{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O792282"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O792282/"}},"images":null,"see_also":null},"record":{"systemNumber":"O792282","accessionNumber":"E.4156-1908","objectType":"Print","titles":[{"title":"Plan of the Remains of the Mausoleum of the Emperor Hadrian","type":""},{"title":"Roman Antiquities (Paris edition)","type":"series title"}],"summaryDescription":"This print is from <i>Le Antichità Romane</i><i> IV</i>, volume 4 of 27 folio volumes with Giovanni Battista and Francesco Piranesi's works published in Paris by the Calcographie des Piranesi frères (1800-1807). \r\n\r\nThis volume contains 60 plates (folio and large folio), uniformly bound in red half morocco over marbled boards by Tessier, Paris (label in each volume), spines with raised bands gilt. For the complete set of prints in this volume see accession numbers: E. 4152-4211-1908. The copperplates are in the Istituto Centrale per la Grafica, Rome. \n\r\nThe first edition of Piranesi’s Roman Antiquities was published in 1756, in four volumes, with the original title ‘LE ANTICHITÀ ROMANE OPERA DI GIAMBATTISTA PIRANESI ARCHITETTO VENEZIANO DIVISA IN QUATTRO TOMI [...] IN ROMA MDCCLVI Nella Stamperia di Angelo Rotilj nel Palazzo de’ Massimi. Con licenza de' superiori si vendono in Roma dai Signori Bouchard, e Gravier Mercanti libraj al Corso presso san Marcello.’ \n\nPiranesi had obtained the sponsorship for this book from the Irish nobleman, Lord Charlemont, to whom it was dedicated. With the rapid accumulation of material, the project expanded. Piranesi was promised Charlemont’s financial support for the four-volume work; however, by the time that the Antichità appeared in 1756, Charlemont had returned to Ireland and Piranesi, despite several letters to his patron, failed to receive the substantial payment he was counting on. In exasperation he eventually deleted the dedication to Charlemont from the main frontispiece to Volume I and issued the <i>Lettere di Giustificazione </i>a Milord Charlemont as a defence of his action. Further alterations took place when Francesco Piranesi issued another edition in 1784. In this, the much-altered title page to Volume I, which appears to have gone through at least three states in 1756-57, was change yet again, this time to receive a dedication to Gustav III of Sweden an important patron on Francesco. \n\nThe plates of the <i>Antichità</i> include works by or after other artists, chiefly in Volume II and III. In the Antichità Piranesi consciously sets out to apply a completely new system of archaeological inquiry to the study of the remains of antiquity. The first volume explains the urban structure of ancient Rome in terms of its walls, defences ad aqueducts as well as its civic and religious monuments. The next two volumes, which incorporate the plates of the <i>Camera Sepolcrali,</i> are devoted to the extensive remains of tombs ad funerary monuments around Rome. The final volume expounds the heroic feats of Roman engineering represented by bridges and monumental structures. According to Wilton Ely, the exaggerated scale and the concern with technology of these latter works, there are already signs of Piranesi’s attempts to counteract the increasing claims for the superiority of Greek art and architecture being made by Winkelman and Laugier. \r\n","physicalDescription":"Single page portrait format print, showing a  plan view of Hadrian's Mausoleum (later the Castel Sant'Angelo)  and the bridge connecting it to the Campus Martius. Features of the  plan are lettered, with a key in the Italian text below.","artistMakerPerson":[{"name":{"text":"Piranesi, Giovanni Battista","id":"A8740"},"association":{"text":"print-makers","id":"AAT25164"},"note":""},{"name":{"text":"Tessier","id":"AUTH328219"},"association":{"text":"bookbinders","id":"AAT25704"},"note":"This volume of prints was bound by Tessier bookbinders, Paris, and has their trade label pasted on the inside cover of the volume."},{"name":{"text":"Piranesi, Francesco","id":"A30837"},"association":{"text":"publishers","id":"AAT25574"},"note":"Francesco and Pietro Piranesi, Giovanni Battista's sons, set up the Calcographie des Piranèse Frères in Paris after having fled Rome in 1799."}],"artistMakerOrganisations":[{"name":{"text":"Calcographie des Piranèse Frères, Paris","id":"AUTH406361"},"association":{"text":"published by","id":"x28702"},"note":"Francesco and Pietro Piranesi set up the Calcographie in Paris after having fled Rome in 1799. "}],"artistMakerPeople":[],"materials":[{"text":"paper (fiber product)","id":"AAT14109"}],"techniques":[{"text":"etching (printing process)","id":"AAT53241"},{"text":"engraving (printing process)","id":"AAT53225"}],"materialsAndTechniques":"Etching with engraving, ink on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Architecture","id":"THES48993"}],"styles":[{"text":"Italian","id":"AAT111198"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"SB22","shelf":"SH3","box":"LL/4"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Rome","id":"x29106"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Paris","id":"x29068"},"association":{"text":"produced","id":"AAT54713"},"note":"This volume was bound and published in Paris between 1803 and 1807."