{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O892218"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O892218/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HR8028/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HR8028/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HR8028","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2011FD3782","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BH2716","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU4193","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O892218/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O892218","accessionNumber":"D.967-1900","objectType":"Drawing","titles":[{"title":"Study of a seated woman (The Virgin)","type":"published title"}],"summaryDescription":"","physicalDescription":"Half-length, she is seen with her body nearly in profile, with her head turned to the front, and her right arm crossed over her left.\r\n","artistMakerPerson":[{"name":{"text":"Peter Paul Rubens","id":"A8810"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Chalk","id":"AAT80058"},{"text":"Chalk","id":"AAT80064"},{"text":"Bodycolour","id":"x34671"},{"text":"Paper","id":"x30308"}],"techniques":[{"text":"Drawing","id":"x32498"}],"materialsAndTechniques":"Black and red chalk, with touches of white bodycolour on paper\r\n","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"Flemish School","id":"x44808"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2015HR8028","2011FD3782","2006BH2716","2017JU4193"],"imageResolution":"high","galleryLocations":[{"current":{"text":"WS","id":"THES49603"},"free":"","case":"R","shelf":"41","box":"L"}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Rome","id":"x29106"},"association":{"text":"made","id":"x28654"},"note":"Probably"}],"productionDates":[{"date":{"text":"ca.1606","earliest":"1601-01-01","latest":"1610-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Miss Emily Dalton, 1900","dimensions":[{"dimension":"Height","value":"268","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"227 ","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Inscribed on verso, in an old hand, in brown ink, <i>NO 14</i>; and at bottom left, in graphite,<i> |—20</i> (inverted); and at bottom right, in graphite, <i>3–0—44</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Bequeathed by Miss Emily Dalton, 1900\r\n\r\nSir Thomas Lawrence (1769–1830), London (L. 2445); Lawrence–Woodburn sale, London, Christie’s, 4–8 June 1860, lot 794; Miss Emily Dalton (1816/17–1900), Leicester, by whom bequeathed to the museum (NAL dry stamp on recto and Dalton Bequest purple ink stamp on verso; neither in Lugt), 1900.","historicalContext":"","briefDescription":"Drawing; Study of a seated woman (The Virgin); by Peter Paul Rubens; Black and red chalk, with touches of white bodycolour on paper, Flemish School, c. 1606","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Jane Shoaf Turner and Christopher White, <u>Catalogue of Dutch and Flemish Drawings in the Victoria and Albert Museum</u>, London, 2014, vol. II, Cat. 517, illus. p. 438"}],"production":"Possibly a study for the figure of The Virgin in Ruben's 'The Circumcision of Christ', now in the Church of Jesus and Saints Ambrose and Andrew, Genoa","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Rubens began to make chalk studies from live models while training in Italy. It was a long established step in the preparation for paintings there. This study is a preparatory drawing for the figure of the Virgin Mary in Rubens’ painting the Circumcision of Christ. The painting is now in the Church of Gesù e dei Santi Ambrogio e Andrea in Genoa.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["D.967-1900"],"accessionNumberNum":"967","accessionNumberPrefix":"D","accessionYear":1900,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-11-27","recordCreationDate":"2009-06-30","availableToBook":false}}