{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O787237"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O787237/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EF9449/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EF9449/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EF9449","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AD0463","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O787237/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O787237","accessionNumber":"E.1951-1909","objectType":"Drawing","titles":[{"title":"Study of a plaster cast of the foot of the Farnese Hercules","type":""}],"summaryDescription":"","physicalDescription":"Large drawing of a plaster cast of a human foot","artistMakerPerson":[{"name":{"text":"Fildes, Luke (Sir, KB, KCVO, RA)","id":"A8385"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"black chalk","id":"AAT80058"},{"text":"white chalk","id":"x39202"}],"techniques":[{"text":"drawn","id":"x30545"}],"materialsAndTechniques":"black chalk heightened with white chalk","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"British school","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EF9449","2006AD0463"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"DR","shelf":"109","box":""}],"partTypes":[[{"text":"drawing","id":"x32498"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"1863","earliest":"1863-01-01","latest":"1863-12-31"},"association":{"text":"drawn","id":"x30545"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"67.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"45.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Signed and dated bottom left 'L. Fildes / Dec. 1st 1863'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Signed 'L Fildes' bottom right","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Signed 'S.L. Fildes' faintly in white chalk, top left","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Stamped with the 'Science and Art Department' stamp, top right","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Transferred from the stores, 1909","historicalContext":"","briefDescription":"Fildes, Luke; black chalk drawing with white heightening, plaster cast of the foot of the Farnese Hercules, 1863. This drawing was made during Fildes's time as an art student at South Kensington.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Owens, Susan, <u>The Art of Drawing British Masters And Methods Since 1600</u>, V&A Publishing, London, 2013, p. 122, fig. 97"},{"reference":{"text":"","id":""},"details":"","free":"Lambert, Susan. <u>Drawing: Technique & Purpose</u>. London: Victoria & Albert Museum, 1981. p.33."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"plaster casts","id":"x46061"},{"text":"foot","id":"AAT233911"},{"text":"Farnese Hercules","id":"x47468"}],"contentConcepts":[{"text":"art school drawings","id":"x46078"},{"text":"Antique, the","id":"AAT55818"},{"text":"cross hatching","id":"x46083"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Cast Courts Reinstallation, 27 November 2018\n\n2.\n<b>Study of a plaster cast of the foot of the Farnese Hercules</b>\r\nSamuel Luke Fildes, 1863\r\nOne of the students at the National Art Training School at this Museum was Luke Fildes (1843-1927).  He went on to provide illustrations for novels by Dickens and Thackeray and the popular weekly <i>The Graphic.  </i>As a young student, Fildes drew this foot from the cast of a classical sculpture, the Farnese Hercules.  The programme of learning at the art school, which focussed on copying and examination, became known as ‘The South Kensington System’.  It was adopted around the world.\n\nReproduced from a black chalk drawing with white heightening\nSouth Kensington, London\nMuseum no. E.1951-1909\r\n\r\n","date":{"text":"27 November 2018","earliest":"2018-11-27","latest":"2018-11-27"}},{"text":"The Department of Science and Art took charge of art and design education in the 1850s. Its comprehensive curriculum, the National Course of Art Instruction, dictated teaching practice in Britain until the end of the century. Plaster casts of sculptural fragments, natural forms and ornament replaced the life model as the focal point of teaching.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.1951-1909"],"accessionNumberNum":"1951","accessionNumberPrefix":"E","accessionYear":1909,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-25","recordCreationDate":"2009-06-30","availableToBook":false}}