{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O80767"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O80767/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AN9206/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AN9206/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AN9206","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O80767","accessionNumber":"T.149-1991","objectType":"Handbag","titles":[{"title":"'Spiral' handbag","type":""}],"summaryDescription":"In the early 1990s, small bags with designer logos swung all over London, New York and Paris, and only the trained eye could distinguish the real articles from the counterfeit.  Stalwarts such as Jane Shilton continued to provide quality for many women with their affordable and well-made range of handbags. Shoe shops and boutique groups produced accessories that perfectly complemented their styles. Meanwhile, fashion designers featured more and more accessories at their catwalk shows, with hats, bags and shoes supplying the fizz, and the sale, for many collections. This black leather bust-shaped handbag by Issey Miyake plays on the idea of the femininity of the handbag--formed into a hollow torso it is subtle and disconcerting.","physicalDescription":"Leather bust-shaped handbag, designed by Issey Miyake, Japan, 1990s","artistMakerPerson":[{"name":{"text":"Miyake, Issey","id":"A6329"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"leather","id":"AAT11845"}],"techniques":[{"text":"stitching","id":"AAT53660"}],"materialsAndTechniques":"Shaped leather","categories":[{"text":"Accessories","id":"THES48998"},{"text":"Leather","id":"THES49030"},{"text":"Bags","id":"THES284620"}],"styles":[],"collectionCode":{"text":"T&F","id":"THES48601"},"images":["2006AN9206"],"imageResolution":"low","galleryLocations":[{"current":{"text":"006","id":"THES306598"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Handbag","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Japan","id":"x29399"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1990s","earliest":"1990-01-01","latest":"1999-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Francesca Galloway","dimensions":[{"dimension":"Height","value":"52.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"including handle","note":""},{"dimension":"Width","value":"40","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"21","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Registered File number 1991/1453.","historicalContext":"","briefDescription":"Handbag, leather, by Issey Miyake, Japan, 1991","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"THE MAGIC OF EVERYDAY OBJECTS\r\n\r\nEveryday items can be playfully transformed into humorous bags. In the 1980s, British designer Lulu Guinness became synonymous with surreal and witty accessories inspired by commonplace objects. More recently, Gabriela Hearst used an accordion to inspire her 'Diana' bag (named after soul singer Diana Ross) [T.272-2019], while Rejina Pyo took a traditional Korean lunch box for her 'Nane' bag. Often, these bags are made to stand independently, transforming them into intriguing sculptures  that transcend their function as mere receptacles for transporting belongings.\r\n\r\nV&amp;A, Room 40,<i> Bags: Inside Out.  </i>","date":{"text":"12/2020","earliest":"2020-12-01","latest":"2020-12-31"}}],"partNumbers":["T.149-1991"],"accessionNumberNum":"149","accessionNumberPrefix":"T","accessionYear":1991,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-10-09","recordCreationDate":"2003-05-15","availableToBook":true}}