{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O80702"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O80702/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AP4208/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AP4208/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AP4208","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017JW5374","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019MC7922","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O80702/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O80702","accessionNumber":"321-1888","objectType":"Oil painting","titles":[{"title":"The Valley of the Stour with Dedham in the Distance","type":"popular title"}],"summaryDescription":"This painting depicts the Stour valley in Essex. The river passes under the bridge at Stratford St Mary and meanders through Dedham, with its high church tower, to the estuary at Harwich. The clear naturalism and sense of light owe much to Constable's practice of making oil sketches in the open air.","physicalDescription":"Oil painting","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"paper","id":"x30308"},{"text":"canvas","id":"AAT14078"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"oil on paper laid on canvas","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AP4208","2017JW5374","2019MC7922"],"imageResolution":"high","galleryLocations":[{"current":{"text":"CNPT","id":"THES49203"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"painted","id":"x30138"},"note":"probably"}],"productionDates":[{"date":{"text":"ca. 1800","earliest":"1795-01-01","latest":"1804-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"Given by Isabel Constable","dimensions":[{"dimension":"Height","value":"49.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"60","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Height","value":"67","unit":"cm","qualifier":"","date":{"text":"2017","earliest":"2017-01-01","latest":"2017-12-31"},"part":"frame","note":""},{"dimension":"Width","value":"77","unit":"cm","qualifier":"","date":{"text":"2017","earliest":"2017-01-01","latest":"2017-12-31"},"part":"frame","note":""},{"dimension":"Depth","value":"10.5","unit":"cm","qualifier":"","date":{"text":"2017","earliest":"2017-01-01","latest":"2017-12-31"},"part":"frame","note":""}],"dimensionsNote":"Dimensions taken from <i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973","marksAndInscriptions":[],"objectHistory":"Given by Isabel Constable, 1888","historicalContext":"In 1805 Constable exhibited 'A Landscape: Moonlight' at the Royal Academy. According to an unpublished entry in the <i>Diary</i>, he called on Farington on 1 June to say that he had been engaged to paint an altarpiece for a country church. This picture was probably the altarpiece for Brantham Curch which Leslie assigns to the previous year (Beckett, I, pp. 18-9)\r\n\r\nG Reynolds, 1973, p. 52.","briefDescription":"Oil painting, 'The Valley of the Stour, with Dedham in the Distance', John Constable, ca. 1800","bibliographicReferences":[{"reference":{"text":"Parris, Leslie and Fleming-Williams, Ian. <i>Constable </i> London : The Tate Gallery, 1991","id":"AUTH354806"},"details":"no.7","free":""},{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, cat. no. 63"},{"reference":{"text":"","id":""},"details":"","free":"Evans, M., with N. Costaras and C. Richardson, <u>John Constable. Oil Sketches from the Victoria and Albert Museum</u>, London: V&A, 2011, p. 40, cat. no. 4."},{"reference":{"text":"","id":""},"details":"P. 234","free":"Carolina Brook and Valter Curzi, eds., <u>Hogarth, Reynolds, Turner : British painting and the rise of modernity</u> Milan : Skira, c2014. ISBN: 9788857222714."},{"reference":{"text":"","id":""},"details":"p. 89","free":"David Jackson, Werner Busch, Jenny Reynaerts, Andreas Blühm, and Ruud Schenk <i>Romanticism in the North : from Friedrich to Turner</i>. Groningen : Groninger Museum ; Zwolle : WBooks, [2017]. ISBN: 9789462582415"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Dedham","id":"x33165"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"landscape","id":"x35496"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["321-1888"],"accessionNumberNum":"321","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"63"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-13","recordCreationDate":"2003-05-13","availableToBook":false}}