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He was a canon of Salisbury Cathedral and Constable's closest friend. At the Royal Academy critics condemned the painting as 'a nasty green thing', and the artist withdrew it.","physicalDescription":"Landscape view with trees, reflected in the water.","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"canvas","id":"AAT14078"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"oil on canvas","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AN7190","2007BN4454","2006AN7189","2014HD3454","2014HD3455","2014HD3456","2014HD3457","2017KC7855"],"imageResolution":"high","galleryLocations":[{"current":{"text":"TRANS5","id":"THES250499"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Salisbury","id":"x32495"},"association":{"text":"painted","id":"x30138"},"note":""}],"productionDates":[{"date":{"text":"1820 or 1829","earliest":"1820-01-01","latest":"1829-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[{"object":{"text":"NCOL.453-2021","id":"O1537235"},"association":"Frame"}],"creditLine":"Given by John Sheepshanks, 1857","dimensions":[{"dimension":"Height","value":"45.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Width","value":"55.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"estimate","note":""},{"dimension":"Height","value":"595","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"framed","note":""},{"dimension":"Width","value":"700","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"framed","note":""},{"dimension":"Depth","value":"60","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"framed","note":""},{"dimension":"Height","value":"59.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":"Taken from frame"},{"dimension":"Width","value":"70.1","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":"Taken from frame"}],"dimensionsNote":"Dimensions taken from <i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973","marksAndInscriptions":[],"objectHistory":"Given by John Sheepshanks, 1857","historicalContext":"'Constable was elected R.A. on 10 February 1829. He exhibited 'Hadleigh Castle' (now in the collection of Mr. and Mrs. Paul Mellon; see No. 127 [D.234-1888] in this Catalogue) and a landscape of a \"rich cottage\". He paid his last two visits to Fisher at Salisbury, in July and in November. His preparations for <i>English Landscape Scenery</i> got under way in this year: the earliest letter on the subject to Lucas printed by Shirley (S.: L., p. 20) is dated 28 August 1829.' \r\n                                 \r\n[G Reynolds, 1973, p.190]","briefDescription":"Oil painting entitled 'Water-meadows near Salisbury' by Constable.  Great Britain, 1820s.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Owens, Susan, <u>The Art of Drawing British Masters and Methods since 1600</u>, V&A Publishing, London, 2013, p. 87, fig. 65"},{"reference":{"text":"Parris, Leslie and Fleming-Williams, Ian. <i>Constable </i> London : The Tate Gallery, 1991","id":"AUTH354806"},"details":"no.135","free":""},{"reference":{"text":"","id":""},"details":"","free":"Morris, Edward, ed. <u> Constable's Clouds: Paintings and Cloud Studies by John Constable </u>,  Edinburgh : National Galleries of Scotland ; Liverpool : National Museums and Galleries on Merseyside, c2000. 176 p. : ill. (some col.). ISBN 1903278058 (paperback), 1903278066 (hardback)."},{"reference":{"text":"","id":""},"details":"","free":"Graham Reynolds, <u>Catalogue of the Constable Collection</u>, London: HMSO, 1973, cat. no. 321"},{"reference":{"text":"","id":""},"details":"","free":"Evans, M., with N. Costaras and C. Richardson, <u>John Constable. Oil Sketches from the Victoria and Albert Museum</u>, London: V&A, 2011, p. 31, fig. 27."},{"reference":{"text":"","id":""},"details":"","free":"Timothy Wilcox, <u>Constable and Salisbury. The Soul of Landscape</u> London: Scala Publishers Ltd, 2011. ISBN: 978 1 85759 678 6."},{"reference":{"text":"","id":""},"details":"","free":"Ulrich Bischoff, Luc Tuymans & Andreas Dehmer, <u>Constable, Delacroix, Friedrich, Goya: Shock to the senses</u>. Dresden :Staatliche  kunstsammlungen ;Sandstein,2013. 9783954980277"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Salisbury","id":"x32495"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"landscape","id":"x35496"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["FA.38[O]"],"accessionNumberNum":"38","accessionNumberPrefix":"FA","accessionYear":null,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"321, plate 232"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-28","recordCreationDate":"2003-05-08","availableToBook":false}}