{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O82646"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O82646/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GA8901/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GA8901/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GA8901","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GA8902","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AP1994","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JU0364","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O82646/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O82646","accessionNumber":"125-1888","objectType":"Oil painting","titles":[{"title":"Branch Hill Pond, Hampstead","type":"popular title"}],"summaryDescription":"Branch Hill Pond was one of Constable's favourite subjects. This sketch depicts the view from Jack Straw's Castle, an old coaching inn. In September 1821 Constable wrote: 'We have had noble clouds & effects of light & dark & colour - as is always the case with such seasons as the present'.","physicalDescription":"Landscape with low horizon, painted in direct sunlight.","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"canvas","id":"AAT14078"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"oil on canvas","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2013GA8901","2013GA8902","2006AP1994","2017JU0364"],"imageResolution":"high","galleryLocations":[{"current":{"text":"WS","id":"THES49603"},"free":"","case":"R","shelf":"25","box":"R"}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"painted","id":"x30138"},"note":""}],"productionDates":[{"date":{"text":"ca. 1821-1822","earliest":"1816-01-01","latest":"1825-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"Given by Isabel Constable","dimensions":[{"dimension":"Height","value":"24.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"39.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Height","value":"51","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":"Taken from frame"},{"dimension":"Width","value":"61.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":"Taken from frame"}],"dimensionsNote":"Dimensions taken from <i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973","marksAndInscriptions":[],"objectHistory":"Given by Isabel Constable, 1888","historicalContext":"The chief of Constable's four exhibits in 1821 was 'Landscape: Noon' ('The Hay Wain') (National Gallery No. 1207; for the full-scale sketch see No. 209 [987-1900] in this Catalogue).  His third child, Charles Golding Constable, was born on 29 March.  He accompanied Archdeacon John Fisher on his visitation of Berkshire in June, took No. 2 Lower Terrace, Hampstead, for his family during the summer and autumn and paid a visit to Fisher at Salisbury in November.\r\n\r\n [G Reynolds, 1973, p. 135]","briefDescription":"Oil painting, 'Branch Hill Pond, Hampstead', John Constable, ca. 1821-1822","bibliographicReferences":[{"reference":{"text":"Gray, Anne and John Gage, <i>Constable: impressions of land, sea and sky</i>, National Gallery of Australia, Canberra, 2006","id":"AUTH356837"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 135, 145-147"},{"reference":{"text":"<i>The Abstraction of Landscape: From Northern Romanticism to Abstract Impressionism</i>, Madrid: Fundación Juan March, 2007","id":"AUTH357700"},"details":"42","free":""},{"reference":{"text":"","id":""},"details":"","free":"Ulrich Bischoff, Luc Tuymans & Andreas Dehmer, <u>Constable, Delacroix, Friedrich, Goya: Shock to the senses</u>. Dresden :Staatliche  kunstsammlungen ;Sandstein,2013. 9783954980277"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Hampstead","id":"x34208"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"landscape","id":"x35496"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["125-1888"],"accessionNumberNum":"125","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"233, plate 177"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-02-19","recordCreationDate":"2003-07-23","availableToBook":false}}