{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O77679"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O77679/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM2977/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM2977/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AM2977","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O77679/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O77679","accessionNumber":"587-1902","objectType":"Fruit bowl","titles":[],"summaryDescription":"<b>Object Type</b><br>Bowls for fruit were gradually added to dinner services along with other specialised vessels. Here, porcelain may be seen to be taking over the traditional role of glass for fruit or salad. <br><br><b>Design & Designing</b><br>Loosely copied from 18th-century Sèvres porcelain, Staffordshire porcelain patterns with ground colours and shaped panels in reserve became highly popular in the 1830s. This basic pattern (no. 5061) was also made in claret red, apricot, lime green and three shades of blue. The moulded, lobed and wavy-edged shape of this bowl follows contemporary metalwork rather than traditional wheel-thrown ceramics.<br><br><b>Collectors & Owners</b><br>This bowl is part of a service that was acquired by the V&A from Miss H. M. Gulson, who had inherited it from her uncle, Josiah Spode IV (1823-1893). Although the V&A wished to accept only a token number of pieces because of the impossibility of displaying the service in its entirety, eventually it agreed to take all rather than destroy the integrity of a documentary service. Since 1902 the service has largely remained in store. The British Galleries now provide a fitting permanent display of the many different shapes used in the service.<br><br>The Spode family provenance suggests that the service should represent the grandest and most opulent porcelain made at the factory at Stoke-on-Trent in the last years of Spode ownership. The factory archives, now available to collectors, show that the moulded shape is 'Amherst' (named after Lord Amherst, a popular Viceroy of India who retired in 1828) while the pattern 5061 was introduced in 1832. It would seem therefore that Josiah Spode IV, only nine years old in 1832, may have inherited it later from his own father, Josiah Spode III.","physicalDescription":"","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Spode Ceramic Works","id":"A9226"},"association":{"text":"manufacturer","id":"AAT25230"},"note":""}],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Porcelain","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Porcelain","id":"THES48907"},{"text":"Eating","id":"THES48963"},{"text":"Tableware & cutlery","id":"THES48888"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2006AM2977"],"imageResolution":"high","galleryLocations":[{"current":{"text":"120 (VA)","id":"THES49226"},"free":"","case":"CA19","shelf":"","box":"34"}],"partTypes":[[{"text":"Bowl","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Stoke-on-Trent","id":"x29185"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1831","earliest":"1831-01-01","latest":"1831-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Miss H.M. Gulson","dimensions":[{"dimension":"Height","value":"14","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"27","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Dimensions checked: Measured; 06/07/2000 by RK","marksAndInscriptions":[{"content":"With mark 'Spode Felspar Porcelain' surrounded by a wreath of the rose, thistle and shamrock printed in black","inscriber":{"name":{"text":"","id":"A8877"},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"","historicalContext":"","briefDescription":"","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"flowers","id":"x35571"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"British Galleries:\nPART OF A DINNER SERVICE<br>\nAbout 1820; numbers 30-34, 1831<br>\nThis large service is characteristic of the extensive and richly decorated porcelain that was available to an increasingly wide range of buyers during this period. Marketing through London showrooms played an important role in the selling of such ensembles. Massed displays were a familiar sight to the visiting public as in the Wedgwood showroom illustrated on the left.","date":{"text":"27/03/2003","earliest":"2003-03-27","latest":"2003-03-27"}}],"partNumbers":["587-1902"],"accessionNumberNum":"587","accessionNumberPrefix":"","accessionYear":1902,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LR1479","2019LP3242","2019LU8744","2019LV5723","2019LW2896"],"recordModificationDate":"2025-04-12","recordCreationDate":"2003-03-27","availableToBook":false}}