{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O84331"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O84331/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BM3139/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BM3139/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2007BM3139","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O84331","accessionNumber":"E.1167-1998","objectType":"Photograph","titles":[{"title":"The Dining Room (Francis Place) (II)","type":"assigned by artist"}],"summaryDescription":"Sarah Jones was born in London in 1959 and graduated from the MA Photography course at Goldsmiths College in 1996.  Jones is among the leading contemporary artists who make carefully staged, large-scale colour photographs. The proportions of her photographs accentuate the relationship between the almost life-size subject and the viewer. \r\nThis is a very poised and enigmatic image of adolescent girls in a polished social milieu complete with reflection and averted gazes which chimes with the images of Lady Hawarden from the nineteenth century.","physicalDescription":"C-type photograph of three girls around a dinner table in a dining room, two ofthem looking at a blue and white ceramic vesel on the table.  A painting of a man hangs on the wall behind them.","artistMakerPerson":[{"name":{"text":"Jones, Sarah","id":"A4022"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"C-type process","id":"THES258425"}],"materialsAndTechniques":"c-type colour print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2007BM3139"],"imageResolution":"low","galleryLocations":[{"current":{"text":"B","id":"THES304928"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"1997","earliest":"1997-01-01","latest":"1997-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Width","value":"150","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"print","note":""},{"dimension":"Height","value":"150","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"print","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Historical significance: Sarah Jones is among the leading contemporary artists making carefully staged, large-scale colour photographs. The proportions of her photographs accentuate the relationship between the almost life-size subject and the viewer.","historicalContext":"","briefDescription":"Jones, Sarah; The Dining Room, (Francis Place) (II), 1997, C-type on aluminium","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"dining rooms","id":"AAT4349"},{"text":"adolescents","id":"AAT163862"},{"text":"paintings","id":"AAT33618"},{"text":"tableaux (performances)","id":"AAT253377"}],"contentConcepts":[{"text":"boredom","id":"x35713"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Making It Up: Photographic Fictions (2018)\r\nMarta Weiss\r\n\r\nJones constructs scenes that are inspired both by psychoanalysis and history of art. Here three adolescent girls seem poised in reverie in the polished setting of a well-appointed dining room. The emotions implied by their attitudes and the possible symbolic significance of objects in the room, such as the central ceramic dish, are left open to interpretation. The result is mesmeric, yet ultimately enigmatic.","date":{"text":"","earliest":null,"latest":null}},{"text":"Sarah Jones is among the leading contemporary artists who make carefully staged, large-scale colour photographs. The proportions of her images accentuate the relationship between the almost life-size subjects and the viewer. Three adolescent girls seem poised in reverie in the polished setting of a well-appointed dining room. We are left to guess at the emotional states that the girls' attitudes imply, or the possible symbolic meaning of the objects in the room, especially the ceramic dish at the center of the composition. The result is mesmeric yet ultimately enigmatic.","date":{"text":"2008-2009","earliest":"2008-01-01","latest":"2009-12-31"}},{"text":"The almost life-size proportions of this carefully staged photograph accentuate the relationship between the viewer and the subject. Three adolescent girls seem poised in reverie in the polished setting of a well-appointed dining room. The emotions implied by their attitudes and the possible symbolic significance of objects in the room, such as the central ceramic dish, are left open to interpretation.","date":{"text":"11/08/2011-27/11/2011","earliest":"2011-08-11","latest":"2011-11-27"}}],"partNumbers":["E.1167-1998"],"accessionNumberNum":"1167","accessionNumberPrefix":"E","accessionYear":1998,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-26","recordCreationDate":"2003-09-17","availableToBook":false}}