{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O84937"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O84937/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BB4570/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BB4570/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BB4570","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AF5274","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O84937","accessionNumber":"E.887-2003","objectType":"Photograph","titles":[{"title":"Georgia O'Keeffe","type":"assigned by artist"}],"summaryDescription":"A photographer, publisher, writer and gallery owner, Alfred Stieglitz played a key role in the promotion and exploration of photography as an art form. He also helped introduce modern art to an American audience. \r\n\r\nStieglitz first saw the work of the painter Georgia O’Keeffe (1887–1986) in 1916 and, impressed by its expressive power, he hosted her first solo exhibition at his gallery ‘291’ in New York. He also started to photograph O’Keeffe, posing her in front of her work. This was the start of an extraordinary collaboration that lasted over 20 years and resulted in over 300 photographs. The two married in 1924. In the 1920s and 1930s, influenced by O’Keeffe, Stieglitz started to make prints of exquisite precision and sharp tonal contrast and to explore the artistic and spiritual potential of his everyday surroundings. \r\n\r\nThe Georgia O’Keeffe Foundation has given the V&A a group of photographs by Stieglitz, including ten portraits of O’Keeffe taken between 1918 and 1937. The sequence charts an evolution from early, sensuous, symbolically charged images to an increasingly frank record of an individual. Stieglitz saw his photographs of O’Keeffe as a composite portrait. Seen together, they explore themes of multiplicity, fragmentation, time and change, as well as O’Keeffe’s personality, beauty and creativity.","physicalDescription":"Black and white photograph of Georgia O'Keeffe looking up, wearing a black hat.","artistMakerPerson":[{"name":{"text":"Stieglitz, Alfred","id":"A1097"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"platinum process","id":"AAT53492"}],"materialsAndTechniques":"Platinum print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BB4570","2006AF5274"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"996","box":"D"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"platinum print","id":"AAT127145"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1918","earliest":"1918-01-01","latest":"1918-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Gift of the Georgia O'Keeffe Foundation","dimensions":[{"dimension":"Height","value":"91","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"240","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"410","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Width","value":"530","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Height","value":"415","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"535","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Depth","value":"25","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"After Stieglitz (1864-1946) was a pioneer of modern photography. A photographer, publisher, writer and gallery owner, he played a key role in the promotion and exploration of photography as an art form. He also helped introduce modern art to an American audience. In 1916 Stieglitz first saw the work of Georgia O'Keeffe (1887-1986) and was impressed by the expressive power of her large abstract drawings. The following year he hosted her first solo exhibition at his gallery '291' in New York. He also started to photograph O'Keeffe, posing her in front of her work and finding ways to fuse her body with the compositions. This was the start of an extraordinary collaboration that lasted over twenty years and resulted in over three hundred photographs. Stieglitz and O'Keeffe's artistic dialogue extended to a profound influence on each other's work. They became lovers and married in 1924. \r\nThe Georgia O'Keeffe Foundation has recently given the V&A a group of photographs by Stieglitz. The ten portraits of O'Keeffe shown here were taken between 1918 and 1937. The early, sensuous images were taken in the studio and printed on platinum and palladium paper, giving a fine tonal range. Later, there is a move away from symbolically charged images to an increasingly frank record of an individual. Influenced by O'Keeffe's paintings and by the work of Paul Strand (whose portrait of Stieglitz is on display next door), Stieglitz adopted an arguably more Modernist approach in the 1920s and 1930s. He started to make small gelatin-silver prints of exquisite precision and sharp