{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O945355"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O945355/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2018LH4827/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2018LH4827/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2018LH4827","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2012FF0936","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O945355/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O945355","accessionNumber":"D.309-1885","objectType":"Drawing","titles":[{"title":"Women dancing","type":""}],"summaryDescription":"This drawing showing two draped female figures dancing together was probably made as a design for a sculptured panel or a low-relief. Although not by Poussin himself, it shows some characteristics of the master’s work and was most likely executed by a close follower. Active in France and Italy, Nicolas Poussin (1594-1665) executed many series of paintings and drawings, with a general moralizing tone, dealing with Christian or mythological themes influenced by Roman Antiquity and the Renaissance masters.","physicalDescription":"Two draped women dancing together and holding each other left hand.","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"Drawing","id":"x32498"}],"materialsAndTechniques":"Pen and brown ink and wash over traces of graphite, heightened with white","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2018LH4827","2012FF0936"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"104","box":""}],"partTypes":[[{"text":"drawings","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"17th century","earliest":"1600-01-01","latest":"1699-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"116","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"111","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Mounted with the following drawings: D.313-1885, D.310-1885, D.312-1885, D.311-1885, D.314-1885","marksAndInscriptions":[{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"NAL dry stamp on bottom  right corner (dry version of L. 1958)\r\n\r\n"}],"objectHistory":"Bought from E. Parsons for £2.10.0 (lot price) in 1885.","historicalContext":"This drawing belongs to a series of 11 studies after the antique (see D.309 to 319-1885) and probably made as patterns for sculptured panels or a low-relief. The series was originally attributed to Nicolas Poussin but were catalogued in the section dedicated to the rejected attributions (‘dessins rejetés’) in the catalogue raisonné (Rosenberg, 1994). P. Rosenberg suggests that the drawing was made by a close follower in the style of François Verdier (1651-1730). The present drawing shows two draped women dancing together, a scene reminiscent of the Pompeian frescoes discovered in the early 17th century. \r\n\r\nA number of decorative projects and architectural designs have been influenced by Poussin, who favoured academic individual figures. In the 17th century, Poussin merged Classical with Baroque arts, focusing on the emotional mode within a clear and fluid composition. He sometimes sculpted or drew models from the Antique and worked on the purity of contour to transmit the idea of truth and morality. In this perspective, the drawing is reminiscent of such works as the <i>Martyrdom of Saint Erasmus</i> (Vatican Pinacoteca, Rome) and <i>The Triumph of Bacchus</i> (Kansas City) drawn from Greek low-reliefs.  \r\n\r\nIn his early career, many artists worked as studio assistants with Poussin, drawing academic cartoons to help him to achieve designs for commissions and therefore imitating the master’s manner. His work influenced a major part of the 17th century artists.\r\n","briefDescription":"Drawing, Study after the Antique, by a close follower of Nicolas Poussin, French school, 17th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Pierre Rosenberg, Louis-Antoine Prat, <u>Nicolas Poussin, 1594-1665: catalogue raisonné des dessins</u>, Milan, Leonardo, p.898, ill. R 476,1."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.309-1885"],"accessionNumberNum":"309","accessionNumberPrefix":"D","accessionYear":1885,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-28","recordCreationDate":"2009-06-30","availableToBook":false}}