{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O92300"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O92300/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BJ9315/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BJ9315/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BJ9315","copyright":"©Victoria and Albert Museum, London/John Cowan ","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O92300","accessionNumber":"E.2053-2004","objectType":"Photograph","titles":[{"title":"Jill Kennington, March 1964","type":"generic title"}],"summaryDescription":"John Cowan was a leading fashion photographer during the 1960s. His photographs epitomised the playful, graphically dynamic style of commercial photography practised in London during the period. His 1962 meeting with model Jill Kennington sparked an exciting period of image-making for numerous magazines and newspapers. Here, Kennington is seen in a characteristically high-energy shot, her long blond hair accentuated by blurred movement.","physicalDescription":"Blurred black and white photograph of a woman shaking her long blond hair.","artistMakerPerson":[{"name":{"text":"Cowan, John","id":"A11751"},"association":{"text":"photographers","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Gelatin-silver print","categories":[{"text":"Fashion","id":"THES48957"},{"text":"Photographs","id":"THES48910"}],"styles":[{"text":"Sixties","id":"x37905"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BJ9315"],"imageResolution":"low","galleryLocations":[{"current":{"text":"512M (VA)","id":"THES49774"},"free":"","case":"MX7","shelf":"TOP","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1964","earliest":"1964-01-01","latest":"1964-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Carolyn Cowan","dimensions":[{"dimension":"Width","value":"57","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"38","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Jill Kennington, March 1964, (printed later), John Cowan, gelatin-silver print, given by Carolyn Cowan","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"John Cowan, through the light barrier, by Philippe Garner, Schirmer/Mosel, 1999"},{"reference":{"text":"<i>Triple exposure: 3 photographers from the 60s. Ron Traeger. Michael Cooper. John Cowan</i>, V&A, 1999","id":"AUTH356739"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"John Cowan captured the spirit and the explosive energy of the revolution in British culture which took shape in the early sixties. Self-taught, he had started working as a freelance photographer in 1958. Within a year his strong documentary and informal portrait work became the subject of a one-man exhibition, 'Through the Light Barrier'.  Cowan soon found his metier as a fashion photographer. His 1962 meeting with model Jill Kennington sparked an exciting period of high-octane image-making for numerous magazines and newspapers. \r\n\r\nIn 1966 his studio provided the principal set for Antonioni's film, 'Blow-Up'. Cowan himself was prominent among the new generation of photographers whose lifestyles provided the inspiration for the film's central character. Cowan was ambitious and reckless. \r\n\r\nThe adventurous spirit that injected such energy into his pictures was ill-adapted to the practical aspects of sustaining his success. By the end of the decade he was in financial difficulties and falling out of step with the world of fashion. He left London for Milan, Paris and New York. Returning in 1970, he was unable to pick up the pieces of his career. His exhilarating work of the sixties was soon forgotten and his reputation eclipsed.","date":{"text":"1999","earliest":"1999-01-01","latest":"1999-12-31"}}],"partNumbers":["E.2053-2004"],"accessionNumberNum":"2053","accessionNumberPrefix":"E","accessionYear":2004,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-30","recordCreationDate":"2004-02-09","availableToBook":false}}