tonal contrast and to explore the artistic and spiritual potential of his everyday surroundings. \n\r\nStieglitz saw his photographs of O'Keeffe as a composite portrait. Seen together, they explore themes of multiplicity, fragmentation, time and change, as well as O'Keeffe's personality, beauty and creativity. We might also read the portraits as a record of Stieglitz and O'Keeffe's love affair and of their remarkable creative synergy.","briefDescription":"Photograph by Alfred Stieglitz, 'Georgia O'Keeffe', platinum print, 1918","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Greenough, Sarah. <i>Alfred Stieglitz: The Key Set</i>. New York: Harry N. Abrams, Inc., 2002., vol. 1, 496pp., iIl. ISBN 0810935333"},{"reference":{"text":"","id":""},"details":"","free":"Martin Hammer <u>Naked Portrait: 1900 to 2007</u> Edinburgh: National Galleries of Scotland, 2007."},{"reference":{"text":"","id":""},"details":"","free":"Alison, Jane (Ed.) Malissard, Coralie (Ed.) <u>Modern couples : art, intimacy and the avant-garde</u> London : Barbican ; Prestel, 2018."},{"reference":{"text":"","id":""},"details":"p. 284","free":"Jane Alison and Coralie Malissard (eds), <u>Modern couple : art, intimacy and the avant-garde</u>, London : Barbican ; Prestel Publishing Ltd, 2018."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"O'Keeffe, Georgia","id":"N2828"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"portraits","id":"AAT15637"},{"text":"women","id":"AAT25943"},{"text":"artists","id":"AAT25103"},{"text":"hats","id":"AAT46106"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Alfred Stieglitz (1864-1946) was a pioneer of modern photography. A photographer, publisher, writer and gallery owner, he played a key role in the promotion and exploration of photography as an art form. He also helped introduce modern art to an American audience. In 1916 Stieglitz first saw the work of Georgia O'Keeffe (1887-1986) and was impressed by the expressive power of her large abstract drawings. The following year he hosted her first solo exhibition at his gallery '291' in New York. He also started to photograph O'Keeffe, posing her in front of her work and finding ways to fuse her body with the compositions. This was the start of an extraordinary collaboration that lasted over twenty years and resulted in over three hundred photographs. Stieglitz and O'Keeffe's artistic dialogue extended to a profound influence on each other's work. They became lovers and married in 1924. \r\nThe Georgia O'Keeffe Foundation has recently given the V&A a group of photographs by Stieglitz. The ten portraits of O'Keeffe shown here were taken between 1918 and 1937. The early, sensuous images were taken in the studio and printed on platinum and palladium paper, giving a fine tonal range. Later, there is a move away from symbolically charged images to an increasingly frank record of an individual. Influenced by O'Keeffe's paintings and by the work of Paul Strand (whose portrait of Stieglitz is on display next door), Stieglitz adopted an arguably more Modernist approach in the 1920s and 1930s. He started to make small gelatin-silver prints of exquisite precision and sharp tonal contrast and to explore the artistic and spiritual potential of his everyday surroundings. \r\nStieglitz saw his photographs of O'Keeffe as a composite portrait. Seen together, they explore themes of multiplicity, fragmentation, time and change, as well as O'Keeffe's personality, beauty and creativity. We might also read the portraits as a record of Stieglitz and O'Keeffe's love affair and of their remarkable creative synergy.","date":{"text":"November 2003","earliest":"2003-11-01","latest":"2003-11-30"}},{"text":"Gallery 100, ‘History of photography’, 2011-2012, label text : \r\n\r\nAlfred Stieglitz (1864-1946)\r\n‘Georgia O’Keeffe’\r\n1918\r\n\r\nStieglitz first saw O’Keeffe’s work in 1916. Impressed\r\nby the expressive power of her large abstract\r\ndrawings, he hosted her first solo exhibition at his\r\ngallery the following year. Stieglitz photographed\r\nO’Keeffe posed in front of her work, finding ways\r\nto fuse her body with the compositions. This was\r\nthe start of an extraordinary artistic and personal\r\ncollaboration lasting over twenty years.\r\n\r\nPlatinum print\r\nGift of the Georgia O’Keeffe Foundation\r\nMuseum no. E.887-2003\r\n","date":{"text":"07 03 2014","earliest":"2014-03-07","latest":"2014-03-07"}}],"partNumbers":["E.887-2003"],"accessionNumberNum":"887","accessionNumberPrefix":"E","accessionYear":2003,"otherNumbers":[{"type":{"text":"Alfred Stieglitz: The Key Set","id":"THES280734"},"number":"474"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-10-24","availableToBook":false}}