{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O92406"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O92406/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EB0459/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EB0459/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2010EB0459","copyright":"©Victoria and Albert Museum, London/David Bailey","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O92406","accessionNumber":"E.2047:5-2004","objectType":"Photograph","titles":[{"title":"David Bailey's box of pin-ups","type":"assigned by artist"},{"title":"Andrew Oldham","type":"assigned by artist"}],"summaryDescription":"David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. \r\nSurprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Andrew Oldham was the Rolling Stones manager and producer from 1963 to 1967, 'a contradictory, decadent and impatient personality', according to Wyndham's caption. \r\nThe portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.","physicalDescription":"Black and white half-tone three quarter length portrait of a young man in dark glasses, black trousers and a shirt wtih puff sleeves, standing with his hands of his hips.","artistMakerPerson":[{"name":{"text":"Bailey, David","id":"A7961"},"association":{"text":"photographer","id":"AAT25687"},"note":""},{"name":{"text":"Wyndham, Francis","id":"A11761"},"association":{"text":"writer","id":"x36825"},"note":""},{"name":{"text":"Boxer, Mark","id":"A11762"},"association":{"text":"designer","id":"x36960"},"note":""},{"name":{"text":"Hillman, David","id":"A11763"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Half-tone print","categories":[{"text":"Fashion","id":"THES48957"},{"text":"Photographs","id":"THES48910"}],"styles":[{"text":"Sixties","id":"x37905"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EB0459"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"1035","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1965","earliest":"1965-01-01","latest":"1965-12-31"},"association":{"text":"printed and published","id":"x35383"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mark Haworth-Booth","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[{"content":"Andrew Oldham","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"Reverse, top left","script":"Printed","translation":"","transliteration":"","type":"","note":"Printed; Reverse, top left"},{"content":"Text about Andrew Oldham","inscriber":{"name":{"text":"Wyndham, Francis","id":"A11761"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"Reverse","script":"Printed","translation":"","transliteration":"","type":"","note":"Printed; Reverse; Wyndham, Francis"}],"objectHistory":"David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Surprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. \r\nThe portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.","historicalContext":"","briefDescription":"Andrew Oldham, half-tone print from 'David Bailey's box of pin-ups', by David Bailey, published 1965","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"David Bailey's box of pin-ups, published by Weidenfeld and Nicolson, 1964"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Oldham, Andrew","id":"N3673"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.2047:5-2004"],"accessionNumberNum":"2047","accessionNumberPrefix":"E","accessionYear":2004,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2004-02-10","availableToBook":false}}