{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O92398"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O92398/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EB0450/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EB0450/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2010EB0450","copyright":"©Victoria and Albert Museum, London/David Bailey","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O92398","accessionNumber":"E.2047:3-2004","objectType":"Photograph","titles":[{"title":"David Bailey's box of pin-ups","type":"assigned by artist"},{"title":"Vidal Sassoon","type":"assigned by artist"}],"summaryDescription":"David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Each portrait is accompanied by notes by Francis Wyndham. \r\nSurprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. Here, the hair dresser Vidal 'Scissors' Sassoon, then in his early '30s, is photographed, the high contrast image picking out the hands with which he created such influential hair styles as the assymetric 'Bob' cut.\r\nThe portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.","physicalDescription":"Black and white half-tone print of a young man in a suit with black tie against a grey backdrop. The high contrast picks out the white of his shirt and his large, splayed hands.","artistMakerPerson":[{"name":{"text":"Bailey, David","id":"A7961"},"association":{"text":"photographer","id":"AAT25687"},"note":""},{"name":{"text":"Wyndham, Francis","id":"A11761"},"association":{"text":"writer","id":"x36825"},"note":""},{"name":{"text":"Boxer, Mark","id":"A11762"},"association":{"text":"designer","id":"x36960"},"note":""},{"name":{"text":"Hillman, David","id":"A11763"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Half-tone print","categories":[{"text":"Fashion","id":"THES48957"},{"text":"Photographs","id":"THES48910"}],"styles":[{"text":"Sixties","id":"x37905"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EB0450"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"909","box":"N"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1965","earliest":"1965-01-01","latest":"1965-12-31"},"association":{"text":"printed and published","id":"x35383"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mark Haworth-Booth","dimensions":[{"dimension":"Width","value":"32","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"37","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Vidal Sassoon","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"Reverse, top left","script":"Printed","translation":"","transliteration":"","type":"","note":"Printed; Reverse, top left"},{"content":"Text about Vidal Sassoon","inscriber":{"name":{"text":"Wyndham, Francis","id":"A11761"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"Reverse","script":"Printed","translation":"","transliteration":"","type":"","note":"Printed; Reverse; Wyndham, Francis"}],"objectHistory":"David Bailey rose to fame as a fashion photographer in the early 1960s, his photographs. He published 'David Bailey's box of pin-ups' in 1965 as a loose portfolio of 36 portraits of the mainly-male fashionable elite that, as the cover description states, 'belong to Bailey's own world of fashion, pop music and the Ad Lib [nightclub]'. Surprisingly, only four of the pin-ups are women, all of whom are models. As the notes explain, 'in the age of Mick Jagger, it is the boys who are the pin-ups'. \r\nThe portraits constitute a celebration of the growing celebrity culture of the Sixties, and many of them have become the definitive images of key figures of cultural life in London during the Swinging Sixties.","historicalContext":"","briefDescription":"Vidal Sassoon, half-tone print from 'David Bailey's box of pin-ups', by David Bailey, published 1965","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"David Bailey's box of pin-ups, published by Weidenfeld and Nicolson, 1964"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Sassoon, Vidal","id":"N3671"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.2047:3-2004"],"accessionNumberNum":"2047","accessionNumberPrefix":"E","accessionYear":2004,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2004-02-10","availableToBook":false}}