andrea Riccio</u>, Vienna, 1927, cat. 135, pp. 261-2, fig. 483."},{"reference":{"text":"","id":""},"details":"","free":"Martini, Luciana, <u>Piccoli bronzi e placchette del Museo Nazionale di Ravenna</u>, Bologna: University Press, 1985, p. 79."},{"reference":{"text":"","id":""},"details":"","free":"Allen, Denise and Motture, Peta (eds.), <u>Andrea Riccio: Renaissance Master of Bronze</u>, New York: The Frick Collection, 2008, cat. 1, pp. 98-103. "},{"reference":{"text":"","id":""},"details":"","free":"Ajmar-Wollheim, Marta and Flora Dennis, <u>At Home in Renaissance Italy</u>, London: V&A Publishing, 2006, cat. 259."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"satyr","id":"x35233"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.8-1949"],"accessionNumberNum":"8","accessionNumberPrefix":"A","accessionYear":1949,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LR5496","2019LR4644","2019LU7829","2019LU0435","2019LV2913","2019LW6942","2020MP0124"],"recordModificationDate":"2026-02-18","recordCreationDate":"2004-03-05","availableToBook":false}}