{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O92062"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O92062/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JA4609/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JA4609/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2016JA4609","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4610","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4616","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4611","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4612","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4613","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4614","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4615","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4617","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JA4618","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2014HH3840","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JL5927","copyright":"courtesy of The Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JL5928","copyright":"courtesy of The Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA4352","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KA4505","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O92062/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O92062","accessionNumber":"M.54-1930","objectType":"Travelling altar","titles":[],"summaryDescription":"This remarkable object combines iron, gold and verre eglomisé (reverse painted glass) to create a sumptuous luxury altarpiece for private devotion. It is designed in the mature Renaissance style as a triumphal arch incorporating <i>verre eglomisé</i> scenes of the Crucifixion between the Nativity and the Adoration of the Magi. Beneath the Corinthian columns are panels with the instruments of the Passion and higher up is God the Father between two angels. The upper part of the altarpiece has a panel of the Resurrection between further angels who also hold instruments of the Passion.\r\n\nEmbossing and damascening (hammering gold leaf into recesses in the surface of the metal) were both techniques used by goldsmiths but were also important for the elaborate parade armours of the 16th century and this altarpiece was probably made by a craftsman trained in one of the leading armour workshops in Milan. The <i>verre eglomisé</i> panels are made by applying gold leaf to the back of the glass and scraping parts away, then painting in other areas of the image over and around the gold. \n\r\nIt is not known for whom the altarpiece was made but the 18th-century case is lined with two velvet panels embroidered in silver and gold thread, which are perhaps from the original case and are dated 1574 beneath the arms of the Delgardo family.","physicalDescription":"Altar in an 18th century travelling case painted on the exterior with the arms of the Delgado family.  See notes","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Steel damascened with gold, set with <i>verre eglomisé</i> panels","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2016JA4609","2016JA4610","2016JA4616","2016JA4611","2016JA4612","2016JA4613","2016JA4614","2016JA4615","2016JA4617","2016JA4618","2014HH3840","2016JL5927","2016JL5928","2017KA4352","2017KA4505"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES409785"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"altars","id":"AAT3725"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Milan (city)","id":"x29007"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1575","earliest":"1570-01-01","latest":"1579-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"550","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"Base to top of wooden case; maximum dimension","note":""},{"dimension":"Width","value":"365","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"Across front of wooden altar case","note":""},{"dimension":"Width","value":"622","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"Across front of altar case with wings open","note":""},{"dimension":"Depth","value":"87","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"Front to back of closed altar case.","note":""},{"dimension":"Height","value":"451","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"From centre of base to top of altar; maximum dimension","note":""},{"dimension":"Width","value":"300","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"Across base of altar","note":""},{"dimension":"Width","value":"305","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"Across top of altar","note":""},{"dimension":"Depth","value":"35","unit":"mm","qualifier":"","date":{"text":"19/02/2016","earliest":"2016-02-19","latest":"2016-02-19"},"part":"At base; same depth further up","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Latin motto on case: 'SAPIENTIA MELIOR EST QUIAM VIRES ET VIR PRUDENS QUIAM FOR'","inscriber":{"name":{"text":"","id":"A8728"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Town mark of Milan","inscriber":{"name":{"text":"","id":"A8728"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Wawhell Collection\r\n\nSewn on the inside of this case are two pieces of velvet, perhaps from the original case, embroidered in silver and gold thread with D(ominus) IOAN(N)ES and D(ominus) FRANC(iscus) DELGADO and the date 1574.  The verre eglomise panels represents the Crucifixion, the Nativity, the Adoration of the Magi, and the Resurrection.","historicalContext":"","briefDescription":"Portable altar in an 18th century travelling case painted on the exterior with the arms of the Delgado family. Steel damascened with gold, set with verre eglomisé  panels.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Leydi, Silvio. Mobili milanesi in acciaio e metalli preziosi nell'età del Manierismo. In: <u>Fatto in Italia. Dal Medioevo al Made in Italy</u>, ed. by Alessandra Guerrini, with Barbara Brondi and Marco Rainò. Catalogue of the exhibition at Reggia di Venaria, 19 March - 10 July 2016. Milan: Silvana Editoriale, 2016, pp. 120-137."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Silver Gallery:\nThis remarkable object combines iron, gold and verre eglomisé (reverse painted glass) to create a sumptuous luxury altarpiece for private devotion. It is designed in the mature Renaissance style as a triumphal arch incorporating verre eglomisé scenes of the Crucifixion between the Nativity and the Adoration of the Magi. Beneath the Corinthian order columns are panels with the instruments of the Passion and higher up is God the Father between two angels. The upper part of the altarpiece has a panel of the Resurrection between further angels who also hold instruments of the Passion.\nEmbossing and damascening (hammering gold leaf into recesses in the surface of the metal) were both techniques used by goldsmiths but were also important for the elaborate parade armours of the 16th century and this altarpiece was probably made by a craftsman trained in one of the leading armour workshops in Milan. The verre eglomisé panels are made by applying gold leaf to the back of the glass and scraping parts away, then painting in other areas of the image over and around the gold. \nIt is not known for whom the altarpiece was made but the eighteenth-century case is lined with two velvet panels embroidered in silver and gold thread, which are perhaps from the original case and are dated 1574 beneath the arms of the Delgardo family.","date":{"text":"26/11/2002","earliest":"2002-11-26","latest":"2002-11-26"}}],"partNumbers":["M.54-1930"],"accessionNumberNum":"54","accessionNumberPrefix":"M","accessionYear":1930,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2021MU9392"],"recordModificationDate":"2026-09-02","recordCreationDate":"2004-02-09","availableToBook":true}}