{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O84249"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O84249/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BM6224/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BM6224/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2007BM6224","copyright":"©Victoria and Albert Museum, London/Simone Mirman","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O84249","accessionNumber":"T.113-1980","objectType":"Hat","titles":[],"summaryDescription":"Milliner Simone Mirman was born in Paris and was art-school trained. She worked for fashion designer Elsa Schiaparelli in Paris and came to London in 1947. Mirman, who referred to her hats as ‘objects d’art’, worked first from an attic before opening her couture millinery salon in London. She made hats for Princess Margaret from 1953 and the Queen and the Queen Mother from the 1960s. \r\n\r\nWith typical aplomb, Simone Mirman scattered diminutive rosebuds over this summer hat. In 1953, the year in which this hat was made, the nation celebrated the Coronation of Queen Elizabeth II, and the millinery trade enjoyed an upsurge in business and profits.","physicalDescription":"Low triangular sparterie shape hat of long black horse hair. The shape has been lined with flesh coloured chiffon and then a double layer of flesh coloured net. Four rosebuds in shades of pink with green velvet leaves peep out from beneath the horse hair. ","artistMakerPerson":[{"name":{"text":"Mirman, Simone","id":"A10253"},"association":{"text":"milliners","id":"AAT25356"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"horsehair","id":"AAT11819"},{"text":"artificial flowers","id":"x40890"}],"techniques":[{"text":"millinery","id":"x39135"}],"materialsAndTechniques":"Horsehair and chiffon","categories":[{"text":"Hats and headwear","id":"THES48943"},{"text":"Accessories","id":"THES48998"},{"text":"Fashion","id":"THES48957"},{"text":"Clothing","id":"THES48975"},{"text":"Womenswear","id":"THES49044"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2007BM6224"],"imageResolution":"low","galleryLocations":[{"current":{"text":"001","id":"THES409666"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Hat","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1953","earliest":"1948-01-01","latest":"1957-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Worn by Mrs Doris Langley Moore","dimensions":[{"dimension":"Diameter","value":"30","unit":"cm","qualifier":"","date":{"text":"10/10/2025","earliest":"2025-10-10","latest":"2025-10-10"},"part":"","note":"approx"}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Simone Mirman'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Printed in black on white petersham ribbon label"}],"objectHistory":"Worn by Mrs. Doris Langley Moore, foundress of the Musuem of Costume in Bath.\r\n\r\nHats shaped like this one were often historically known as 'Coolie' hats. The term has fallen from usage and is now considered offensive. ","historicalContext":"","briefDescription":"Conical shaped horsehair hat, London, ca. 1953","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"de la Haye, Amy, ed. The Cutting Edge: 50 Years of British Fashion 1947-1997. V&A Publications, London, England, 1997, p. 141."}],"production":"","productionType":{"text":"Haute couture","id":"THES48861"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"With typical aplomb, Simone Mirman scattered diminutive rosebuds over this summer hat. In 1953 the nation celebrated Coronation year, and the millinery trade enjoyed an upsurge in business and profits.","date":{"text":"1997","earliest":"1997-01-01","latest":"1997-12-31"}},{"text":"[group label]\r\n\r\nHats\r\n\r\nHats were regarded as the finishing touch to an outfit. A wide choice was available, from large picture hats to tiny, feathered creations that perched on the head, secured only with a hat pin. [34 words]\r\n\r\n1. Yellow and black feathers\r\nPaulette (Paulette Marchand, 1900-84)\r\nParis\r\n1950s\r\nWorn by Mrs Opal Holt, and given by Mrs D.M. Haynes and Mrs M. Clark\r\nV&A: T.151-1982\r\n\r\n2. Horsehair hat trimmed with fabric rosebuds\r\nSimone Mirman\r\nLondon\r\n1953\r\nWorn by Doris Langley Moore\r\nV&A: T.113-1980\r\n\r\n3. Pink velvet \r\nAage Thaarup (1906-87)\r\nLondon\r\n1950s\r\nGiven by Mrs Blair Cook\r\nV&A: T.255-1985\r\n\r\n4. Black ostrich feather\r\nCristóbal Balenciaga (1895-1972)\r\nParis\r\nAbout 1955\r\nGiven by Mrs Loel Guinness\r\nV&A: T.60-1974\r\n\r\n4.\tYellow straw \r\nJacques Heim (1899-1967)\r\n1950s\r\nGiven by Mrs Vivienne Lawrie\r\nV&A: T.370-1996","date":{"text":"22/09/2007","earliest":"2007-09-22","latest":"2007-09-22"}}],"partNumbers":["T.113-1980"],"accessionNumberNum":"113","accessionNumberPrefix":"T","accessionYear":1980,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-26","recordCreationDate":"2003-09-15","availableToBook":false}}