}],"productionDates":[{"date":{"text":"1756","earliest":"1756-01-01","latest":"1756-12-31"},"association":{"text":"first published","id":"x46563"},"note":""},{"date":{"text":"1803-1807","earliest":"1803-01-01","latest":"1807-12-31"},"association":{"text":"produced","id":"AAT54713"},"note":"This volume was bound and published in Paris between 1803 and 1807."}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"34.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"23.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"57","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"volume","note":""},{"dimension":"Weight","value":"44","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"volume","note":""},{"dimension":"Depth","value":"5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"volume","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Upper left: Tom IV and to the right: V’\r\n\r\nAt lower centre: ‘A Pianta dell'Avanzo del Mausoleo di Adriano Imp.re ridotto poi in Fortezza, ed ora chiamato Castel Sant'Angelo. Egli se lo fece innalzare prima della sua morte in riva / al Tevere negli Orti di Domizia, luogo amenissimo a fianco del superbo Sepolcro d'Aug:to e dirimpetto ai nobili Edifizj del Campo Marzo, la magnificenza de' quali uguagliava, / anzi superava certam.te B Bassam.to quadrato, in oggi coperto dal terreno. C Masso composto di scaglie di Selce, Calce, e Pozzolana, spogliato de' suoi ricchi Ornam.ti e d'ogni suo /Marmo a riserva di qualche avanzo di grossi Peperini, che tutto all'intorno lo vestivano. D Ingresso turato quando la Mole fu convertita in Rocca. E Pertugio fatto / 15 anni sono dal Castellano, affin di poter salire, e calcare per mezzo di una sedia pensile dalla cima del Castello sino al piano; qual foro fu fatto turare tostam.te da Papa Cor-/ sini. F Corritoj, che girano d'intorno. G Stanza nel mezzo. H Pianta del.e Pile del Ponte, oggi detto pure Sant'Angelo, fabbricato dallo stesso Imp.re per unire il suo / Sepolcro al Campo Marzio. I Scala, per cui dal Fiume salivasi a' primi Piani della Ripa. K Campo Marzo.’\r\n\r\nSignature, lower right: Piranesi Archit. dis. et inc.\r\n","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"The collection of volumes was previously owned by architect Decimus Burton (1800-1881) and his bookplate is pasted in the inside cover of this volume.","historicalContext":"","briefDescription":"'Plan of the Remains of the Mausoleum of the Emperor Hadrian’, plate V, from a set of 60 plates,<i>G. Piranesi, Le Antichità Romane, vol. IV</i>, bound in Paris by Tessier, 1803-1807, etching with engraving, by Giovanni Battista Piranesi, Rome","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"From departmental notes."},{"reference":{"text":"","id":""},"details":"","free":"From the bookbinders' label on the inside cover of Volume 4 of 'Le Antichita Romane di Giambatista Piranesi.'"},{"reference":{"text":"John Wilton-Ely, Giovanni Battista Piranesi. The Complete Etchings, 2 vols., 1st ed., San Francisco: Alan Wofsy Fine Arts, 1994","id":"AUTH405198"},"details":"no. 473","free":""}],"production":"Lettered on the spine of the volume: ‘G. PIRANESI/ LE / ANTICHITA’/ ROMANE/ VOL.IV’\r\n\r\nThis volume of prints was bound by Tessier bookbinders, Paris, and has their trade label pasted on the inside cover of the volume: ‘Rue de la Harpe, Au-dessus de celle de Médecine, no. 132; Tessier/ Relieur et doureur/ De la Trésorerie nationale du Bureau/ de la Guerre/ et Calcographie piranesi/ A Paris'","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Rome","id":"x29106"},{"text":"Mausoleum of Hadrian","id":"x44818"}],"associatedPlaces":[{"text":"Rome","id":"x29106"}],"contentPerson":[],"associatedPerson":[{"text":"Hadrian","id":"N443"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Roman ruins","id":"x37522"},{"text":"architecture","id":"AAT54156"},{"text":"plans","id":"AAT34104"},{"text":"mausoleum","id":"AAT5891"},{"text":"bridge","id":"AAT7836"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.4156-1908"],"accessionNumberNum":"4156","accessionNumberPrefix":"E","accessionYear":1908,"otherNumbers":[{"type":{"text":"Istituto Centrale per la Grafica, Rome – matrix inventory number","id":"THES403866"},"number":"M-1400_172"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-07","recordCreationDate":"2009-06-30","availableToBook":false}}