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of the art of goldsmiths in Cologne in the period 1150-1200. The inscriptions and imagery all suggest that it functioned as a portable tabernacle rather than a reliquary (a container for holy relics). A tabernacle held the pyx, a container for the consecrated bread used in the Christian Eucharist. This tabernacle would therefore have been used in processions or would have been set on an altar for veneration.\r\n\r\nThe work here is closely related to a group of enamelled pieces that include the very similar but smaller cross-shaped and domed tabernacle in the Kunstgewerbemuseum in Berlin. It is highly likely that this tabernacle, and the one in Berlin, are the earliest examples in the form of a cruciform church with a dome.\r\n\r\nRecent conservation revealed a parchment written in 1855, signed with the name of the dealer Carrand. According to this new evidence the tabernacle was thought to come from a Benedictine monastery in Cologne. Saint Pantaleon is likely to be the original location. The shrines of Saint Marinus and Saint Albinus are both still preserved there and their enamel reliquaries are stylistically very close to this piece.","physicalDescription":"Bronze and copper gilt reliquary, covered with enamel.  Ivory carvings in the porticos.  The whole rests on a wooden substructure.\r\nThe object is in the form of a miniature domed church of Greek cross design, supported by four gilt-copper griffins (two of the nineteenth century). The curved segments of the cupola, the sloping roofs of the main body of the structure, the background to the niches in which the prophets stand and the columns between them are decorated with distinctive enamel designs which allow a confident ascription to a Cologne workshop of about 1180.\r\n\r\nAround the dome are seated Christ and the eleven apostles, with below, sixteen figures of prophets who hold inscribed scrolls on which are written words taken from Matthew, XVI, 13-16. Four ivory plaques depict the Virgin and Child with St Joseph, the Journey of the Magi, the Crucifixion and the Holy Women at the Sepulchre; the first two of these are nineteenth century replacements, copied from the reliquary now in the Kunstgewerbemuseum, Berlin (originally in Brunswick Cathedral as part of the Guelf treasury).\r\n\r\nAccording to Alfred Darcel (La Collection Soltykoff, in <u>Gazette des Beaux Arts</u>, 1861, p.169-304), the Carrands had already restored the object in the 1850s and had added the knop at the top, two griffins and the following prophets: Maleachi, Sacharja, Bileam. The reliefs depicting the Journey of the three Magi, and the Holy Family, were copied from the examples of the Guelf treasury by the Parisien sculptor Geoffrey Dechaulme.\r\n\r\nThe position of Christ, whose scroll contains the beginning of the text passage, therefore determines the front of the object, directly above the relief of the Crucifixion. The inscriptions of the apostles are read anti-clockwise around the cupola, ending with St Peter. The apostles, with the exception of Peter (who holds his attribute, the key) follow a set bearded type and are indistinguishable from one another, while the fourth apostle is identical with Christ. All the figures are carved from walrus ivory and the incised inscriptions are highlighted with either red or black paint.\r\nThe sixteen prophets below, standing in niches to the sides of the narrative reliefs, also (with one exception) hold scrolls. The inscriptions clearly identify the prophets by their sayings; like those of the apostles, these are incised and embellished with red and black colouring. In size they range from 12.6 to 13 cm in height and 3.2 to 3.5 cm in width.\r\nThe Crucifixion relief is made up of four parts: a central section, the shell like canopy above and the two columns. The Maries and the Sepulcre relief, of two parts, is of elephant ivory. The two 19th century plaques of the Journey of the Magi and the Virgin and Child with St Joseph are also of two pieces and carved from elephant ivory. The four reliefs range in height from 12.4 cm to 12.8 cm.