{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O8709"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O8709/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BD2058/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BD2058/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BD2058","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KC9736","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KC9742","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV8297","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV8296","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KX0360","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O8709/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O8709","accessionNumber":"W.66:1to38-1924","objectType":"Bureau cabinet","titles":[{"title":"Bennett cabinet","type":"popular title"}],"summaryDescription":"It is very unusual for furniture made in Britain the 18th century to be marked in any way.  British furniture makers were not required, as the French makers were, to stamp their furniture. Occasionally pieces were marked with paper labels, which gave the address of the maker and served as publicity.  This cabinet, and at least two others, carry the name of their maker, Samuel Bennett, inlaid into the marquetry of the piece, on the inside of the door. He was known to have a workshop in Lothbury, London, from about 1695 until his death in 1741, plus a warehouse in St Paul's Alley, Red Cross Street.  One of his earlier cabinets uses this kind of arabesque marquetry extensively, but here he confined it to only two panels on the exterior, inlaid in finely worked boxwood into the ground of burr walnut.  The form of the upper part of this cabinet relies on contemporary architectural ideas for its form.","physicalDescription":"A bureau cabinet (the form described in the 18th century as a 'desk and bookcase'), with sloping fall front above two long and two short drawers, the upper section showing a single, mirrored cupboard door between Doric pilasters, below a scrolling, broken cornice, partly of giltwood.  The cabinet is veneered in burr walnut, with panels of scrolling marquetry in lighter wood below and above the mirrored door. The inside of the two upper sections are fitted for writing and filing, the fall front set with a baize writing surface. The interior of the door is veneered with one panel, between pilasters, the base of these inlaid with the inscription of the maker, Samuel Bennett.\n\n<u>Design</u>\nThe cabinet is raised on bracket feet, with a moulding below the drawers.  The sides are set with quartered burr walnut veneers, with a central, brass bail handle.  The drawers are veneered in burr walnut, with a feathered moulding outlining them, within a small cock beading. The veneers are book-matched. The drawers are set with brass bail handles, with plain, circular backplates, two to each long drawer and a single handle on each of the smaller, top drawers. These two drawers are flanked with narrow, vertical panels outlined with cock beading.  The top halves of these panels pull out as lopers for thesloping front, with small, turned, brass knobs. The keyhole escutcheons to the drawer and the sloping front are brass ovals, the keyhole of the sloping front disguised with a pivoting brass cover.  Each side of the front shows quartered veneers, and along the lower edge is a small ledge, composed of a cross-grained moulding, providing a support for papers. The upper part of the cabinet is decorated on the sides with the same quartering and brass handles as on the lower part, although it is considerabley shallower. On the front, the two fluted Doric pilasters, are raised on baluster-shaped plinths veneered in walnut, between which is an elaborate panel of scrolled marquetry in a lighter wood (perhaps sycamore), which is reminiscent in its complexity of the fine boulle marquetry (in brass and turtle shell) produced in France at the same date. The mirrored panel occupies the full width between the pilasters and is heavily bevelled, with incurved upper corners. Above the pilasters, there is a a shallow double architrave veneered in walnut, which rises to a peak in the centre, interrupting the frieze.  Below this rise it is set with a small, triangular panel of the same scrolled marquetry, which also ornaments the two-part frieze and the outset panels of the frieze that sit above the pilasters.  A flat cornice moulding above this supports and elaborate scrolling, broken pediment, veneered in walnut, with carved giltwood sunflowers ornamenting the ends of the scrolls, with flourishes of acanthus leaf emerging from them. They flank a central small plinth that supports a shield or cartouche with shaped and scrolled edges, carved in the centre with the bust of a man looking right (PL).\nInside the sloping front, the writing surface is lined with green baize, this running close to a complex 'prospect' (a set of drawers and pigeonholes centreing on an arched cupboard. This curves back from the outer edges.  