{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O93592"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O93592/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AG2428/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AG2428/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AG2428","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA0869","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O93592/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O93592","accessionNumber":"843-1888","objectType":"Chalk drawing","titles":[{"title":"Study of Ash and other trees","type":"popular title"}],"summaryDescription":"In this drawing Constable has used blue paper to provide mid-tones. He added light and dark with black and white chalk. Although this is still an early work, his drawing style already shows his characteristic use of batches of lines (often diagonal) for shading, especially on foliage.","physicalDescription":"A drawing made in chalks","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Black and white chalk on blue laid paper","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AG2428","2017KA0869"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF (VA)","id":"THES49656"},"free":"","case":"EDUC","shelf":"15A","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"ca. 1800-1805","earliest":"1795-01-01","latest":"1805-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Isabel Constable, daughter of the artist","dimensions":[{"dimension":"Height","value":"497","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"355","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"In 1805 Constable exhibited 'A Landscape: Moonlight' at the Royal Academy. According to an unpublished entry in the <i>Diary</i>, he called on Farington on 1 June to say that he had been engaged to paint an altarpiece for a country church. This picture was probably the altarpiece for Brantham Curch which Leslie assigns to the previous year (Beckett, I, pp. 18-9)\r\n\r\nG Reynolds, 1973, p. 52.","briefDescription":"John Constable, Study of Ash and other trees, c.1800-5, Reynolds cat. no. 57","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 52-53."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"trees","id":"AAT132410"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["843-1888"],"accessionNumberNum":"843","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2004-02-23","availableToBook":false}}