{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O797992"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O797992/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014HE3823/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014HE3823/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2014HE3823","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O797992/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O797992","accessionNumber":"D.913-1908","objectType":"Drawing","titles":[],"summaryDescription":"The basis of this design, was one of the few that was eventually used by Crace in his decoration of the Drawing Room.\r\n\r\nAbney Hall is situated in Cheadle, Cheshire. It was built in 1847 for Alfred Orrell a cotton-mill owner. After his death in 1849 it was bought by James Watts a Manchester merchant and mayor. Pugin helped with the redecoration for Watts, supplying designs to J.G. Crace. These designs for Abney Hall are amongst Pugin's last. He suffered from poor health whilst producing these designs and died later that year; the designs themselves seem to have been executed at speed, with a slightly shaky hand.\r\n\r\nAugustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In ‘Contrasts’, published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.","physicalDescription":"Design for a frieze panel for the drawing room, with three details given. Scale: 1 1/2 in. to 1 ft. The rectangular panels enclose diagonal bands carrying mottoes between bands containing bees and flowers and a central shield for the arms of the guilds of the City of London.","artistMakerPerson":[{"name":{"text":"A.W.N. Pugin","id":"A8761"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"},{"text":"pen and ink","id":"x30618"}],"techniques":[{"text":"drawing","id":"x32498"}],"materialsAndTechniques":"Pen and ink over pencil","categories":[{"text":"Designs","id":"THES48968"},{"text":"Drawings","id":"THES48966"},{"text":"Interiors","id":"THES48933"}],"styles":[{"text":"Gothic Revival","id":"AAT21452"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014HE3823"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"A","shelf":"143","box":""}],"partTypes":[[{"text":"drawing (image-making)","id":"AAT54196"}],[{"text":"designs","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"UK","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1852","earliest":"1852-01-01","latest":"1852-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"505","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"305","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'panell of frieze'\r\n'Drawing Room'\r\n'Watts'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"with title, notes and colour notes in pencil"},{"content":"'Fidelity in all things; Industria vincit'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"probably in J.G. Crace's hand"},{"content":"'A. Pugin'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"in monogram"}],"objectHistory":"The basis of this design, was one of the few that was eventually used by Crace in his decoration of the Drawing Room.","historicalContext":"","briefDescription":"Design for a frieze panel; A.W.N. Pugin, 1852.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Alexandra Wedgwood, <u> A.W.N. Pugin and the Pugin Family </u>, London; V&A, 1985, pp. 188-189."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Abney Hall","id":"x44660"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"frieze","id":"AAT123582"},{"text":"drawing room","id":"AAT4417"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.913-1908"],"accessionNumberNum":"913","accessionNumberPrefix":"D","accessionYear":1908,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-17","recordCreationDate":"2009-06-30","availableToBook":false}}