{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O93489"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O93489/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AG2388/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AG2388/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AG2388","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O93489/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O93489","accessionNumber":"351-1888","objectType":"Drawing","titles":[{"title":"Elm trees","type":"popular title"}],"summaryDescription":"In this drawing Constable seems more interested in capturing the effects of light and shade on the trees than drawing details of their form. He has used a mass of diagonal hatching to suggest the varying density of the foliage. The overall effect has an almost abstract quality. The drawing may come from a sketchbook that Constable used between 1820 and 1821.","physicalDescription":"Dark sketch of elm trees.","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Pencil on paper","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AG2388"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF (VA)","id":"THES49656"},"free":"","case":"EDUC","shelf":"15","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"ca. 1820","earliest":"1815-01-01","latest":"1824-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Isabel Constable, daughter of the artist","dimensions":[{"dimension":"Height","value":"234","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"160","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"In 1820 Constable exhibited at the Royal Academy 'Stratford Mill' (now in the collection of Sir Reginald Macdonald-Buchanan) and 'A View of Harwich Lighthouse' (see No. 142 [302-1888] above).\r\nHe stayed with Fisher at Salisbury in July and August, settled his wife and children at Hampstead by 1 September, and paid a brief visit to Malvern Hall.\r\n\r\n [G Reynolds, 1973, p. 127]","briefDescription":"John Constable, Elm Trees, c.1820?, Reynolds cat. no. 204","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 127, 133"}],"production":"Possibly ca. 1820","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"trees","id":"AAT132410"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["351-1888"],"accessionNumberNum":"351","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"204, plate 155"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-30","recordCreationDate":"2004-02-20","availableToBook":false}}