{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O84926"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O84926/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BB4569/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BB4569/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BB4569","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AF5253","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O84926","accessionNumber":"E.888-2003","objectType":"Photograph","titles":[{"title":"Georgia O'Keeffe - Torso","type":"assigned by artist"}],"summaryDescription":"Alfred Stieglitz (1864-1946) was a pioneer of modern photography. A photographer, publisher, writer and gallery owner, he played a key role in the promotion and exploration of photography as an art form. He also helped introduce modern art to an American audience. In 1916 Stieglitz first saw the work of Georgia O'Keeffe (1887-1986) and was impressed by the expressive power of her large abstract drawings. The following year he hosted her first solo exhibition at his gallery '291' in New York. He also started to photograph O'Keeffe, posing her in front of her work and finding ways to fuse her body with the compositions. This was the start of an extraordinary collaboration that lasted over twenty years and resulted in over three hundred photographs. Stieglitz and O'Keeffe's artistic dialogue extended to a profound influence on each other's work. They became lovers and married in 1924. \r\nThe Georgia O'Keeffe Foundation has recently given the V&A a group of photographs by Stieglitz. The ten portraits of O'Keeffe shown here were taken between 1918 and 1937. The early, sensuous images were taken in the studio and printed on platinum and palladium paper, giving a fine tonal range. Later, there is a move away from symbolically charged images to an increasingly frank record of an individual. Influenced by O'Keeffe's paintings and by the work of Paul Strand, Stieglitz adopted an arguably more Modernist approach in the 1920s and 1930s. He started to make small gelatin-silver prints of exquisite precision and sharp tonal contrast and to explore the artistic and spiritual potential of his everyday surroundings. \r\n\r\nStieglitz saw his photographs of O'Keeffe as a composite portrait. Seen together, they explore themes of multiplicity, fragmentation, time and change, as well as O'Keeffe's personality, beauty and creativity. We might also read the portraits as a record of Stieglitz and O'Keeffe's love affair and of their remarkable creative synergy.","physicalDescription":"Photograph of standing female nude, cropped above breasts and just above knees.","artistMakerPerson":[{"name":{"text":"Stieglitz, Alfred","id":"A1097"},"association":{"text":"photographers","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"platinum process","id":"AAT53492"}],"materialsAndTechniques":"Platinum print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Nude","id":"THES271218"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BB4569","2006AF5253"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"996","box":"E"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"platinum print","id":"AAT127145"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[{"date":{"text":"1918-1919","earliest":"1918-01-01","latest":"1919-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Gift of the Georgia O'Keeffe Foundation","dimensions":[{"dimension":"Height","value":"235","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"190","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"592","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Width","value":"490","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Height","value":"620","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"520","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Depth","value":"25","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"1 of 2 OK34C thin","inscriber":{"name":{"text":"Bry, Doris","id":"A10395"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"graphite","method":"","position":"upper right verso","script":"","translation":"","transliteration":"","type":"","note":"upper right verso; graphite; Bry, Doris"},{"content":"Treated by Steichen 6/50","inscriber":{"name":{"text":"Bry, Doris","id":"A10395"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"graphite","method":"","position":"on mount, lower left","script":"","translation":"","transliteration":"","type":"","note":"on mount, lower left; graphite; Bry, Doris"}],"objectHistory":"","historicalContext":"After Stieglitz (1864-1946) was a pioneer of modern photography. A photographer, publisher, writer and gallery owner, he played a key role in the promotion and exploration of photography as an art form. He also helped introduce modern art to an American audience. In 1916 Stieglitz first saw the work of Georgia O'Keeffe (1887-1986) and was