{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O82587"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O82587/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AG3412/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AG3412/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AG3412","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BD2393","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KE2352","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KW8646","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O82587/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O82587","accessionNumber":"1630-1888","objectType":"Oil painting","titles":[{"title":"Trees at Hampstead: The Path to Church","type":"popular title"}],"summaryDescription":"The artist described the view as 'a natural (but highly elegant) group of trees, ashes, elms, & oak &c - which will be of quite as much service as if I had bought the field and hedge row'. The spire of Hampstead parish church can be seen at the bottom left. Constable and his wife lie buried in the graveyard.","physicalDescription":"Painting of a cloudy sky and tall trees.","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"canvas","id":"AAT14078"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"oil on canvas","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AG3412","2006BD2393","2017KE2352","2018KW8646"],"imageResolution":"high","galleryLocations":[{"current":{"text":"87","id":"THES49709"},"free":"","case":"WW","shelf":"","box":""}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"painted","id":"x30138"},"note":""}],"productionDates":[{"date":{"text":"1821","earliest":"1821-01-01","latest":"1821-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Isabel Constable as the gift of Maria Louisa, Isabel and Lionel Bicknell Constable","dimensions":[{"dimension":"Height","value":"91.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"72.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Height","value":"122","unit":"cm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"frame","note":""},{"dimension":"Width","value":"104.5","unit":"cm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"frame","note":""},{"dimension":"Depth","value":"18.5","unit":"cm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"frame","note":""}],"dimensionsNote":"Dimensions taken from <i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973","marksAndInscriptions":[],"objectHistory":"Bequeathed by Isabel Constable, as the gift of Maria Louisa, Isabel and Lionel Bicknell Constable, 1888","historicalContext":"The chief of Constable's four exhibits in 1821 was 'Landscape: Noon' ('The Hay Wain') (National Gallery No. 1207; for the full-scale sketch see No. 209 [987-1900] in this Catalogue).  His third child, Charles Golding Constable, was born on 29 March.  He accompanied Archdeacon John Fisher on his visitation of Berkshire in June, took No. 2 Lower Terrace, Hampstead, for his family during the summer and autumn and paid a visit to Fisher at Salisbury in November.\r\n\r\n [G Reynolds, 1973, p. 135]","briefDescription":"Oil sketch of trees at Hampstead by Constable, England, 19th century.","bibliographicReferences":[{"reference":{"text":"Parris, Leslie and Fleming-Williams, Ian. <i>Constable </i> London : The Tate Gallery, 1991","id":"AUTH354806"},"details":"no.115","free":""},{"reference":{"text":"","id":""},"details":"","free":"Morris, Edward, ed. <u> Constable's Clouds: Paintings and Cloud Studies by John Constable </u>,  Edinburgh : National Galleries of Scotland ; Liverpool : National Museums and Galleries on Merseyside, c2000. 176 p. : ill. (some col.). ISBN 1903278058 (paperback), 1903278066 (hardback)."},{"reference":{"text":"","id":""},"details":"","free":"Graham Reynolds,  <u>Catalogue of the Constable Collection</u>, London: HMSO, 1973, pp. 135, 142"},{"reference":{"text":"","id":""},"details":"","free":"Evans, M., with N. Costaras and C. Richardson, <u>John Constable. Oil Sketches from the Victoria and Albert Museum</u>, London: V&A, 2011, p. 27, fig. 21."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Hampstead","id":"x34208"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Trees","id":"AAT132410"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["1630-1888"],"accessionNumberNum":"1630","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"163, plate 168"}],"copyNumber":"","aspects":["WHOLE"],"assets":["2022NF5200"],"recordModificationDate":"2026-05-12","recordCreationDate":"2003-07-23","availableToBook":false}}