{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O83133"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O83133/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AU1459/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AU1459/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AU1459","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O83133","accessionNumber":"PH.797-1987","objectType":"Photograph","titles":[{"title":"Paris","type":"generic title"}],"summaryDescription":"","physicalDescription":"Photograph","artistMakerPerson":[{"name":{"text":"Breslauer, Marianne","id":"A10057"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Gelatin-silver print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AU1459"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2H","shelf":"DR8","box":"PHOTO"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Paris","id":"x29068"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1929","earliest":"1929-01-01","latest":"1929-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Given by the artist, in memory of Arthur and Tamara Kauffmann.  Copyright Estate of Marianne Breslauer","dimensions":[{"dimension":"Height","value":"17","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"23","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Marianne Breslauer was part of Man Ray's circle and of the cosmopolitan scene in the 1920's and early 30's. Breslauer produced memorable portraits of the famously androgynous Swiss travel writer Annemarie Schwarzenbach who experimented with drugs and died tragically young. Breslauer described Schwarzenbach as : \"neither a woman, neither a man, but an angel, an archangel...\" She also took street photographs utilising the new light cameras of the time - typified by the Leica, introduced in 1925 - to look at the world from unexpected vantage points.","historicalContext":"","briefDescription":"Gelatin-silver print, 'Paris', 1929, Marianne Breslauer","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Paris","id":"x29068"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"In this image, photographed from above, Breslauer conveys the hustle and bustle of city life. Parisians cross the road, their elongated shadows cast across the street, oblivious to the cars whirling around the bend. The unusual vantage point of this image lends\r\nit a Surrealist tone, reflecting Breslauer’s association with the movement.","date":{"text":"May 2023","earliest":"2023-05-01","latest":"2023-05-31"}},{"text":"Gallery 100 ‘A History of Photography’, 2014-2015, label text:\r\n\r\nMarianne Breslauer (1909–2001)\r\nParis \r\n1929\r\nBreslauer trained with Man Ray and, like Ilse Bing, used the Leica to take street photographs from unexpected vantage points. Shot from above, the compositions capture the hustle and bustle of a sunny Parisian street. At one stage she displayed the larger of the two photographs the other way up, creating a more Surrealist impression. The smaller print is a contact print from the negative, revealing how radically Breslauer later cropped the image. \r\nGelatin silver prints\r\nGiven by the artist, in memory of Arthur and Tamara Kauffmann\r\nMuseum nos. Ph.797-1987; E.135-1998\r\n","date":{"text":"06 03 2014","earliest":"2014-03-06","latest":"2014-03-06"}}],"partNumbers":["PH.797-1987"],"accessionNumberNum":"797","accessionNumberPrefix":"PH","accessionYear":1987,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2003-08-04","availableToBook":false}}