{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O85351"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O85351/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AF6070/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AF6070/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AF6070","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KB2978","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O85351/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O85351","accessionNumber":"C.2003-1910","objectType":"Jug","titles":[],"summaryDescription":"The main decoration on this jug was painted in coloured slips (liquid clay). The white lines divide the salmon ground into narrow vertical panels. These panels imitate the three-dimensional pattern called gadrooning found in Ottoman silverwork.\r\n\r\nThis jug was made in Iznik, north-west Anatolia, a well-known centre of ceramic production. The coloured ground here was a style that Iznik potters developed for some wares in the 1550s. They covered the body of the pot with coloured slips and added details of the design in slips of contrasting colours and paint. This development was associated with the appearance of a distinctive red slip in tilework of the same period.","physicalDescription":"Jug with a bulbous body and short flaring neck, salmon-coloured with white vertical lines which emulate fluting. Decorated bands at the lip and neck.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"fritware","id":"x29419"}],"techniques":[{"text":"underglazing","id":"AAT48642"}],"materialsAndTechniques":"Fritware, slip-covered in salmon-pink, polychrome underglaze painted, glazed","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Islam","id":"THES48932"}],"styles":[{"text":"Iznik","id":"AAT21623"},{"text":"Ottoman","id":"AAT21614"}],"collectionCode":{"text":"MES","id":"THES48607"},"images":["2006AF6070","2017KB2978"],"imageResolution":"high","galleryLocations":[{"current":{"text":"42 (VA)","id":"THES49806"},"free":"","case":"WN7","shelf":"4","box":""}],"partTypes":[[{"text":"Jug","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Iznik","id":"x32510"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"ca. 1570-1575","earliest":"1565-01-01","latest":"1575-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Salting Bequest","dimensions":[{"dimension":"Height","value":"28.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"21.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"In the 1550s, some Iznik wares had a variety of coloured grounds. These were produced by covering the body with coloured slip, or liquid clay. Details of the design were added in slips of contrasting colours, and paint. This development was associated with the appearance of a red slip in painted wares of the same period.\r\n\r\nThis jug is a fine example this phase of Iznik ceramics. Here the jug is a lovely salmon hue. The potter has painted white stripes down the neck and body to imitate the look of fluting on a metal jug.","briefDescription":"Salmon-coloured jug with white vertical stripes, Turkey (Iznik), ca. 1570-1575.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Petsopoulos, Yanni (ed), <u>Tulips, Arabesques & Turbans. Decorative Arts of the Ottoman Empire</u>, London: Alexandria Press, 1982. ISBN 0-85667-151-7. Plate 95, p. 94"},{"reference":{"text":"Lane, Arthur. Later Islamic Pottery. London: Faber and Faber, 1957.","id":"AUTH407102"},"details":"pp. 56-58, 115, plate 44A","free":""},{"reference":{"text":"Wallis, Henry <i>Illustrated catalogue of specimens of Persian and Arab art : exhibited in 1885</i>, London : Printed for the Burlington Fine Arts Club, 1885","id":"AUTH354460"},"details":"","free":"No.387, plate 15."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"stripes","id":"AAT10230"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Jameel Gallery \r\n\r\n16 Jug with Slip Decoration\r\nTurkey, probably Iznik\r\n1550–75\r\n\r\nThe main decoration on this jug was painted in coloured slips – the salmon ground and the white lines that divide it into narrow vertical panels. The panels imitate the three-dimensional pattern called gadrooning, found in Ottoman silverwork.\r\n\r\nFritware under coloured slip, with decoration painted under the glaze\r\n\r\nMuseum no. C.2003-1910\r\nBequest of George Salting\r\n","date":{"text":"Jameel Gallery","earliest":"2006-07-20","latest":null}},{"text":"JUG\r\nWhite earthenware painted in underglaze colours. \r\nTURKISH (IZNIK); second half of 16th century.\r\nSalting Bequest","date":{"text":"Used until 03/2004","earliest":null,"latest":"2004-03-31"}}],"partNumbers":["C.2003-1910"],"accessionNumberNum":"2003","accessionNumberPrefix":"C","accessionYear":1910,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LP4043","2019LP1504","2019LW7960"],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-11-07","availableToBook":false}}