It consists of three low drawers on each side, two with curving fronts, the outer ones with two drawers above, set further back, the inner two on each side with open pigeonholes above.  Between these two banks of drawers is an arched cupboard door, flanked by marquetry pilasters. The drawers are veneered in burr walnut, with bandings of a lighter wood forming frames. \nIn the upper section, the inside of the mirror panel is lined with a veneered panel in walnut, set within a framing that repeats in marquetry, the design of the outside, with pilasters, a low plinth section, and an architrave that rises in the centre. The cupboard is fitted with a central cupboard between pilasters, all veneerd in burr walnut, with stringing in light and dark wood, the door set with an upper arch of light-wood scrolling marquetyr, below a frieze that is inlaid with panels of light-wood scrolls and a central shell. This cupboard is flanked with two recesses to hold vertical stored papers, each with two moveable dividers, in walnut with a serpentine front edge, with, above, a much shallower section, with a single divider on each side, forming small pigeonholes.  The space above these fitments is lined with walnut veneer and fitted with a single shelf. \n\n<u>Construction</u>\r\nThe cabinet is constructed of oak and pine. The larger drawers and compartments are lined with oak; their side edges are chamfered. The niches are lined with walnut. The dust boards between the lower drawers and at the base are standard 11\" deals. The lower drawers are supported on side runners - a practice which is characteristic of mid-17th century manufacture - but is curiously outdated for metropolitan work of the second quarter of the 18th century. The carcase walls are thus thicker in order to support the oak side runners. The bracket feet are constructed of three separate oak blocks and veneered with burr walnut.\r\nThe bureau cabinet retains its original steel keys.","artistMakerPerson":[{"name":{"text":"Bennett, Samuel","id":"A1434"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"walnut","id":"AAT12476"},{"text":"boxwood","id":"AAT12002"},{"text":"oak","id":"AAT12264"},{"text":"pine","id":"AAT12620"}],"techniques":[{"text":"cabinet-making","id":"AAT53607"}],"materialsAndTechniques":"Walnut, boxwood, on oak and pine carcase, with marquetry decoration.","categories":[{"text":"Furniture","id":"THES48948"},{"text":"Writing","id":"THES261995"}],"styles":[],"collectionCode":{"text":"FWK","id":"THES48597"},"images":["2006BD2058","2017KC9736","2017KC9742","2018KV8297","2018KV8296","2018KX0360"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"002","id":"THES344331"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"005","id":"THES344061"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES343614"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"008","id":"THES302811"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Bureau cabinet","id":""}],[{"text":"Desk and bookcase","id":"AAT39347"}],[{"text":"Bureau cabinet","id":""}],[{"text":"Desk and bookcase","id":"AAT39347"}],[{"text":"Pediment","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Divider","id":""}],[{"text":"Divider","id":""}],[{"text":"Divider","id":""}],[{"text":"Divider","id":""}],[{"text":"Compartment","id":""}],[{"text":"Compartment","id":""}],[{"text":"Lid","id":""}],[{"text":"Lid","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Compartment","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"cover (closure)","id":""}],[{"text":"cover (closure)","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"Drawer","id":""}],[{"text":"keys","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1725 - ca. 1730","earliest":"1720-01-01","latest":"1734-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased with Art Fund support","dimensions":[{"dimension":"Height","value":"282","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"107","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"widest point, at crest","note":""},{"dimension":"Depth","value":"63","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"deepest point, at floor","note":""},{"dimension":"Height","value":"111cm","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"base","note":""},{"dimension":"Height","value":"171.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"top section","note":""},{"dimension":"Depth","value":"43","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"top section, closed","note":""}],"dimensionsNote":"Depth with door open at 60 degrees is 120cm - depth with door at 90 degrees 126.5\r\n(door width is 94cm). Overall width with door open at 180 degrees - 195cm\r\n\r\n'Whole' object measured Dec 2009","marksAndInscriptions":[{"content":"SAMVEL BENNETT","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inlaid into the base of the left-hand base of the marquetry pilaster inside the door of the upper part.  It is noted that this marquetry is less sophisticated than the scroll marquetry (see reference (Charles Hayward) below)."