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The plain side would have been used for eating delicacies such as marzipan or sugar plums, before being turned over to reveal the paintings and poems. Rather like Christmas crackers today, each carries a verse to be read out and enjoyed by guests.<br><br><b>Subjects Depicted</b><br>Each roundel shows a character such as a soldier or a richly dressed lady, with a satirical verse about their habits. The verses, entitled <i>The Twelve Wonders of the World</i>, were written by John Davies, especially for trenchers at a New Year party given around 1600 by Thomas Sackville, Ist Earl of Dorset. They were published in 1608 and were then available for other trencher makers to copy. This set was probably made around 1620.  Other sets show flowers, biblical texts and proverbs.<br><br><b>Ownership & Use</b><br>Only wealthy people could afford to use such luxury objects.  The fact that they have survived means that they were carefully looked after through the generations.  Surviving sets such as this one show no sign of use. The initials 'E.W.' on the box seem likely to have been added by a later owner.","physicalDescription":"Twelve Circular Platters (Roundels) of wood, painted with gold and silver on black.  In a box decorated on the cover with two male figures, a cock and a tree, with a building and a beacon in the background.  Around is a band of guilloche ornament, on the sides leafy ornament.  The roundels have each a figure in the centre surrounded by a band of guilloche ornament, outside which is an inscription.\r\n","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"sycamore","id":"AAT12357"},{"text":"beech","id":"AAT11948"}],"techniques":[{"text":"painting","id":"x30598"}],"materialsAndTechniques":"Sycamore or beech, painted and with silver and gold detail","categories":[],"styles":[],"collectionCode":{"text":"FWK","id":"THES48597"},"images":["2006AM5486","2018KX2088","2006AM5485","2006AM5484","2006AM5483","2006AM5482","2006AM5481","2006AM5480","2006AM5479","2006AM5478","2006AM5477","2006AM5476","2006AM5475","2006AM5474","2017JU9645","2017JU9654","2017JV7288","2018KX2073","2018KX2074","2018KX2075","2018KX2076","2018KX2077","2018KX2078","2018KX2079","2018KX2080","2018KX2081","2018KX2082","2018KX2083","2018KX2084","2018KX2085","2018KX2086","2018KX2087","2018KX2089","2018KX2090"],"imageResolution":"high","galleryLocations":[{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"},{"current":{"text":"56E (VA)","id":"THES49241"},"free":"","case":"CA8","shelf":"","box":"8"}],"partTypes":[[{"text":"Box","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Roundel","id":""}],[{"text":"Lid","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1600-1630","earliest":"1600-01-01","latest":"1630-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"6.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"box","note":""},{"dimension":"Width","value":"19","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"box","note":""},{"dimension":"Width","value":"15","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"each roundel","note":""}],"dimensionsNote":"Dimensions as recorded on catalogue Box, H. 2 ½ in., D. 7 ½ in.; roundels, Diam. 5 7/8 in. (Box, H. 6.4 cm, D. 19.1 cm; roundels, Diam. 14.9 cm)\r\nActual dimensions checked: measured; 12/07/1999 by DW\r\nThickness of each roundel c.3-4mm ","marksAndInscriptions":[{"content":"E W [?]","inscriber":{"name":{"text":"","id":"A8877"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Painted in white on underside of box, probably not original"}],"objectHistory":"Bought for £30 from Mrs Marshall, 32 Alderney Street, Eccleston Square, London SW (RF 12/1447M)\nCondition 'rubbed'","historicalContext":"For contextual information, see Victoria Yeoman, ‘Speaking plates: text, performance, and banqueting trenchers in Early Modern Europe’, in Renaissance Studies Vol. 31 No. 5, pp. 755-779","briefDescription":"Set of roundels in a box, 'Twelve Wonders of the World', English, 1600-1630","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"H. Clifford Smith, Catalogue of English Furniture & Woodwork (London 1930), 633, Plate 39\r\nTwelve Circular Platters (Roundels) of beech, painted with gold and silver on black.  