{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O92994"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O92994/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AT8595/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AT8595/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AT8595","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O92994/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O92994","accessionNumber":"210-1896","objectType":"Sculpture","titles":[{"title":"The Emperor Vitellius","type":"generic title"}],"summaryDescription":"The head was acquired from the sculptor when he visited London in 1896; he was then working in Paris - he was a contemporary of Rodin - and his international reputation becoming established. The work is an adaptation of an antique marble portrait that had been much reproduced from the seventeenth century onwards. Rosso's choice of the ugliest of the Roman emperors illustrates his anti-classical approach to earlier sculpture. The generalised features are characteristic of his lucid technique of modelling.","physicalDescription":"Head of Vitellius (Emperor 69 A.D) in gilt bronze; a copy, by Signor Rosso, of a head in the Vatican, Rome.","artistMakerPerson":[{"name":{"text":"Rosso, Medardo","id":"A11836"},"association":{"text":"sculptor","id":"x43862"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"bronze","id":"AAT10957"}],"techniques":[{"text":"gilt","id":"AAT53789"}],"materialsAndTechniques":"Gilt bronze","categories":[{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AT8595"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES395072"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Head Vitellius","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1895","earliest":"1890-01-01","latest":"1899-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"34","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"object only","note":""},{"dimension":"Width","value":"25","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"20","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"approx.","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Bought with 211-1896 for £34 15s. 7d.","historicalContext":"","briefDescription":"Head of the Emperor Vitellius by Medardo Rosso, ca. 1895.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>List of Objects in the Art Division South Kensington Museum acquired during the Year 1896. Arranged according to the dates of acquisition, with appendix and indices.</u> London: Her Majesty's Stationary Office. Wyman and Sons. 1900. pp.36"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Savonarola, Girolamo","id":"N3717"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"'American and European Art and Design 1800-1900'\r\n\r\nThe V&A bought this head from the sculptor when he visited London in 1896. It is an adaptation of an antique marble portrait that had been much reproduced from 1600 onwards.  Rosso's choice of the ugliest of the Roman emperors illustrates his anti-classical approach to ancient Roman sculpture.  The facial features are characteristic of his fluid technique of modelling. \r\n","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["210-1896"],"accessionNumberNum":"210","accessionNumberPrefix":"","accessionYear":1896,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2016JB5270","2017KA2959","2019LU8716"],"recordModificationDate":"2026-02-12","recordCreationDate":"2004-02-13","availableToBook":true}}