{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O88744"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O88744/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AF0056/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AF0056/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AF0056","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JV3843","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KX3849","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O88744/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O88744","accessionNumber":"A.31-1917","objectType":"Statuette","titles":[{"title":"The Assumption of the Virgin","type":"generic title"}],"summaryDescription":"Semi-precious materials such as this often associated with a particular geographical region and highly valued because of their rarity. Many of the religious objects were portable, as were the small portraits. They were often made near to the source of the material and then taken elsewhere. This was made in Trapani, a town in Sicily that became the most important centre of coral carving in Europe. The Assumption of the Virgin, in which the Virgin ascended bodily and spiritually to heaven after her death, was a popular subject in Mediterranean countries at this period.","physicalDescription":"Statuette in coral of the Assumption of the Virgin in its original frame with Naples hall mark. The Virgin stands on a crescent supported by cherubs.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"coral","id":"AAT11800"},{"text":"silver","id":"AAT11029"}],"techniques":[{"text":"carving","id":"AAT53149"}],"materialsAndTechniques":"Carved coral, in silver frame","categories":[{"text":"Christianity","id":"THES48978"},{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AF0056","2017JV3843","2018KX3849"],"imageResolution":"high","galleryLocations":[{"current":{"text":"111 (VA)","id":"THES49918"},"free":"","case":"DU1","shelf":"DR3","box":"1"}],"partTypes":[[{"text":"Statuette Assumption of the Virgin","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Trapani (province)","id":"x37085"},"association":{"text":"made","id":"x28654"},"note":"possibly"},{"place":{"text":"Naples","id":"x32548"},"association":{"text":"made","id":"x28654"},"note":"possibly"}],"productionDates":[{"date":{"text":"ca. 1720-1730","earliest":"1715-01-01","latest":"1730-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Henry L. Florence","dimensions":[{"dimension":"Height","value":"4.5","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"2","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"6.75","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"4","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Assumption of the Virgin, coral relief, Sicily (Trapani), frame Naples, ca. 1720-30","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Trusted, Majorie. ed. <font -u>The Making of Sculpture: the Materials and Techniques of European Sculpture.</font> London: V&A Publications, 2007. p. 143. pl. 265."},{"reference":{"text":"","id":""},"details":"","free":"Theuerkauff, Christian, ed. <font -u>Die Bildwerke in Elfenbein des 16. - 19. Jahrhunderts. (Die Bildwerke der Skulpturengalerie Berlin.)</font> Berlin, Mann, 1986. p. 358, p. 361. note. 53a."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Mary (Virgin Mary)","id":"N480"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[{"text":"Assumption of the Virgin","id":"V88"}],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.31-1917"],"accessionNumberNum":"31","accessionNumberPrefix":"A","accessionYear":1917,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LN0898","2019LR5278","2019LU4947"],"recordModificationDate":"2025-04-12","recordCreationDate":"2004-01-07","availableToBook":false}}