In a box decorated on the cover with two male figures, a cock and a tree, with a building and a beacon in the background.  Around is a band of guilloche ornament, on the sides leafy ornament.  The roundels have each a figure in the centre surrounded by a band of guilloche ornament, outside which is an inscription.\r\nEarly 17th century.\r\nFrom catalogue Box, H. 2 ½ in., D. 7 ½ in.; roundels, Diam. 5 7/8 in."},{"reference":{"text":"","id":""},"details":"","free":"'Burlington Magazine,' Vol. XXXI, p. 234, 1917"},{"reference":{"text":"","id":""},"details":"","free":"'Proceedings of the Society of Antiquaries,' 2nd Series, Vol. XXVIII, p. 78"},{"reference":{"text":"","id":""},"details":"","free":"W.A.Thorpe, <i>The jury box for the county of Radnor </i>in Transactions of the Radnorshire Society, vol. VVIV, 1954, pp. 40-54\n\n"},{"reference":{"text":"","id":""},"details":"","free":"Paula Henderson, <i>The Tudor House and Garden </i>(New Haven and London, 2005)\r\n\r\nFig. 181, p. 158 Set of twelve early seventeenth-century banqueting plates or roundels and their storage box, made of beech wood and painted on one side 1608-30. A different figure appears on each of the plates, including a soldier, a wealthy lady, a divine, a lawyer, and a countryman. Each is surrounded by ornaments and a relevant satirical verse. The opposite, plain side, of each roundel may have been used for banqueting food. Victoria and Albert Museum\r\n\r\np.157 Judging by the terminology used to describe garden buildings in the Tudor period, feasting or banqueting seems to have been the major activity enjoyed in them. The words most often used today - <i>gazebo</i> and <i>pavilion</i> - were either not used or had a different meaning. N119 'Pavilion', as seen, referred to a tent or temporary banqueting house. Surveys, accounts and inventories used a variety of words for garden buildings, including 'shadow house', 'garden house', 'summer house' and 'herber' or 'arbour', some used in the same document, which suggests that there were distinctions. N120 'Type' and 'turret' were applied to both garden buildings and rooftop rooms, perhaps because they were similar in form and purpose. 'Banqueting house', by far the most common, was also used for some rooftop rooms, probably because they too were meant to provide a delightful place for the Tudor 'banquet', a delectable, intimate repast of 'conceited dishes' including marzipans, jellies, quince cakes, gingerbread, meringues and other treats, consumed with 'ipocras', a form of mulled wine flavoured with cinnamon, ginger, cloves, peppercorns, nutmeg and rosemary, all steeped in sugar. Markham described the banquet in detail in <i>The English Housewife</i>, giving specific orders for the 'making of Banquetting stuffe and conceited dishes, with other pretty and curious secrets'. N121 The elegant and decorative little delicacies were eaten off special plates, approximately the same size as dessert plates today, often decorated with witty pictures and inscriptions. Fine examples in embossed and painted leather, wood and silver survive (fig. 181). N122 [There are examples, too, in the collection of the Duke of Buccleuch, in Winchester, and in the British Museum.]\r\n"},{"reference":{"text":"","id":""},"details":"","free":"W.A. Thorpe, ‘The Sea and the Jungle in English Furniture’, in The Journal of the Chartered Auctioneers and Estate Agents’ Institute, April 1951, pp.1-20 [p.7]"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Label(?) by W.A.Thorpe (dept. of Furniture), 1950\n\nTWELVE WONDERS OF THE WORLD\r\nElizabethan dinner parties, especially at the New Year, were often followed by a 'banquet' of marchpane and other sweetmeats, somewhat similar to dessert. The trenchers were decorated ‘on their back sides' with designs and inscriptions intended to raise a laugh as each guest turned up his own ‘lot’. They were often made for amusement or suited to facetious subjects modelled in confectionery (e.g. the Signs of the Zodiac). The trade of trencher-makers preferred old-fashioned themes, especially Bible texts, Aesop's fables, the 'language of flowers', proverbs, and the like. Family 'lots' were sometimes kept for generations.