},{"content":"LONDON FECIT","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"The whole double inscription should be read as meaning 'Samuel Bennett made this in London'.","transliteration":"","type":"","note":"Inlaid into the base of the righ-hand base of the marquetry pilaster inside the door of the upper part"}],"objectHistory":"Bought in 1924 from Mr. F.C.Harper Esq., 78 Royal Hospital Road, Chelsea (Registered Files 24/2051, 24/2325 24/2493 and 24/6168), for £800, half of which was supplied by the Art Fund (then the National Art-Collections Fund).\n\nSamuel Bennett (or Bennet) (active about 1695-1741) was recorded as a cabinet maker 'at the Sign of the Cabinet' in Lothbury, London, in 1723. The records of his workshop suggest that he was successful in his trade.  A cabinet of about 1695, a bookcase or china cabinet with doors and drawers below a fully glazed upper section, was published in 1922 in Herbert Cescinsky and Ernest Gribble, <i>Early English Furniture and Woodwork</i> (London, 1922), vol. II, pp. 275-6 (figs. 378 and 379) and p. 286. This was inlaid with the name 'SAMUEL BENNETT' inside the left (PR) door at the base, and the words 'MONMOUTH SQUARE' in the same position on the right (PL) door. That cabinet had panels of closely set arabesque marquetry set on the lower doors, drawers and frames of the upper cupboard, similar to the two panels on the V&amp;A piece. A bureau cabinet in burr elm, formerly in the Donaldson Collection (sold at auction 1925), bears the same maker's inscription (see Refs, Herbert Cescinsky, 1929, below, for a detailed discussion of the similarities and differences).  It was very close in design to the V&amp;A piece but the outcurved (bombé) base was closer to German designs for such furniture. Given the date of the sale, it may be this cabinet that is in the collections formed by Mildred Barnes Blisss (1879-1979) and her husband at Dumbarton Oaks, Washington, USA (inv. no. HC.F.1925.1936 (CF). If so, she may have been prompted to acquire it for her collection because the V&amp;A had acquired one the year before. Another walnut bureau cabinet, in H.M. Legation to the Holy See in Rome carries a lable in a drawer that reads: 'This cabinet was made by Samuel Bennett at the Sign of the Cabinet in Lothbury. He Maketh and Selleth all kinds of Fine Cabinet-Work and Looking Glasses, at Reasonable Rates'.  \n\nThe bureau cabinet is inspired by contemporary baroque architecture.The bombe shape of the bases of the outer pilasters on the upper sections may have been inspired by Christopher Wren's organ screen at St Paul's Cathedral (now adapted to form the South Transept door) which was in place by December 1697.  The Baroque character is reflected in the interior prospect with the incurving of the lower tiers of drawers and gentler curve of the upper tier of drawers and niches. The form of the giltwood cartouche with its cresting and distinctive lion mask at the base is characteristic of giltwood furniture c.1725.\r\n","historicalContext":"","briefDescription":"A bureau cabinet, described in the 18th century as a desk and bookcase, with sloping fall front above two long and two short drawers, the upper section showing a single, mirrored cupboard door between classical pilasters, below a scrolling, broken cornice, partly of giltwood.  The cabinet is veneered in burr walnut, with panels of scrolling marquetry in lighter wood below and above the mirrored door. The inside of the two upper sections are fitted for writing and filing, the fall front set with a baize writing surface. The interior of the door is veneered with one panel, between pilasters, the base of these inlaid with the inscription of the maker, Samuel Bennett\n\n\n\n","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Gilbert, Christopher and Murdoch, Tessa eds., <u>John Channon and brass-inlaid furniture 1730-1760. New Haven and London, Yale University Press, in association with Leeds City Art Galleries and the Victoria and Albert Museum, 1993. ISBN 0-300-05812-8, fig. 44."},{"reference":{"text":"","id":""},"details":"","free":"<i>Victoria & Albert Museum: Fifty Masterpieces of Woodwork </i>(London, 1955), No. 36\n"},{"reference":{"text":"","id":""},"details":"","free":"Edwards, Ralph, Dictionary of English Furniture (London: 1954, 2nd rev. ed.) vol. I, p. 137, fig. 32"},{"reference":{"text":"","id":""},"details":"","free":"Symonds, R., 'Two English Writing Cabinets'.  <i>Connoisseur</i> March 1958, pp. 83-87"},{"reference":{"text":"","id":""},"details":"","free":"<i>Casa d'Oro</i>, no. 51, 27.10.1967, illustrated in the series on English furniture."},{"reference":{"text":"","id":""},"details":"","free":"Herbert Cescinsky, 'Four English Cabinets', <i>The Burlington Magazine for Connoisseurs</i>, vol. 55, no. 321 (December 1929), pp. 273, 276-279, 282."},{"reference":{"text":"","id":""},"details":"","free":"Charles H. Hayward, <i>Antique or Fake? The Making of Old Furniture</i>.  