{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O82808"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O82808/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AH2081/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AH2081/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AH2081","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KV2527","copyright":"© Victoria and Albert Museum, London London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O82808/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O82808","accessionNumber":"68006","objectType":"Photograph","titles":[{"title":"The Imperial Yacht, La Reine Hortense, Le Havre","type":"generic title"}],"summaryDescription":"","physicalDescription":"Gold-toned albumen print from a wet collodion negative of the imperial yacht 'La Reine Hortense', docked at Le Havre in the north of France.  The harbour front is visible behind the ship, with a small number of people and a row of shops.  Sailors are visible aboard the yacht and the water refects the masts of the vessel in the foreground.","artistMakerPerson":[{"name":{"text":"Le Gray, Gustave","id":"A6509"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"}],"techniques":[{"text":"wet collodion","id":"AAT133299"},{"text":"albumen","id":"AAT133274"}],"materialsAndTechniques":"Gold-toned albumen print from a wet collodion negative","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AH2081","2018KV2527"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"103","box":"B"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Le Havre","id":"x36726"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1856–57","earliest":"1856-01-01","latest":"1857-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Chauncey Hare Townshend ","dimensions":[{"dimension":"Height","value":"32.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"41.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from Brian Coe &amp; Mark Haworth-Booth, <u>A Guide to Early Photographic Printing Processes</u>.  London: The Victoria and Albert Museum in association with Hurtwood Press, 1983. ","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph by Gustave Le Gray, photograph of the imperial yacht 'La Reine Hortense' at Le Havre.  French, 1856.  Part of the Chauncey Hare Townshend bequest. ","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Coe, Brian &amp; Haworth-Booth, Mark.  <u>A Guide to Early Photographic Printing Processes</u>. London: The Victoria and Albert Museum in association with Hurtwood Press, 1983."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Le Havre","id":"x36726"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"ship","id":"AAT82981"},{"text":"yacht","id":"AAT82988"},{"text":"harbour","id":"AAT8678"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:\n</b>\r\n\r\n\r\nCollection in Focus: Chauncy Hare Townshend (1798–1868)\r\n\r\nChauncy Hare Townshend was one of the few serious collectors of photography in the early years of its development. Apart from Prince Albert, he remains the only identifiable British private collector of early photographs on such a scale. He was an extremely wealthy art collector and connoisseur who moved in the highest social and literary circles – Charles Dickens even dedicated Great Expectations to him. Townshend bequeathed his large art collection, including paintings, furniture, gemstones, books and coins, as well as his photographs, to the South Kensington Museum (now the V&A) in 1868. His impressive photography collection ranged from images of political, military and contemporary events to a particularly striking group of French fine art photographs. Practising photographers tended to collect photographs, exchanging works as examples of style and process. But Townshend, who was not a photographer, recognised both photography’s documentary value, and even more so, its exciting new artistic capabilities.\r\n\r\n11. Gustave Le Gray (1820–84)\r\nThe Imperial Yacht, La Reine Hortense, Le Havre\r\n1856–57\r\nAlbumen print\r\nMuseum no. 68006","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["68006"],"accessionNumberNum":"68006","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-07-31","recordCreationDate":"2003-07-28","availableToBook":false}}