{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O82727"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O82727/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BF2240/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BF2240/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BF2240","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JV4532","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O82727/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O82727","accessionNumber":"131-1888","objectType":"Oil painting","titles":[{"title":"A Sluice, perhaps on the Stour","type":"popular title"}],"summaryDescription":"This study of a sluice gate on a millstream may depict Dedham lock on the River Stour. Its sombre colours and agitated brushwork resemble the landscapes of the 17th-century Dutch painter Jacob Ruysdael, which Constable greatly admired.","physicalDescription":"Oil sketch of a sluice and trees.","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"black chalk","id":"AAT80058"},{"text":"white chalk","id":"x39202"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"oil on paper laid on canvas","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BF2240","2017JV4532"],"imageResolution":"high","galleryLocations":[{"current":{"text":"WS","id":"THES49603"},"free":"","case":"R","shelf":"29","box":"L"}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"painted","id":"x30138"},"note":""}],"productionDates":[{"date":{"text":"ca. 1830-1836","earliest":"1825-01-01","latest":"1836-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"Given by Isabel Constable, daughter of the artist","dimensions":[{"dimension":"Height","value":"219","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"187","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Height","value":"504","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"452","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Depth","value":"40","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"Dimensions taken from <i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973","marksAndInscriptions":[],"objectHistory":"Given by Isabel Constable, 1888","historicalContext":"'In 1836 Constable's two exhibits at the Royal Academy were the 'Cenotaph to the memory of Sir Joshua Reynolds' (now in the Tate Gallery, No. 1272) and the watercolour 'Stonehenge' (No. 395 [1629-1888]). He gave four lectures on 'The History of Landscape Painting' at the Royal Institution in May and June of this year and his last lecture, at Hampstead, on 25 July. Constable died on 31 March 1837. His almost completed painting 'Arundel Mill and Castle' (now in the Toledo Museum of Art, Toledo, Ohio; see No. 379 [260-1888]) was exhibited posthumously at the Royal Academy.' \r\n                                 \t\r\n[G Reynolds, 1973, p. 233]","briefDescription":"Oil painting, 'A Sluice, perhaps on the Stour', John Constable, ca. 1830-ca. 1836","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 233, 238-239"},{"reference":{"text":"Evans, Mark et al. <i>Vikutoria & Arubāto Bijutsukan-zō : eikoku romanshugi kaigaten = The Romantic tradition in British painting, 1800-1950 : masterpieces from the Victoria and Albert Museum</i>. Japan : Brain Trust, 2002","id":"AUTH332409"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"sluices","id":"AAT6082"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["131-1888"],"accessionNumberNum":"131","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"404, plate 301"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-19","recordCreationDate":"2003-07-25","availableToBook":false}}