{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O82657"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O82657/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PD0995/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PD0995/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2025PD0995","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O82657","accessionNumber":"E.2779-1990","objectType":"Photograph","titles":[{"title":"Untitled","type":"assigned by artist"},{"title":"Troubled Waters","type":"series title"}],"summaryDescription":"William Eggleston (born 1939) changed the course of colour photography by translating the intense, super-real quality of colour transparencies into the saturated hues of dye transfer prints. Adopting processes previously used in advertising – the dye transfer technique was predominantly commercial at the time – Eggleston set a precedent for colour documentary and art photography that remains influential today. His work pinpoints the moment when colour began to be generally accepted as part of the language of art photography, and his subtle choices of camera positions loosened up photographers’ ideas about viewpoint.","physicalDescription":"A colour photograph depicting a statue of a woman leaning on a tomb.","artistMakerPerson":[{"name":{"text":"Eggleston, William","id":"A10016"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Caldecott Chubb","id":"AUTH332540"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper","id":"AAT14109"}],"techniques":[{"text":"dye transfer process","id":"AAT53471"}],"materialsAndTechniques":"Dye transfer print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2025PD0995"],"imageResolution":"low","galleryLocations":[{"current":{"text":"100","id":"THES49934"},"free":"","case":"WW","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"USA","id":"x29333"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1980","earliest":"1980-01-01","latest":"1980-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"Copyright William Eggleston, courtesy of Cheim and Read","dimensions":[{"dimension":"Height","value":"44.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"29.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions taken from <u>Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990</u>","marksAndInscriptions":[{"content":"'Eggleston'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed in pencil on the back"},{"content":"'This photograph is not released for publication or commercial use of any kind. All rights reserved. Plate 14 of fifteen. Example 26 of thirty'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed (typed)"},{"content":"'V'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed (typed)"}],"objectHistory":"","historicalContext":"William Eggleston's colour photographs pinpoint the moment when colour photography began to be generally accepted as part of the language of art photography. Adopting processes previously used to manipulate advertising images, Eggleston set the precedent for colour documentary and art photography of the last twenty years. Eggleston finds in places such as shopping centres and ordinary interiors, \"the uncommonness of the commonplace\", as photographer Raymond Moore described it. Inspired by the beauty of family snapshots, Eggleston looks at the everyday and the overlooked in order to reveal them as remarkable.","briefDescription":"Photograph by William Eggleston, 'Untitled', dye transfer print, 1980","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990</u>"},{"reference":{"text":"Haworth-Booth, Mark. <u>William Eggleston : colour photographs from the American South.</u> London: Victoria and Albert Museum, 1983.","id":"AUTH332542"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"statue","id":"AAT47600"},{"text":"tomb","id":"AAT5926"},{"text":"grave","id":"AAT5907"},{"text":"cemetery","id":"AAT360"}],"contentConcepts":[{"text":"grief","id":"AAT55162"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<i>American Photographs</i> (V&amp;A, June 2025 - May 2027)\n\nWilliam Eggleston (born 1939)\r\n<i><b>Untitled</b></i>\r\nfrom the portfolio <i>Troubled Waters</i>\r\n1980\r\n\nTroubled Waters presents 15 pictures made between the Mississippi Delta and Memphis, Tennessee. It offers a visceral portrait of the American South, conveying a sense of place through mundanity, colour and form. With its foreboding title and eerie framing of ordinary scenes, the portfolio reveals the layered histories and social complexities embedded into everyday Southern life.\r\n\nDye transfer print\r\nMuseum no. E.2779-1990","date":{"text":"2025","earliest":"2025-01-01","latest":"2025-12-31"}}],"partNumbers":["E.2779-1990"],"accessionNumberNum":"2779","accessionNumberPrefix":"E","accessionYear":1990,"otherNumbers":[{"type":{"text":"series number","id":"THES57536"},"number":"plate 14"}],"copyNumber":"26/30","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-13","recordCreationDate":"2003-07-24","availableToBook":false}}