{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O83201"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O83201/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM7562/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM7562/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AM7562","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O83201","accessionNumber":"PH.234-1982","objectType":"Photograph","titles":[{"title":"Plankton","type":"assigned by artist"}],"summaryDescription":"Harold Edgerton was an electrical engineer and began to take photographs as scientific experiments. In his first, he tried to produce a perfect coronet from a single drop of milk falling into liquid. To do this he invented the stroboscope - a device to produce short bursts of light. This allowed him to take split-second pictures of objects in motion which could not be seen by the human eye, including bullets and hummingbirds in flight, light bulbs shattering, and athletes in action. Some of his photographs had an exposure time of less than 1/10,000 of a second.","physicalDescription":"Photograph of plankton in a Petri dish (micro-environment).","artistMakerPerson":[{"name":{"text":"Edgerton, Harold","id":"A10080"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"C-print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AM7562"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"928","box":"C1"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Florida","id":"x29785"},"association":{"text":"photographed","id":"x30151"},"note":"Photographed in Florida or at MIT"}],"productionDates":[{"date":{"text":"1975","earliest":"1975-01-01","latest":"1975-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""},{"date":{"text":"1982","earliest":"1982-01-01","latest":"1982-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[{"object":{"text":"PH.236-1982","id":"O83202"},"association":""},{"object":{"text":"PH.235-1982","id":"O1061133"},"association":""},{"object":{"text":"PH.234-1982","id":"O83201"},"association":""}],"creditLine":"Given by the artist. Copyright Harold & Esther Edgerton Foundation, 2002, courtesy of Palm Press, Inc.","dimensions":[{"dimension":"Height","value":"270","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"204","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"279","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""},{"dimension":"Width","value":"215","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Given by the photographer","historicalContext":"","briefDescription":"Plankton,  photographed by Harold Edgerton, 1975, C-print printed 1982","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Harold E. Edgerton and James R. Killian, Jr., <i>Flash! : seeing the unseen by ultra high-speed photography,</i><i> </i>Hale, Cushman & Flint, Boston c1939 \r\n\r\nHarold E. Edgerton, <i>Electronic Flash Strobe</i> (second edition), The MIT Press, Cambridge, Massachusetts, 1979\r\n\r\nErla Zwingle, '\"Doc\" Edgerton - THe Man Who Made Time Stand Still', in: <i>National Geographic</i>, October 1987\n\n<i>Exploring the art and science of stopping time: the life and work of Harold E. Edgerton,</i>MIT Press, Cambridge, MA c1999 \n\n<i>After and before : documenting the A-bomb, </i>PPP Editions, 2003 "}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"micro-environments","id":"AAT225206"},{"text":"plankton","id":"x36761"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Photo London: <i>Beneath the Surface </i>\r\nSomerset House 20 May - 24 August, 2015\r\n\r\n<b>Harold Eugene Edgerton (1903–90)</b>\r\n<i>Marine Organisms</i>, 1978, printed 1982\r\n\nEdgerton was an electrical engineer and began to take photographs as scientific experiments. For these ‘camera-less’ shadowgraphs, he shone light through fluid, projecting the shadow of a nearly transparent shrimp and other organisms directly onto a light-sensitive photographic surface.\r\n\nC-prints\r\nGiven by the photographer\r\nV&A Museum nos. Ph.234 to 236–1982","date":{"text":"20-5-2015","earliest":"2015-01-01","latest":"2025-12-31"}}],"partNumbers":["PH.234-1982"],"accessionNumberNum":"234","accessionNumberPrefix":"PH","accessionYear":1982,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-08-05","availableToBook":false}}