{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O797789"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O797789/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LH6091/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LH6091/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LH6091","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O797789/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O797789","accessionNumber":"D.1173-1908","objectType":"Drawing","titles":[{"title":"Two sketches of the Palco del Principe or Royal box, situated over the Puerta Grande or main entrance to the arena of the Plaza de Toros de la Maestranza de Caballeria de Sevilla","type":"generic title"}],"summaryDescription":"Lewis painted several watercolours with the theme of bullfighting, including one entitled <i>A Bull Fight at Seville</i>, exhibited at the Society of Painters in Watercolour, in 1836.\nVery few of Lewis's rough sketches survive, but this group bequeathed by his widow [D.1164-D.1198-1908] often contain his first thoughts. They are either composition sketches, or details sketched for inclusion in the finished watercolour and oil paintings.\r\n","physicalDescription":"Two perspective drawings of an elaborate structure","artistMakerPerson":[{"name":{"text":"John Frederick Lewis","id":"A8614"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pencil on stiff paper","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LH6091"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"70","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Seville","id":"x32654"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1832-1833","earliest":"1832-01-01","latest":"1833-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"24.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"38.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Bequeathed by Mrs J. F. Lewis, via her executors and H. H. Finch. This is one of a group of rough sketches [D.1164-D.1198-1908]. Marian Lewis retained them perhaps for sentimental reasons. They had been in her husband's studio up to his death in 1876,  either because they did not sell, or were not put into the Artist's sale in 1855. She did not subsequently include them in the studio sale of 1877.","historicalContext":"","briefDescription":"Pencil sketch of two views of a Royal Box, one an elevation, and the other a perspective view from the side.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.1173-1908"],"accessionNumberNum":"1173","accessionNumberPrefix":"D","accessionYear":1908,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-26","recordCreationDate":"2009-06-30","availableToBook":false}}