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His style, as displayed in this silver creamer, was characterised by a sumptuous elegance which resisted the austerity of pure neo-classicism. 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London: V&A Publications, 2000","id":"AUTH352192"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"Jervis, Simon ed. <font -u>Art & Design in Europe and America, 1800-1900</font>, London, Victoria & Albert Museum, 1987, pp218-19, ill. ISBN 0906969"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"'American and European Art and Design 1800-1900'\r\n\r\nFollot was a talented designer who worked successfully in a wide variety of media. In the early 1900s, he began to design in an <i>Art Nouveau</i> style which became gradually simplified after he studied neo-classical sources. He made a significant contribution to the Paris 1925 Exhibition and continued to work until well into the 1930s. His style was always characterised by a sumptuous elegance which consistently resisted the austerity of pure neo-classicism.","date":{"text":"","earliest":null,"latest":null}},{"text":"<b>Teapot and Cream Jug</b>\nAbout 1904\n\nFollot was a talented designer who worked succesfully in a wide variety of media. In the early 1900s, he began to design in an Art Nouveau style, which became gradually simplified after he studied Neo-classical sources. He made a significant contribution to the Paris 1925 exhibition and continued to work well into the 1930s.\n\nFrance, Paris; designed by Paul Follot\nElectroplated nickel silver","date":{"text":"05/04/2017","earliest":"2017-04-05","latest":"2017-04-05"}},{"text":"'American and European Art and Design 1800-1900'\r\n\r\nFollot was a talented designer who worked successfully in a wide variety of media. In the early 1900s, he began to design in an <i>Art Nouveau</i> style which became gradually simplified after he studied neo-classical sources. He made a significant contribution to the Paris 1925 Exhibition and continued to work until well into the 1930s. His style was always characterised by a sumptuous elegance which consistently resisted the austerity of pure neo-classicism.","date":{"text":"1987-2006","earliest":"1987-01-01","latest":"2006-12-31"}}],"partNumbers":["M.105A-1978"],"accessionNumberNum":"105","accessionNumberPrefix":"M","accessionYear":1978,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LT5786","2019LT5549","2019LW9637","2019LW3884","2019LW2309"],"recordModificationDate":"2025-09-26","recordCreationDate":"2003-12-31","availableToBook":true}}