{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O829140"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O829140/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EL8670/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EL8670/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EL8670","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O829140/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O829140","accessionNumber":"E.3818-1918","objectType":"Print","titles":[{"title":"A Hippodrome at Constantinople","type":"generic title"}],"summaryDescription":"Who are Letitia Byrne (1779–1849) and Elizabeth Byrne (1784–1874)?\r\nBorn in England, made prints in England\r\nPrintmaking activity: about 1795–1830\r\nLetitia and Elizabeth were daughters engraver of the William Byrne, who trained all his five children in the family workshop. Letitia and Elizabeth specialised in making etchings and engravings for the expansive book market, though they also exhibited watercolours at the annual London exhibitions. Despite their superior skills as printmakers, their brother John took over the family workshop after their father’s death in 1805. All the unmarried siblings continued to live and work together in London in the early 19th century.\r\n","physicalDescription":"Black and white print showing a long building with several dones and spires. There is a tree in the foreground and some camels and an obelisk in the midground.","artistMakerPerson":[{"name":{"text":"Spiers, Richard Phené","id":"N4481"},"association":{"text":"collector","id":"AAT25234"},"note":""},{"name":{"text":"Letitia Byrne","id":"A30114"},"association":{"text":"Printmaker","id":"AAT25164"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Ink","id":"AAT187371"},{"text":"Paper","id":"x30308"}],"techniques":[{"text":"Etching","id":"AAT53241"},{"text":"Engraving","id":"AAT53225"}],"materialsAndTechniques":"Etching and engraving, ink on paper.","categories":[{"text":"Designs","id":"THES48968"},{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EL8670"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"68","box":""}],"partTypes":[[{"text":"drawing","id":"x32498"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"Made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"19th century","earliest":"1800-01-01","latest":"1899-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Phené Spiers Collection of Architectural Drawings","dimensions":[{"dimension":"Length","value":"13.02","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"16.35","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"'A Hippodrome at Constantinople', engraving and etching by Letitia Byrne from the Phené Spiers Collection of Architectural Drawings, 19th century.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"constantinople","id":"x33871"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Like their father, Letitia and Elizabeth Byrne specialised in topographical engravings and etchings depicting England, Wales, Italy, and colonial India. They often produced these as book illustrations for larger commercial publishers on a freelance basis. In 1805, after her father’s death, Letitia Byrne did try to publish a series of topographical prints herself. The scheme failed, and she did not attempt to self-publish again.","date":{"text":"2022","earliest":"2022-01-01","latest":"2022-12-31"}}],"partNumbers":["E.3818-1918"],"accessionNumberNum":"3818","accessionNumberPrefix":"E","accessionYear":1918,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-12","recordCreationDate":"2009-06-30","availableToBook":false}}