{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O85318"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O85318/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JJ7941/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JJ7941/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2016JJ7941","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BF0435","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HN9784","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016JJ7940","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BF0436","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GN4270","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HN9787","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HN9782","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HN9785","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HN9786","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HN9783","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O85318/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O85318","accessionNumber":"763-1888","objectType":"Mirror case","titles":[],"summaryDescription":"From the fifteenth century onward, lacquer objects – including book bindings, pen cases, mirrors, boxes and Qur’an stands such as this one – gained popularity in Iran, peaking in production during the nineteenth century, with the Qajar dynasty (1797-1924).  The vast increase in production across a variety of objects resulted in a considerable decline in quality; however, fine specimens continued to be done by certain artists in the cities of Shiraz, Isfahan, and Tehran. Much lacquerware during the Qajar period was also influenced by the increasing import of European artefacts, resulting in a distinctive Europeanization of designs and motifs.  Lacquer production continued in Iran until 1924, when the Qajar dynasty was overthrown, after which point its production became determinably unfashionable. \n\r\nWriting in the early nineteenth century, Sir William Ouseley, a Persian scholar and secretary to his brother, George III’s ambassador to the court of Fath Ali Shah (ruled 1797-1834), Sir Gore Ouseley, wrote: “At Ispahan the covers of the books are ornamented in a style particularly rich; and they often exhibit miniatures painted with considerable neatness and admirably varnished….Most provinces of the kingdome are supplied by this great city with pen-cases or kalamdans, made, like the book-covers, of pasteboard, and sometimes equally beautiful in their decorations….some contain, in various compartments on the lids, ends and sides, very interesting pictures executed in the best style of Persian miniature.  The common subjects are battles and hunting-parties; but they often exhibit scenes from popular romances, among which the favourite scene seems to be Nizami’s story, the Loves of Khusrau and Shirin.”\r\n\r\nConstructed of papier-mache and sometimes wood, lacquer objects were often decorated with small-scale paintings of popular motifs like floral patterns, birds, royal scenes, and popular romances before a varnish was then applied that protected the painting and added a pleasing reflective glow. \r\n\r\nThis mirror case would have held and protected a mirror glass.  Mirror cases with closing shutters began to be used in Iran in the 1660s, when mirror glass began to be imported from Europe. \r\n","physicalDescription":"Rectangular shaped lacquered mirror case with hinged shutter depicting a young Shah on horseback surrounded by his cavalier in battle on the top of the lid. On the reverse side, a young couple sits within the zenana surrounded by entertainers and musicians, with bottles and trays of fruit before them.   A fine band of golden scrolls against a black background decorates the edges.   ","artistMakerPerson":[{"name":{"text":"Muhammad Sadiq","id":"A39430"},"association":{"text":"","id":""},"note":"artist"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Painted lacquer and mirror glass","categories":[{"text":"Lacquerware","id":"THES49004"}],"styles":[{"text":"Zand","id":"AAT21846"}],"collectionCode":{"text":"MES","id":"THES48607"},"images":["2016JJ7941","2006BF0435","2015HN9784","2016JJ7940","2006BF0436","2013GN4270","2015HN9787","2015HN9782","2015HN9785","2015HN9786","2015HN9783"],"imageResolution":"high","galleryLocations":[{"current":{"text":"016","id":"THES367281"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Mirror case","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Iran","id":"x30220"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Shiraz","id":"x29140"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"1775-1776","earliest":"1775-01-01","latest":"1776-12-31"},"association":{"text":"made","id":"x28654"},"note":"Date attibuted based on that written under this artist's signature (1189 A.H. = 1775-6 A.D.)"}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Length","value":"26","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"18.5 ","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Artist's signature and date","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"'O thou truthful the promise'\r\n","transliteration":"Ya Sadiq al-va'd","type":"","note":"The phrase is a punning signature of the artist (Muhammad Sadiq)"}],"objectHistory":"","historicalContext":"","briefDescription":"Rectangualr shaped lacquered and painted mirror case, Iran, Zand period, 1775-6. Painted by Muhammad Sidiq","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Tim Stanley, “Lacquer in the Islamic World” in The World of Lacquer: 2000 Years of History (Lisbon: Calouste Gulbenkian Foundation, 2001), pp 157-187."},{"reference":{"text":"Diba, Layla S. (Ed.) <i>Royal Persian Paintings: The Qajar Epoch, 1785-1925 </i> London, 1998","id":"AUTH353276"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"William B. Robinson, “Some Thoughts on Qajar Lacquer” in Lacquerwork in Asia and Beyond:  Colloquies on Art and Archaeology in Asia No. 11, ed. William Watson.  London:  Percival David Foundation, 1981, pp. 267-70 "},{"reference":{"text":"","id":""},"details":"","free":"Comte de Rochechouart, Sourvenirs d’un voyage en Perse (Paris, 1867) [chapter 13, Du Cartonnage et de la Peinture)"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["763-1888"],"accessionNumberNum":"763","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-11-07","availableToBook":true}}