{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O85234"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O85234/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PH7680/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PH7680/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2025PH7680","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AN5613","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JW1606","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O85234/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O85234","accessionNumber":"368O-1878","objectType":"Capital","titles":[],"summaryDescription":"This console, with acanthus leaves and other Renaissance decoration, came from a fort on the Adriatic coast. The fort was commissioned by Giovanni della Rovere, Lord of Senigallia and nephew of Pope Sixtus IV.A corbel rather than a capital, the object would have been set in to the wall at the point where the vault of the ceiling meets the wall providing an aesthetic termination rather than any significant architectural support.","physicalDescription":"Pilaster capital of Istrian stone.  Carved with a tapered bracket, from which rise two acanthus leaves with, between them, a vase.  Volutes in the form of the tails of two dolphins, who face inwards.  At the top a concave moulding with, in the centre, a sunflower.","artistMakerPerson":[{"name":{"text":"Martini, Francesco di Giorgio","id":"A8647"},"association":{"text":"designer","id":"x36960"},"note":"possibly"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Istrian stone","id":"x36755"}],"techniques":[],"materialsAndTechniques":"Istrian stone","categories":[{"text":"Architectural fittings","id":"THES48994"},{"text":"Architecture","id":"THES48993"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2025PH7680","2006AN5613","2017JW1606"],"imageResolution":"high","galleryLocations":[{"current":{"text":"122G (VA)","id":"THES49219"},"free":"","case":"WE","shelf":"","box":"31"}],"partTypes":[[{"text":"Architecture","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Urbino","id":"x33375"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1483-1490","earliest":"1483-01-01","latest":"1490-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"46","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"35.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"23","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measure for the Medieval and Renaissance Galleries","marksAndInscriptions":[],"objectHistory":"Possibly designed by Francesco di Giorgio Martini (born in Siena, Italy, 1439, died there in 1501) and made in Urbino, Italy\n\nFrom Rocca Roveresca di Mondolfo near Singallia in the Marches (central Italy)","historicalContext":"","briefDescription":"Capital, Istrian stone, from the Rocca Roveresca di Mondolfo near Sinigallia in the Marches, central Italy, about 1483-1490","bibliographicReferences":[{"reference":{"text":"Baker, Malcolm, and Brenda Richardson (eds.), <i>A Grand Design: The Art of the Victoria and Albert Museum</i>, London: V&A Publications, 1999.","id":"AUTH348910"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"<u>List of Objects in the Art Division, South Kensington Museum acquired in the Year 1878.</u> London, 1879, p. 35"},{"reference":{"text":"","id":""},"details":"","free":"Pope-Hennessy, John. <u>Catalogue of Italian Sculpture in the Victoria and Albert Museum.</u> London, Her Majesty's Stationary Office, 1964, pp. 305"},{"reference":{"text":"","id":""},"details":"","free":"Raggio, Olga. 'Catalogue of Italian Sculpture in the Victoria and Albert Museum' <u>Art Bulletin</u> vol.L, 1968."},{"reference":{"text":"","id":""},"details":"","free":"Adams, Nicholas and Krasinski, Jennifer. 'La rocca roveresca di Mondolfo' in Fiore and Tafuri ed. <u>Francesco di Giorgio architetto.</u> Milan: Electa, 1993."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"British Galleries:\nBy the 1880s the Museum had started to build up a systematic collection of Medieval and Renaissance sculpture and ornament such as this carved capital. Students and designers often made use of these collections. We know, for example, that the designer E.W. Godwin (1833-1888) sketched this capital in 1879.","date":{"text":"27/03/2003","earliest":"2003-03-27","latest":"2003-03-27"}}],"partNumbers":["368O-1878"],"accessionNumberNum":"368","accessionNumberPrefix":"","accessionYear":1878,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LV5717"],"recordModificationDate":"2025-09-15","recordCreationDate":"2003-11-06","availableToBook":false}}