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"bronze","id":"AAT10957"},{"text":"copper gilt","id":"x29394"},{"text":"enamel","id":"AAT14910"},{"text":"ivory","id":"AAT11857"},{"text":"wood","id":"AAT11914"},{"text":"oak","id":"AAT12264"}],"techniques":[{"text":"carved","id":"AAT53149"},{"text":"enamelling","id":"x37485"},{"text":"relief","id":"AAT53622"},{"text":"mounting","id":"AAT81370"}],"materialsAndTechniques":"Walrus ivory and elephant ivory figures and reliefs, mounted in a setting of gilt copper and enamel on an oak core","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Religion","id":"THES48900"},{"text":"Christianity","id":"THES48978"},{"text":"Sculpture","id":"THES48896"},{"text":"Ceremonial objects","id":"THES48981"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2006AC3163","2006AY9888","2006AY9887","2006AY9886","2006AY9885","2006AY9884","2006AY9883","2006AX7564","2006AX7563","2006AX7561","2006AX7560","2006AX7559","2006AX7555","2006AX7554","2006AX7548","2006AX7547","2006AX7546","2006AX7541","2006AX7539","2006AX7535","2006AX7529","2006AX7526","2006AX7525","2006AX7521","2006AX7520","2006AX7517","2006AX7510","2006AX7509","2006AX7505","2006AX7503","2006AX7501","2006AX7500","2006AH6653","2006AC3165","2006AC3164","2006AC3162","2006AC3161","2006AC3160","2006AC0604","2006AC0603","2006AC0602","2006AC0601","2006AC0600","2006AC0599","2006AC0598","2006AC0597","2006AC0568","2006AC0567","2006AC0558","2006AC0546","2006AC0545","2006AC0538","2006AC0519","2006AC0497","2006AC0496","2006AC0472","2006AC0471","2006AC0446","2006AC0410","2006AC0409","2006AC0408","2006AC0377","2006AC0369","2006AC0356","2006AC0355","2006AC0354","2006AC0353","2006AC0343","2006AC0326","2006AC0325","2006AC0303","2006AC0291","2006AC0272","2006AC0271","2006AC0270","2006AC0256","2006AC0238","2006AC0237","2006AC0212","2006AC0184","2006AC0149","2006AC0121","2006AC0120","2006AC0111","2006AC0096","2006AC0095","2006AC0094","2006AC0093","2006AC0092","2006AC0065","2006AC0064","2006AC0063","2006AC0019","2006AC0018","2006AC0017","2006AB9991","2006AB9990","2006AB9952","2006AB9677","2006AB9676","2006AB9675","2006AB9674","2006AB9673","2006AB9670","2006AB9669","2006AB9665","2006AB9660","2006AB9659","2006AB9658","2006AB9655","2006AB9653","2006AB9649","2006AB9648","2006AB9647","2006AB9646","2006AB9644","2006AB9643","2006AB9642","2006AB9633","2006AB9631","2006AB9630","2006AB9629","2006AB9628","2006AB9623","2006AB9622","2006AB9617","2006AB9615","2006AB9611","2006AB9610","2006AB9609","2006AB9596","2006AB9593","2006AB9592","2006AB9590","2006AP3158","2006BE1897","2006BD2205","2006BD2204","2017KB5086","2018KU9499","2018KU9495","2018KU9493","2018KU9475","2018KU9447","2018KX3991","2018KX3989","2018KX3988","2018KX3987","2018KX3986","2018KX3902","2018KX3901","2018KX3901","2021NB1584"],"imageResolution":"high","galleryLocations":[{"current":{"text":"8 (VA)","id":"THES49714"},"free":"","case":"CA17","shelf":"","box":""}],"partTypes":[[{"text":"Tabernacle","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Cologne","id":"x28796"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1180","earliest":"1175-01-01","latest":"1184-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"259:1-1867","id":"O88297"},"association":"Object"}],"creditLine":"","dimensions":[{"dimension":"Height","value":"54.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"51","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"50.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"58","unit":"lb","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"hoc monuMentum artis quonDam & Laborum\r\nCienobitarum ordinis sanCti benedicti, Coloniae\r\nagrippinae, jam edacitate temporis perpessVm,\r\njoan-bapt. carrand et ludovicus filius ejus, ambo \r\nlugdunenses & rerum atque artium medii aevi indu-\r\ngatores solertissimi, parisius instauraverunt.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Written on parchment in 1855 and nailed on the underside of  the wood core."},{"content":"Zephanja: SOPH MANE IUDICIU[M] SVUM D[ABIT IN LVCE] (Zeph 3,5)\r\n\r\nJonas: TOLLE ANINA[M] MEA[M] Q[VI]A MELIO[R EST] (Jona 4,3)\r\n\r\nMicha: PRINCIPES UESTRI IN MVERI[BUS] (Micha 3, 11)\r\n\r\nMaleachi: VOBIS TIMENTIB[US] D[O]M[INUM] OR[IETUR] (Maleachi 4,2)\r\n\r\nEzechiel: VIDI ROTA[M] IN MEDIO ROT[A]E (Ezechiel, 1, 16)\r\n\r\nSacharja: Q[V]I [ENIM T]ETIGERIT VOS TANG[I]T [PVPILLAM OCVLI MEI] (Sacharja 2,8)\r\n\r\nHabakuk: C[V]M IRAT[US] FVERIS M[IS]E[RICORDIAE RECORDABERIS] [ME]MOR E[T] (Habakuk 3, 2)\r\n\r\nHaggai: AGGEVS\r\n\r\nJoel: CO[N]PV[T]RVER[VN]T IVMENTA IN (Joel 1, 17)\r\n\r\nHosea: ERO MORS TVA O M[ORS] (Hosea 13, 14)\r\n\r\nBaruch: POST H[AEC] IN TERRIS VISVS E[ST] (Baruch 3, 38)\r\n\r\nJesja: ECCE VIRGO CONCIPIET (Jesja 7,14)\r\n\r\nAmos: PASTOR EGO SV[M] UELIC[AN]S SYCOMOROS (Amos 7, 14)\r\n\r\nBiliam: EX IACOB STELLA PROD[ER]IT  (Num 24, 17)\r\n\r\nObadja: TRANSMIGRATIO I[S]R[AHE]L (Obadja 20)","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"The following inscriptions are on the scrolls of the prophets"},{"content":"Christ: QVEM DIC[UN]T H[OMIN]ES E[SS]E F[ILIUM]- VOS AU[T]EM Q[VEM]\r\n\r\n10 Apostles: ALII- IOHEM- BAPTISTAM- ALII HELIAM- ALII VE[RO]-VERO- HIREMIAM- AVT VNVM- EX PRO- PHETIS\r\n\r\nSt Peter: TV ES XPC FILI[US] D[E]I (MT 16, 13-16)","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"The following inscriptions are on the scrolls of Christ and the 11 apostles, the words are taken from Matthew, XVI, 13-16."