impressed by the expressive power of her large abstract drawings. The following year he hosted her first solo exhibition at his gallery '291' in New York. He also started to photograph O'Keeffe, posing her in front of her work and finding ways to fuse her body with the compositions. This was the start of an extraordinary collaboration that lasted over twenty years and resulted in over three hundred photographs. Stieglitz and O'Keeffe's artistic dialogue extended to a profound influence on each other's work. They became lovers and married in 1924. \r\nThe Georgia O'Keeffe Foundation has recently given the V&A a group of photographs by Stieglitz. The ten portraits of O'Keeffe shown here were taken between 1918 and 1937. The early, sensuous images were taken in the studio and printed on platinum and palladium paper, giving a fine tonal range. Later, there is a move away from symbolically charged images to an increasingly frank record of an individual. Influenced by O'Keeffe's paintings and by the work of Paul Strand (whose portrait of Stieglitz is on display next door), Stieglitz adopted an arguably more Modernist approach in the 1920s and 1930s. He started to make small gelatin-silver prints of exquisite precision and sharp tonal contrast and to explore the artistic and spiritual potential of his everyday surroundings.\n \r\nStieglitz saw his photographs of O'Keeffe as a composite portrait. Seen together, they explore themes of multiplicity, fragmentation, time and change, as well as O'Keeffe's personality, beauty and creativity. We might also read the portraits as a record of Stieglitz and O'Keeffe's love affair and of their remarkable creative synergy.","briefDescription":"Photograph by Alfred Stieglitz, 'Georgia O'Keeffe - Torso', platinum print, 1918/1919","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Greenough, Sarah. <i>Alfred Stieglitz: The Key Set</i>. New York: Harry N. Abrams, Inc., 2002., vol. 1, 496 pp., iIl. ISBN 0810935333"},{"reference":{"text":"","id":""},"details":"","free":"Martin Hammer <u>Naked Portrait: 1900 to 2007</u> Edinburgh: National Galleries of Scotland, 2007."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"O'Keeffe, Georgia","id":"N2828"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"nudes","id":"AAT189568"},{"text":"women","id":"AAT25943"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Alfred Stieglitz: Georgia O'Keeffe\r\nGifts from the Georgia O'Keeffe Foundation\r\n\r\n\r\nAlfred Stieglitz (1864-1946) was a pioneer of modern photography. A photographer, publisher, writer and gallery owner, he played a key role in the promotion and exploration of photography as an art form. He also helped introduce modern art to an American audience. In 1916 Stieglitz first saw the work of Georgia O'Keeffe (1887-1986) and was impressed by the expressive power of her large abstract drawings. The following year he hosted her first solo exhibition at his gallery '291' in New York. He also started to photograph O'Keeffe, posing her in front of her work and finding ways to fuse her body with the compositions. This was the start of an extraordinary collaboration that lasted over twenty years and resulted in over three hundred photographs. Stieglitz and O'Keeffe's artistic dialogue extended to a profound influence on each other's work. They became lovers and married in 1924. \r\n\r\nThe Georgia O'Keeffe Foundation has recently given the V&A a group of photographs by Stieglitz. The ten portraits of O'Keeffe shown here were taken between 1918 and 1937. The early, sensuous images were taken in the studio and printed on platinum and palladium paper, giving a fine tonal range. Later, there is a move away from symbolically charged images to an increasingly frank record of an individual. Influenced by O'Keeffe's paintings and by the work of Paul Strand (whose portrait of Stieglitz is on display next door), Stieglitz adopted an arguably more Modernist approach in the 1920s and 1930s. He started to make small gelatin-silver prints of exquisite precision and sharp tonal contrast and to explore the artistic and spiritual potential of his everyday surroundings. \r\n\r\nStieglitz saw his photographs of O'Keeffe as a composite portrait. Seen together, they explore themes of multiplicity, fragmentation, time and change, as well as O'Keeffe's personality, beauty and creativity. We might also read the portraits as a record of Stieglitz and O'Keeffe's love affair and of their remarkable creative synergy.","date":{"text":"November 2003","earliest":"2003-11-01","latest":"2003-11-30"}},{"text":"Alfred Stieglitz played a key role in the promotion and exploration of photography as an art form. He first saw drawings by the artist Georgia O'Keeffe in 1916 and the following year hosted her first solo exhibition at his gallery '291' in New York. The couple married in 1924. 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