{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O81384"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O81384/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BE7038/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BE7038/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BE7038","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O81384/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O81384","accessionNumber":"1562-1869","objectType":"Oil painting","titles":[{"title":"Mountain stream","type":""}],"summaryDescription":"Georg Emil Libert (1820-1908) was born in Copenhagen. He was in Munich in 1846-47 and travelled in Southern Germany and Austria in 1851, 1857 and 1875. He exhibited in Vienna in 1873.\r\n\r\nThis painting is a fine example of the Romantic imagery which developed in Northern Europe in the 19th century and favoured harmonious landscape characterised by a high degree of finish and clear tones. It shows a stream in the mountain under a stormy sky. This type of compositions was quite popular and attracted the collectors' interest during the second half of the century.","physicalDescription":"A mountain stream running between rocks covered with lychen, two small figures on the edge of the stream and mountains in the background.","artistMakerPerson":[{"name":{"text":"Libert, Georg Emil","id":"A9740"},"association":{"text":"maker","id":"AAT251917"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"canvas","id":"AAT14078"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"Oil on canvas","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"Danish School","id":"x37663"},{"text":"Romanticism","id":"AAT172863"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BE7038"],"imageResolution":"high","galleryLocations":[{"current":{"text":"A","id":"THES304489"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Copenhagen","id":"x32462"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"ca. 1845-1868","earliest":"1840-01-01","latest":"1868-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Rev. Chauncey Hare Townshend","dimensions":[{"dimension":"Height","value":"27.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"36.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Weight","value":"3","unit":"kg","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"with frame","note":""},{"dimension":"Height","value":"41","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"53.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Height","value":"41.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""},{"dimension":"Width","value":"51","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""},{"dimension":"Depth","value":"6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"Measurement taken at time of assessment prior to BH decant - Frame Dimensions (mm): H-410 W-510 D-58;\nPainting Dimensions (mm): not measured"}],"dimensionsNote":"Dimensions taken from  C.M. Kauffmann, <i>Catalogue of Foreign Paintings, II. 1800-1900</i>,  London, Victoria and Albert Museum, 1973","marksAndInscriptions":[{"content":"'G. Emil Libert'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed by the artist, lower right"}],"objectHistory":"Bequeathed by Rev. Chauncey Hare Townshend, 1868\n\nHistorical significance: This painting is a typical example of stormy landscape paintings favoured by the Scandinavian artists under the influence of the German David Caspar Friedrich (1774-1840) and his pupil the Norwegian Johann Christian Dahl (1788-1857), with whom he may have been in contact when he came to Munich in 1845-46.\r\nThis painting may therefore have been executed slightly after 1845-46. \r\nThis painting was bequeathed by the Rev. Townshend who owned a large collection of 19th-century landscape and genre paintings.","historicalContext":"The word Romanticism derived from the medieval term 'romance' and was first used by the German poets and critics August Wilhelm and Friedrich Schlegel to label a wider cultural movement beginning with the late 18th and ending towards the mid 19th century. Romanticism started first in Western Europe as a literary and philosophical movement and only gradually involved the other arts, explicitly around 1800. Romantic artists were fascinated by nature they interpreted as a mirror of the mind. They investigated human nature and personality, the folk culture, the national and ethnic origins, the medieval era, the exotic, the remote, the mysterious and the occult. The interest in the exotic and the non-Western, illustrated in France by such a painter as Eugène Delacroix (1798-1863), as well as the medieval revival, witnessed in England by Horace Walpole (1717-1797), are perhaps the most identifiable parts of Romanticism. It is really in the Post-Napoleonic period that this movement gained ascendancy. Its greatest proponents were among others Théodore Géricault (1791-1824) and François-René de Chateaubriant (1768-1848) in France, Joseph Mallord William Turner (1775-1851) in England, Heinrich Heine (1797-1856) and Caspar David Friedrich (1774-1840) in Germany. In the visual arts, it was largely played out by 1850, but in music it persists for another generation.","briefDescription":"Oil painting, 'Mountain Stream', Georg Emil Libert, Danish school, ca. 1845-1868","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Kauffmann, C.M. <u>Catalogue of Foreign Paintings, II. 1800-1900 </u>. London: Victoria and Albert Museum, 1973, pp. 65-66, cat. no. 144."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"stream","id":"AAT8699"},{"text":"mountains","id":"AAT8795"},{"text":"figures","id":"x31098"}],"contentConcepts":[{"text":"landscape","id":"x35496"}],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["1562-1869"],"accessionNumberNum":"1562","accessionNumberPrefix":"","accessionYear":1869,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-24","recordCreationDate":"2003-06-11","availableToBook":true}}