{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O82807"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O82807/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AH2080/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AH2080/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AH2080","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JV0628","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O82807/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O82807","accessionNumber":"68009","objectType":"Photograph","titles":[{"title":"The road to Chailly, Forest of Fontainebleu","type":"generic title"}],"summaryDescription":"","physicalDescription":"Photograph","artistMakerPerson":[{"name":{"text":"Le Gray, Gustave","id":"A6509"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Albumen print from a collodion-on-glass negative","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AH2080","2017JV0628"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"103","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}],[{"text":"salted paper print","id":"AAT127149"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1848-1852","earliest":"1848-01-01","latest":"1852-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Townshend Bequest","dimensions":[{"dimension":"Height","value":"25.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"35.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"19thC, Townshend Bequest. Le Gray, Gustave. The Road to Chailly, Forest of Fontainebleau, 1848-52; 19thC, Townshend Bequest; Le Gray, Gustave. The Road to Chailly, Forest of Fontainebleau, 1848-52","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"road","id":"AAT8217"},{"text":"trees","id":"AAT132410"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<b>Photography Centre 2018-20:\r\n</b>\r\n\r\n\r\nCollection in Focus: Chauncy Hare Townshend (1798–1868)\r\n\r\nChauncy Hare Townshend was one of the few serious collectors of photography in the early years of its development. Apart from Prince Albert, he remains the only identifiable British private collector of early photographs on such a scale. He was an extremely wealthy art collector and connoisseur who moved in the highest social and literary circles – Charles Dickens even dedicated Great Expectations to him. Townshend bequeathed his large art collection, including paintings, furniture, gemstones, books and coins, as well as his photographs, to the South Kensington Museum (now the V&A) in 1868. His impressive photography collection ranged from images of political, military and contemporary events to a particularly striking group of French fine art photographs. Practising photographers tended to collect photographs, exchanging works as examples of style and process. But Townshend, who was not a photographer, recognised both photography’s documentary value, and even more so, its exciting new artistic capabilities.\r\n\r\n4. George Newbold (active 1860s)\r\nTom Sayers, Champion of England\r\n1860\r\nAlbumen print\r\nMuseum no. 64866","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["68009"],"accessionNumberNum":"68009","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-29","recordCreationDate":"2003-07-28","availableToBook":false}}