{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O797764"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O797764/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LH6080/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LH6080/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LH6080","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O797764/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O797764","accessionNumber":"D.1198-1908","objectType":"Drawing","titles":[{"title":"Sketches of camels and a Bedouin encampment","type":"generic title"}],"summaryDescription":"Lewis made a number of drawings and watercolours of Bedouin encampments and their camels, based on preliminary sketches like these.\nVery few of Lewis's rough sketches survive, but this group bequeathed by his widow [D.1164-D.1198-1908] often contain his first thoughts. They are either composition sketches, or details sketched for inclusion in the finished watercolour and oil paintings.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"John Frederick Lewis","id":"A8614"},"association":{"text":"Artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"drawing","id":"AAT54196"}],"materialsAndTechniques":"Pencil on paper","categories":[],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LH6080"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"PD","shelf":"70","box":""}],"partTypes":[[{"text":"drawing","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Egypt","id":"x29512"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"1841-1850","earliest":"1841-01-01","latest":"1850-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"9.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Inscribed in pencil <i>1st row of camels in perspective</i>  Inscribed in pencil on back  <i>Camel</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Bequeathed by Mrs J. F. Lewis, via her executors and H. H. Finch. This is one of a group of rough sketches [D.1164-D.1198-1908]. Marian Lewis retained them perhaps for sentimental reasons. They had been in her husband's studio up to his death in 1876,  either because they did not sell, or were not put into the Artist's sale in 1855. She did not subsequently include them in the studio sale of 1877.","historicalContext":"","briefDescription":"Pencil sketch of a string of camels, and on the back an Arab encampment with camels","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["D.1198-1908"],"accessionNumberNum":"1198","accessionNumberPrefix":"D","accessionYear":1908,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-20","recordCreationDate":"2009-06-30","availableToBook":false}}