\r\nA fashion for 'characters' followed Casaubon's THEOPHRASTUS (1592) and other works. The verses on this beechwood set were written specially for trenchers at a New Year party given, probably in 1600, by Thomas Sackville, first Earl of Dorset, who had succeeded Burghley as Lord Treasurer the previous year. Their \"rash\" author, John Davies (b. 1569, d. 1626), one of the 'Wiltshire Welsh', had already won golden opinions by his brilliant ORCHESTRA (1596), on the dance, and NOSCE TEIPSUM (1598), on the soul, among the first philosophical poems in English. The TWELVE WONDERS OF THE WORLD were printed in the second edition (1608) of a well-known anthology which had appeared in 1602, and gained further popularity from a musical setting published by John Maynard in 1611.\r\nThe decoration of this set is in 'Indian' style brought into fashion by the East India Company, founded on 31st December, 1599 (O.S.). Several other extant objects were similarly decorated, perhaps by the same London tradesman EW, including a 'cadet' or ballot-box, dated 1619, in possession of the Saddlers Company.\r\nThe transcription on the labels gives the wording of the trenchers, with modern spelling and punctuation.\r\nENGLISH; about 1610\r\nW. 30 to L-1912\t \r\n\r\n1.THE COURTIER. (W.30F-1912)\r\nLonge have I lived in courte, yett learned not all this while,\r\nTo sell poore sutors breath nor wheare I hate to smile,\r\nSuperiores' to adore. Inferiors to dispise,\r\nTo fly from such as fall, to follow such as rise,\r\nTo cloake a poore desire under a rich aray,\r\nNor to aspire by vice, Though it were the quicker way,\r\n \r\n2. THE DIVINE (W.30C-1912)\r\nMy Callinge is deuine, and I from god am sent,\r\nI will not chopp church be, nor pay my patron rent,\r\nnor yeeled to sacriledge but like the kind true mother,\r\nrather will loose aIl lthe child than part it with another,\r\nMuch wealth I will not seeke nor worldly maisters serue,\r\nSo to growe rich and fatt, while my poore flocke do sterue.\r\n \r\n3. THE SOLDIER (W.30B-1912)\r\nMy occupacon is the noble trade of Kinges,\r\nThe triall that defids, the highest right of things, \r\nThough mars my mister, be, I doe not venue loue, \r\nnor honnor Bacchus hoast, nor often fweare by Joaue, \r\nof speaking of my swlfe, I all occation shun,\r\nAnd rather loue to doe, Then boast what I haue done.\r\n \r\n4.THE LAWYER (W.30E-1912)\r\nThe Lawe my calling is, my roabe my tounge my penn,\r\nWealth and opynion gaine, and make me Judge of men,\r\nThe Knowen dishonest cause, I never did defend,\r\nnor spun out guitts in length, but wish and taught an end,\r\nnor councell did bewraie, nor of both parties take,\r\nnor neuer tooke I fee for which I neuer spake.\r\n  \r\n5. THE PHYSICIAN (W.30L-1912)\r\nI SS(t)uddy to upphould the slippery state of man,\r\nWho dyes when we have donne, the best and all wee can,\r\nfrom practise and from bookes, I drawe my learned skill,\r\nnot from the knowen receiptes, of pottecaries bill,\r\nThe earth my faultes doth hide, the world my cares doe see, \r\nWhat youth and tyme effecttes, is oft ascribed to me.\r\n \r\n6. THE MERCHANT (W.30H-1912)\r\nMy trade doth euery thinge to euery land supply, \r\ndiscouer unknown coastes, strange cuntrys doth alye, \r\nI neuer did forestall, I neuer did engrosse, \r\nnor custome did withdrawe, though I returnd with loffe,\r\nI thrive by faire exchange, by buying and by sellinge, \r\nAnd nott by Jewish use, repris all fraude and lyinge.\r\n  \r\n7.THE COUNTRY GENTLEMAN (W.30G-1912)\r\nThough- strange outlandish spirrettes praise towne and cuntrys scorne,\r\nThe country is my home, dwell where I was borne,\r\nThere proffit and command, with plesure I pertake,\r\nYett do not haucks and doggs my sole companions make,\r\nI rule but not oppresse end quarrell not mainteyne,\r\nsee townes but dwell not there, abridge my chardge or trayne.\r\n \r\n8.THE BACHELOR (W.30K-1912)\r\nHow many things as yett, are deere alike to me,\r\nThe field the horse the dogg, loue armes or libberty, \r\nI have no wife as yett, whome I may call my owne,\r\nI have no children yett, that by my name are knowen,\r\nYet if I married weare,, I wish I might not thrive, \r\nIf that I coulde not tayme, the veriest shrewe aliue.\r\n \r\n9. THE MARRIED MAN (W.30D-1912)\r\nI only am the man, Amoungst all married men,\r\nThatoeay not wish the preist, to be unlincke againe, \r\nAnd though my shue do wringe, I would not make my moane, \r\nnor thinke my neighbours happ more better than my owne, \r\nyett courte I not my wife, but yield observance due, \r\nbeing neither fond nor crosse, Jelous nor untrue.