}],"objectHistory":"According to the parchment written in 1855 (see inscriptions), the object was thought to come from a Benedictine monastery in Cologne, probably Saint Pantaleon or Saint Martin. Saint Pantaleon is likely to be the original location in which are still preserved the shrines of Saint Marinus and Saint Albinus; both their enamels are stylistically very close to 7650-1861.\r\n\r\nIn a memorandum written by chanoine Franz Bock from Aachen, he stated that the object originally came from the Benedict nunnery at Eltenberg (Hochelten). According to Bock in the 1840s it was in the possession of the dealer Jakob Cohen in Anholt in the Lower Rhine region, who removed the walrus carvings to sell them individually to the Duke Salm-Salm. The latter  eventually bought the entire reliquary. Bock described the appearance of the reliquary at that time as a shrine which was robbed of its ornaments (den seines Schmuckes beraubten Schreins), and that is was then restored by a goldsmith and a carpenter commissioned by the Duke. In 1853 he sold the object to the Cologne dealer Schmitz. The latter sold it through Jean-Baptist Carrand and his son Louis to Prince Soltykoff in 1853.\r\nThe museum acquired the \"grand chasse\" in 1861.\r\n\r\nCrown and Veil Exhibition RF.2003/459\n\nHistorical significance: The tabernacle is a astonishing example of the the art of goldsmiths in Cologne in the second half of the thirteenth century and is closely related to a group of enamelled work among them the cross-shaped and domed tabernacle in the Kunstgewerbemuseum in Berlin and several other portable altars such as in Siegburg and Bamberg. It is highly likely, that the present piece together with the example in Berlin are the earliest receptacula in form of a cruciform church with a dome.","historicalContext":"The inscriptions and the iconography of the object are all related to Christ, the Redemption of Mankind, the Arc of the Old Testament. It has therefore been suggested that the 'chasse'\r\ndid not function as reliquary but as a portable tabernacle which contained in a pyx the host. The tabernacle would have been used in processions or would have been set on an altar for veneration.\r\nThe original function of the object is not certain.","briefDescription":"Tabernacle, gilded bronze and copper on a wooden core, with champlevé enamel and walrus ivory, Lower Rhine (Germany), Cologne, probably from the church of St Pantaleon, ca. 1180, and French, 1853-55","bibliographicReferences":[{"reference":{"text":"Longhurst, Margaret. H. Catalogue of Carvings in Ivory. Part I. London: Published under the Authority of the Board of Education, 1927.","id":"AUTH409856"},"details":"pp. 78-80","free":""},{"reference":{"text":"Kötzsche, Dietrich and Lothar Lambacher, eds. <i>v</i>. Berlin: Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 2006","id":"AUTH357982"},"details":"no.2","free":""},{"reference":{"text":"Williamson, Paul. <u>Medieval Ivory Carvings. Early Christian to Romanesque</u>. London, V&A Publishing, Victoria and Albert Museum, 2010","id":"AUTH337755"},"details":"pp. 290-303","free":""}],"production":"and French, 1853-55; formerly called 'Eltenberg Reliquary'","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Christ","id":"N1515"},{"text":"The Apostles","id":"N1452"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[{"text":"The Nativity","id":"V23"},{"text":"Journey of the Magi","id":"V302"},{"text":"The Crucifixion","id":"V106"},{"text":"The Resurrection","id":"V116"}],"associatedEvents":[],"contentOthers":[{"text":"figures","id":"x31098"},{"text":"tabernacle","id":"AAT207778"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Original label:\r\nSHRINE or RELIQUARY.  Copper-gilt.  Decorated with champleve enamel and with ivory carvings inserted.  The shrine is in the form of a quadrangular Byzantine temple surmounted by a dome and with a projecting portico on each of the four sides.  An ivory plaque is inserted in the front of each portico, carved in relief of the Nativity, the Magi on horseback, the Crucifixion and the Resurrection.  Sixteen ivory statuettes of prophets stand around the temple and twelve ivory statuettes of Apostles surround the doem, each bearing a scroll in his hand.  The colums, walls and roff are enamelled.  The whole rests on a base of copper gilt, standing on four griffins.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["7650-1861"],"accessionNumberNum":"7650","accessionNumberPrefix":"","accessionYear":1861,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LM9411","2019LN2358","2019LN5893","2019LP8045","2019LP6345","2019LR4719","2019LT6606","2019LT5018","2019LU4940","2019LW2847","2020MN9929"],"recordModificationDate":"2025-09-26","recordCreationDate":"2003-06-16","availableToBook":false}}