London, Evans Brothers, 1970, pp. 10 and 213."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"BUREAU CABINET\nWalnut with arabesque marquetry in boxwood\nInlaid on the back of the door with the maker's name 'SAMUEL BENNETT/FECIT LONDON', c. 1725-30\n\nThis piece demonstrates that the architectural origins for the design of carcase furniture are not unique to the brass-inlaid group. The decoration, particularly the panels of arabesque marquetry centreing on a mask, hark back to the inlays produced by the Dutch cabinet maker Gerrit Jensen, c. 1700 but also display affinities with the two padouk cabinets associated with the maker Antrobus. \n\nSamuel Bennett worked at the sign of the Cabinet in Lothbury from about 1695 until his death in 1741. In addition to his shop premises, Bennett had a warehose in St Paul' Alley, Red Cross Street, in which in 1723 he stored £300 worth of goods, in addition to £1000 of stock in his dwelling house\n\nAcquired by the Victoria and Albert Museum in 1924 (W.66-1924)\n\n[Label for the exhibition 'John Channon and Brass-Inlaid Furniture', held at Temple Newsam House, Leeds and the V&amp;A.]","date":{"text":"1994","earliest":"1994-01-01","latest":"1994-12-31"}},{"text":"BUREAU-BOOKCASE\r\nENGLISH, LONDON: 1710-1720\r\nInlaid in door \"<b>SAMUEL BENNET</b> [sic] <b>LONDON FECIT</b>\"\nWalnut veneer inlaid with boxwood, on oak and pine; gilding\n\nThis bureau-bookcase is one of three recorded pieces with the label [sic] of the London cabinet maker Samuel Bennett (active 1701-1741). The architecturally inspired form of the case incorporates the Doric order. By releasing an internal spring, the middle element of the desk section may be removed revealing six concealed drawers housed behind the columns flanking the central door. The bookcase above is divided into drawers, pigeon holes, two adjustable shelves and a second locked compartment. \n\nThe presence of this bureau bookcase in a drawing toom [it was shown at that time in the Henrietta Street Room, W. 5-1960] reflects the multi functions of certain rooms within a home during the second quarter of the eighteenth century. It is displayed opposite the chimney piece, where it provides a visual balance in weight and height to the chimney breast.\n\nMuseum No. W.66-1924.\n","date":{"text":"","earliest":null,"latest":null}},{"text":"BUREAU-CABINET\nENGLISH; about 1720\nWalnut, with inlay of other woods\n\nOn the inside of the door is inlaid the inscription 'SAMUEL BENNETT LONDON FECIT'.\nGiven by the National Art-Collections Fund\nMuseum No. W.66-1924","date":{"text":"","earliest":null,"latest":null}},{"text":"BUREAU-BOOKCASE\r\nENGLISH, LONDON: 1710-1720\r\nInlaid in door \"SAMUEL BENNET LONDON FECIT\"\r\nWalnut veneer inlaid with boxwood, on oak and pine; gilding\r\n\r\nThis bureau-bookcase is one of three recorded pieces with the label of the London cabinet maker Samuel Bennett (active 1701-1741). The architecturally inspired form of the case incorporates the Doric order. By releasing an internal spring, the middle element of the desk section may be removed revealing six concealed drawers housed behind the columns flanking the central door. The bookcase above is subdivided into drawers, pigeon holes, two adjustable shelves and a second locked compartment.\r\n\r\nThe presence of this bureau bookcase in a drawing room reflects the multi functions of certain rooms within a home during the second quarter of the eighteenth century. It is displayed opposite the chimney piece, where it provides a visual balance in weight and height to the chimney breast.","date":{"text":"pre July 2001","earliest":null,"latest":"2001-06-30"}}],"partNumbers":["W.66:1-1924","W.66:2-1924","W.66:3-1924","W.66:4-1924","W.66:5-1924","W.66:6-1924","W.66:7-1924","W.66:8-1924","W.66:9-1924","W.66:10-1924","W.66:11-1924","W.66:12-1924","W.66:13-1924","W.66:14-1924","W.66:15-1924","W.66:16-1924","W.66:17-1924","W.66:18-1924","W.66:19-1924","W.66:20-1924","W.66:21-1924","W.66:22-1924","W.66:23-1924","W.66:24-1924","W.66:25-1924","W.66:26-1924","W.66:27-1924","W.66:28-1924","W.66:29-1924","W.66:30-1924","W.66:31-1924","W.66:32-1924","W.66:33-1924","W.66:34-1924","W.66:35-1924","W.66:36-1924","W.66:37-1924","W.66:38-1924"],"accessionNumberNum":"66","accessionNumberPrefix":"W","accessionYear":1924,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Bureau cabinet [1]","Bureau cabinet [2]","Pediment","Drawer [1]","Drawer [2]","Drawer [3]","Drawer [4]","Drawer [5]","Divider [1]","Divider [2]","Divider [3]","Divider [4]","Compartment [1]","Compartment [2]","Lid [1]","Lid [2]","Drawer [6]","Drawer [7]","Compartment [3]","Drawer [8]","Drawer [9]","Drawer [10]","Drawer [11]","Drawer [12]","Drawer [13]","cover (closure) [1]","cover (closure) [2]","Drawer [14]","Drawer [15]","Drawer [16]","Drawer [17]","Drawer [18]","Drawer [19]","Drawer [20]","Drawer [21]","Drawer [22]","Drawer [23]","keys"],"assets":["2019LT8128","2019LW0629"],"recordModificationDate":"2025-12-08","recordCreationDate":"1998-08-04","availableToBook":true}}