{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O88725"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O88725/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AY5806/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AY5806/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AY5806","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O88725","accessionNumber":"E.334-2003","objectType":"Print","titles":[{"title":"Sanctuary","type":"assigned by artist"}],"summaryDescription":"Lentography is a process that can be used to create three-dimensional effects or to suggest movement in images. Two or more images are offset against each other and the whole is overlaid with a lenticular screen – a plastic sheet of tiny lenses or prisms. As the viewer moves, the object appears to change dimensions. \r\n\r\nDan Hays relates this ambiguity of physical presence to his concept of the cage, which he sees as both protecting and imprisoning. He describes cages as ‘a simple metaphor for the human condition or the creative process’.","physicalDescription":"Image of a cage, the kind used to house small pets. colour predominantly blue and green. The image is made on  lenticular plastic  so gives the illusion of shifting and changing shape as the viewer moves in front of it.","artistMakerPerson":[{"name":{"text":"Hays, Dan","id":"A11394"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"The Multiple Store","id":"C3622"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"plastic","id":"AAT14570"},{"text":"colour printing ink","id":"x35423"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"digital photography","id":"AAT237903"},{"text":"lentography","id":"x37673"}],"materialsAndTechniques":"Lenticular plastic, lentography, digital cibachrome print","categories":[{"text":"Prints","id":"THES48903"},{"text":"Artists' multiples","id":"THES48991"}],"styles":[{"text":"digital","id":"x37672"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AY5806"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"253","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2001","earliest":"2001-01-01","latest":"2001-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the Julie and Robert Breckman Print Fund","dimensions":[{"dimension":"Height","value":"50","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"74","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"the work is now framed and sight size of image is 46.8 x 68.2cm","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"'Sanctuary', digital cibachrome print, 32 of an edition of 50, perspex lenticular, by Dan Hays, England, 2001","bibliographicReferences":[],"production":"","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"cage","id":"AAT127475"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This print explores colour relationships and spatial sensations. The visual effects were achieved by splicing together different views of the subject and adding a plastic screen made of many separate lenses. This creates the illusion of three dimensions, and the viewer gets a different perspective on the image from different angles. The title ‘Sanctuary’, applied to a cage, is ironic and has political connotations.\r\n","date":{"text":"11/09/2017","earliest":"2017-09-11","latest":"2017-09-11"}}],"partNumbers":["E.334-2003"],"accessionNumberNum":"334","accessionNumberPrefix":"E","accessionYear":2003,"otherNumbers":[],"copyNumber":"32 of an edition of 50","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2004-01-07","availableToBook":false}}