{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O819200"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O819200/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014GX8018/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014GX8018/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2014GX8018","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2008BV3746","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O819200/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O819200","accessionNumber":"8099:11","objectType":"Stained glass design","titles":[{"title":"Majolica","type":"assigned by artist"}],"summaryDescription":"As carried out during the late 1860s and 1870s, the interior of the Lecture Theatre block of the Victoria and Albert Museum - containing the Lecture Theatre, Ceramic Gallery (now the Silver Gallery, Rooms 65-69) and refreshment rooms - was elaborately decorated. This pen and ink drawing comprises one of William Bell Scott’s designs for the fourteen stained-glass windows in the Ceramic Gallery. Henry Cole, the first director of the Museum, was responsible for the theme. Mirroring the arrangement of ceramic items within the gallery, the stained-glass windows depicted historical periods of ceramic manufacture: showing painting and modelling, this design represents the production of majolica. Scott executed the designs by painting onto glass panes with a brush, keeping the windows virtually free of colour (yellow being the only stain used) so as not to darken the gallery. Scott also designed two stained-glass windows for the landings of the two staircases leading up from the Ceramic Gallery to the Lecture Theatre.","physicalDescription":"Small-scale pen and ink drawing with yellow watercolour on paper. Divided into four yellow-bordered rectangular lights, with a further light indicated above, this design for a stained-glass window in the Ceramic Gallery (now the Silver Gallery, Rooms 65-69) is labelled 'Majolica, 7th window’. The upper two lights depict painting: on the left, a seated artist paints the portrait of a young woman onto a plate; on the right, five figures paint or carry ceramic wares in a workshop dominated by a circular table. With figures working in a church, on a roundel, a vase and a bust, the decoration of the lower pair of lights depicts modelling. Drawn to a larger scale, to the side is a detail of the pattern to be used as a border. Annotated.","artistMakerPerson":[{"name":{"text":"William Bell Scott","id":"A2377"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pen and ink and watercolour","id":"x32505"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Pen and ink with watercolour on paper","categories":[{"text":"History of the V&A","id":"THES252692"},{"text":"Scotland","id":"THES262877"},{"text":"Designs","id":"THES48968"},{"text":"Drawings","id":"THES48966"},{"text":"Stained Glass","id":"THES48891"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014GX8018","2008BV3746"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"D","shelf":"6","box":"B"}],"partTypes":[[{"text":"Design for stained glass","id":"THES277590"}],[{"text":"Designs","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1870","earliest":"1865-01-01","latest":"1874-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"8099:1","id":"O819210"},"association":""},{"object":{"text":"8099:2","id":"O819209"},"association":""},{"object":{"text":"8099:3","id":"O819208"},"association":""},{"object":{"text":"8099:4","id":"O819207"},"association":""},{"object":{"text":"8099:5","id":"O819206"},"association":""},{"object":{"text":"8099:6","id":"O819205"},"association":""},{"object":{"text":"8099:7","id":"O819204"},"association":""},{"object":{"text":"8099:8","id":"O819203"},"association":""},{"object":{"text":"8099:9","id":"O819202"},"association":""},{"object":{"text":"8099:10","id":"O819201"},"association":""},{"object":{"text":"8099:11","id":"O819200"},"association":""},{"object":{"text":"8099:12","id":"O819199"},"association":""},{"object":{"text":"8099:13","id":"O819198"},"association":""},{"object":{"text":"8099:14","id":"O819197"},"association":""},{"object":{"text":"75954A","id":"O1092650"},"association":""},{"object":{"text":"E.7168-1903","id":"O869067"},"association":""},{"object":{"text":"E.7169-1903","id":"O869066"},"association":""}],"creditLine":"","dimensions":[{"dimension":"Height","value":"31.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"height of paper","note":""},{"dimension":"Width","value":"22.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"width of paper","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Design for Victoria and Albert Museum by William Bell Scott, Ceramic Gallery, stained glass window (Majolica), about 1870","bibliographicReferences":[{"reference":{"text":"Physick, John. <u>The Victoria and Albert Museum: The History of Its Building</u>. 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