{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O91961"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O91961/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2009CA3299/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2009CA3299/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2009CA3299","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CB7285","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CB7284","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CA3300","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2009CA3298","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LL3613","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O91961/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O91961","accessionNumber":"M.342-1962","objectType":"Monstrance","titles":[],"summaryDescription":"This monstrance with candelabra-type shaft shows how Spain adopted elements of the Classical style of Renaissance Italy. The kneeling angels supporting the receptacle for displaying the wafer, symbolic of the body of Christ, and the architectural niches adorned with scallops and caryatid figures are characteristic features, as are the cherub heads, lion's feet and swags of fruit and drapery. Classical influences spread as artists from major centres in Italy worked in Spain. By the 16th century Spain also dominated Southern and Northern Italy absorbing local styles.","physicalDescription":"Monstrance framed with cast openwork strapwork supported on bulging columns hung with swags of fruit.  With four figures round its capital.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Silver-gilt","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Ceremonial objects","id":"THES48981"},{"text":"Christianity","id":"THES48978"},{"text":"Religion","id":"THES48900"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2009CA3299","2009CB7285","2009CB7284","2009CA3300","2009CA3298","2019LL3613"],"imageResolution":"high","galleryLocations":[{"current":{"text":"62 (VA)","id":"THES49739"},"free":"","case":"CA1","shelf":"","box":""}],"partTypes":[[{"text":"Monstrance","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Cuenca (City)","id":"x33106"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1580","earliest":"1575-01-01","latest":"1584-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by the Castle Museum, Norwich","dimensions":[{"dimension":"Height","value":"55","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"21.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"15.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"3.60","unit":"kg","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured for the Medieval and Renaissance Galleries","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Silver-gilt, Spain, Cuenca, ca.1580","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"The Golden Age of Hispanic Silver 1400-1665, Charles Oman, HMSO, 1968, cat. no. 92, Fig. 181"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Silver Gallery:\nThis monstrance with candelabra-type shaft shows how Spain adopted elements of the Classical style of Renaissance Italy. Classical influences spread as artists from major centres in Italy worked in Spain. By the 16th century Spain also dominated Southern and Northern Italy absorbing local styles. In this monstrance, the kneeling angels, the architectural niches adorned with scallops and caryatid figures, as well as the cherub heads, lion feet and swags of fruit and drapery are characteristic of these borrowed elements. The receptacle which the angels support originally displayed the consecrated bread wafer or Host (a symbol of Christ's body which, in Catholic belief, becomes His body as well during the service of Mass).  \nThe monstrance is similar to the work of the highly important 16th century Becceril family of silversmiths in Cuenca. They made the city one of the most important silver-working centres in Spain.","date":{"text":"26/11/2002","earliest":"2002-11-26","latest":"2002-11-26"}},{"text":"MONSTRANCE\r\nSilver-gilt\r\nIn the style of Cristóbal Becerril\r\nSpanish (Cuenca); last quarter of the 16th century\r\nThe silver statuettes about 1850\r\nGiven by the Norwich Museums Committee","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["M.342-1962"],"accessionNumberNum":"342","accessionNumberPrefix":"M","accessionYear":1962,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LV2470","2019LW1872"],"recordModificationDate":"2025-04-30","recordCreationDate":"2004-02-09","availableToBook":false}}