{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O797790"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O797790/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LH6090/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LH6090/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LH6090","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O797790/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O797790","accessionNumber":"D.1172-1908","objectType":"Drawing","titles":[{"title":"Perspective sketch of houses in Seville, looking towards the Giralda","type":"generic title"}],"summaryDescription":"Lewis painted several finished watercolours that included the Giralda. Very few of his rough sketches survive, but this sketch is part of a group [D.1164-D.1198-1908] bequeathed by his widow that often contained his first thoughts. They are either composition sketches, or details sketched for inclusion in the finished watercolour and oil paintings. ","physicalDescription":"Rough sketch of a street","artistMakerPerson":[{"name":{"text":"John Frederick Lewis","id":"A8614"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pencil on stiff paper","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LH6090"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"70","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Seville","id":"x32654"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1832-1833","earliest":"1832-01-01","latest":"1833-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"36.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"26 ","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Inscribed in pencil <i>Seville Giralda</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Bequeathed by Mrs J. F. Lewis, via her executors and H. H. Finch. This is one of a group of rough sketches [D.1164-D.1198-1908]. Marian Lewis retained them perhaps for sentimental reasons. They had been in her husband's studio up to his death in 1876,  either because they did not sell, or were not put into the Artist's sale in 1855. She did not subsequently include them in the studio sale of 1877.","historicalContext":"","briefDescription":"Perspective sketch of houses ","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.1172-1908"],"accessionNumberNum":"1172","accessionNumberPrefix":"D","accessionYear":1908,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-26","recordCreationDate":"2009-06-30","availableToBook":false}}