{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O797767"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O797767/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LH6114/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LH6114/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LH6114","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O797767/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O797767","accessionNumber":"D.1195-1908","objectType":"Drawing","titles":[{"title":"Sketch of an Islamic capital, probably from the Alhambra","type":"generic title"}],"summaryDescription":"Lewis made many drawings of the Alhambra, and in 1835 published a book of lithographs entitled <i>Sketches and Drawings, of the Alhambra, made during a Residence in Granada, in the Years 1833-4</i>. For a similar subject, see the sketch E.1025-1918.\nVery few of Lewis's rough sketches survive, but this group bequeathed by his widow [D.1164-D.1198-1908] often contain his first thoughts. They are either composition sketches, or details sketched for inclusion in the finished watercolour and oil paintings.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"John Frederick Lewis","id":"A8614"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pencil on wove paper","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LH6114"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"70","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Spain","id":"x29170"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1832-1833","earliest":"1832-01-01","latest":"1833-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"13.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"15.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Bequeathed by Mrs J. F. Lewis, via her executors and H. H. Finch. This is one of a group of rough sketches [D.1164-D.1198-1908]. Marian Lewis retained them perhaps for sentimental reasons. They had been in her husband's studio up to his death in 1876,  either because they did not sell, or were not put into the Artist's sale in 1855. She did not subsequently include them in the studio sale of 1877.","historicalContext":"","briefDescription":"Detailed pencil sketch of an intricately carved capital","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.1195-1908"],"accessionNumberNum":"1195","accessionNumberPrefix":"D","accessionYear":1908,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-26","recordCreationDate":"2009-06-30","availableToBook":false}}