\r\n \r\n 10.THE WIFE (W.30J-1912)\r\nThe first of all our sex, came from the side of man,\r\nI thither am returnd, from whence our sex began,\r\nI do not, (not) vissett oft nor many when I doe \r\nI tell my mind to few, And that in councell two,\r\nI seeme not sicke in health, nor sullen but in sorrowe,\r\nI care for some what else, Then what to weare to morrow.\r\n \t\t\t \r\n11.THE WIDOW (W.30I-1912)\t\r\n My husband knewe, how much his death would greiue me,\r\nand therefore left me wealth, to comforte and releiue me,\r\nThough I no more will haue, I must not loue disdaine,\r\nPenelope her selfe did sutors entertayne,\r\nAnd yett to draw on such, as are of best esteeme.\r\nnor younger then I am nor richer will I seeme.\r\n \r\n12.THE MAID (W.30A-1912)\r\nI marriage would forswerue but that I heare men tell, \r\nthat shee that dyes a mayde, shall lead an ape to hell, \r\nTherefore if fortune come, I may not mocke and playe, \r\nnor drive the bargaine of, tell all he driuen awaye, \r\nTitles and Iands I like, yett rather fancie can,\r\nA man that wanteth gould, then gould that wantes a man.\r\n \r\n\r\n","date":{"text":"","earliest":null,"latest":null}},{"text":"British Galleries:\nThe plainer backs of these were used as plates, possibly for sweetmeats after dinner. They would then be turned over and the verses read out. The decoration is an early example of the British imitating Asian lacquer, which was a luxurious import at that time. These verses were published in 1608 after they were composed for a New Year dinner in 1600.","date":{"text":"27/03/2003","earliest":"2003-03-27","latest":"2003-03-27"}},{"text":"British Galleries online\r\n<b>Object Type</b><br>\r\nThis set of 12 round wooden plates, or trenchers, in their original box, was made for special dinners, especially at New Year.  The plain side would have been used for eating delicacies such as marzipan or sugar plums, before being turned over to reveal the paintings and poems. Rather like Christmas crackers today, each carries a verse to be read out and enjoyed by guests.<br><br>\r\n\r\n<b>Subjects Depicted</b><br>\r\nEach roundel shows a character such as a soldier or a richly dressed lady, with a satirical verse about their habits. The verses, entitled <i>The Twelve Wonders of the World</i>, were written by John Davies, especially for trenchers at a New Year party given around 1600 by Thomas Sackville, Ist Earl of Dorset. They were published in 1608 and were then available for other trencher makers to copy. This set was probably made around 1620.  Other sets show flowers, biblical texts and proverbs.<br><br>\r\n\r\n<b>Ownership & Use</b><br>\r\nOnly wealthy people could afford to use such luxury objects.  The fact that they have survived means that they were carefully looked after through the generations.  Surviving sets such as this one show no sign of use. The initials 'E.W.' on the box could be those of the owner or the maker.","date":{"text":"1/12/2001","earliest":"2001-12-01","latest":"2001-12-01"}}],"partNumbers":["W.30-1912","W.30A-1912","W.30B-1912","W.30C-1912","W.30D-1912","W.30E-1912","W.30F-1912","W.30G-1912","W.30H-1912","W.30I-1912","W.30J-1912","W.30K-1912","W.30L-1912","W.30M-1912"],"accessionNumberNum":"30","accessionNumberPrefix":"W","accessionYear":1912,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Box","Roundel [1]","Roundel [2]","Roundel [3]","Roundel [4]","Roundel [5]","Roundel [6]","Roundel [7]","Roundel [8]","Roundel [9]","Roundel [10]","Roundel [11]","Roundel [12]","Lid"],"assets":["2019LM6111","2019LN0508","2019LN1107","2019LN1338","2019LN1523","2019LN1983","2019LN2243","2019LN2478","2019LN2487","2019LN2711","2019LN2953","2019LN3194","2019LN6201","2019LN6200","2019LN6199","2019LR1257","2019LP8767","2019LP7953","2019LP4988","2019LP4498","2019LP4495","2019LP3691","2019LP3114","2019LP1789","2019LR6709","2019LR6073","2019LR5638","2019LR4968","2019LU8701","2019LU4985","2019LV7875","2019LV7647","2019LV7418","2019LV7341","2019LV7268","2019LV6802","2019LV5986","2019LV5944","2019LV5859","2019LV5266","2019LV4895","2019LV4799"],"recordModificationDate":"2026-01-19","recordCreationDate":"2003-03-27","availableToBook":false}}